A capacity for inferiority in the growing adult is threatened by the temptation by squander that capacity ruthlessly, to revel in hallowness. The syndrom especially plaques anyone who lives behind a mask. An elephant in her disquise as a human princess, a scarecrow with painted features, a glittering tiara under which to glow and glide in anonymous glamour. A witch's hat, a wizards stole, a scholars gown, a soldiers dress sartorials. A hundred ways to duck the question: how will I live with myself now that I nkow what I know.
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Maybe that's what growing up means, in the end - you go far enough in the direction of - somewhere - and you realise that you've neutered the capacity of the term home to mean anything. [...] We don't get an endless number of orbits away from the place where meaning first arises, that treasure-house of first experiences. What we learn, instead, is that our adventures secure us in our isolation. Experience revokes our licence to return to simpler times. Sooner or later, there's no place remotely like home.
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It may merely be apocryphal that when the Wizard saw the glass bottle he gasped, and clutched his heart. The story is told in so many ways, depending on who is doing the telling, and what needs to be heard at the time. It is a matter of history, however, that shortly thereafter, the Wizard absconded from the Palace. He left in the way he had first arrived-- a hot-air balloon-- just a few hours before seditious ministers were to lead a Palace revolt and to hold an execution without trial.
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And of the Witch? In the life of a Witch, there is no "after", in the "ever after" of a Witch there is no "happily"; in the story of a Witch, there is no afterword. Of that part that is beyond the life story, beyond the story of the life, there is-alas, or perhaps thank mercy-no telling. She was dead, dead, and gone, and all that was left of her was the carapace of her reputation for malice.
The real thing about evil, " said the Witch at the doorway, "isn't any of what you said. You figure out one side of it - the human side, say - and the eternal side goes into shadow. Or vice versa. It's like the old saw: What does a dragon in its shell look like? Well no one can ever tell, for as soon as you break the shell to see, the dragon is no longer in its shell. The real disaster of this inquiry is that it is the nature of evil to be secret.
Well, I learned to cook. At my age, " she told him. "What's next? Art therapy? Anyway, I've had quite a time of it this summer, and who knows what eases down on any road. Come, Rain. A quick goodbye, and off you go." "Goodbye, " said Rain to the Lion, and then to the woman. "Not to them, " said Glinda, "To me." She turned eyes that were saucerly upon Glinda. "Mum?
Everyone has a right to love the land that gave them the things they need to live. It gives them beauty to look at, and food to eat, and neighbors to bicker with and then eventually to marry. But I think... that your own devotion to your familiar homeland should inspire you to allow other people to embrace their homelands as beautiful too.
Thanks to our artists, we pretend well, living under canopies of painted clouds and painted gods, in halls of marble floors across which the sung Masses paint hope in deep impatsi of echo. We make of the hollow world a fuller, messier, prettier place, but all our inventions can't create the one thing we require: to deserve any fond attention we might accidentally receive, to receive any fond attention we don't in the course of things deserve. We are never enough to ourselves because we can never be enough to another. Any one of us walks into any room and reminds its occupant that we are not the one they most want to see. We are never the one. We are never enough.
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To the grim poor there need be no pourquoi tale about where evil arises; it just arises; it always is. One never learns how the witch became wicked, or whether that was the right choice for her-is it ever the right choice? Does the devil ever struggle to be good again, or if so is he not a devil... ?
You need my help? What for? Bread, cash, a fake identity to help you slip sideways through the cracks? Tell me what you need, tell me why I should help, and I'll see what I can do. In memory of Elphaba. You knew her." Her head titled again, but up, this time, and it was to keep the sudden wetness from spilling into her carefully colored false eyelashes. "You knew my Elphie!
He lingered at the door, and said, 'The Lion wants courage, the Tin Man a heart, and the Scarecrow brains. Dorothy wants to go home. What do you want?'... She couldn't say forgiveness, not to Liir. She started to say 'a soldier, ' to make fun of his mooning affections over the guys in uniform. But realizing even as she said it that he would be hurt, she caught herself halfway, and in the end what came out of her mouth surprised them both. She said, 'A soul-' He blinked at her.
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You could say that Elphaba brought us together, ' said Boq softly. 'I'm closer to her and so I'm closer to you.' Galinda seemed to give up. She leaned her head back on the velvet cushions of the swing and said, 'Boq, you know despite myself I think you're a little sweet. You're a little sweet and you're a little charming and you're a little maddening and you're a little habit-forming.' Boq held his breath. But you're little!' she concluded. 'You're a Munchkin, for god's sake!' He kissed her, he kissed her, he kissed her, little by little by little.
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She had that look a child has only a few times in its life, when the child has bettered her betters. The expression isn't smug, though adults often take it for smugness. It's something else. Maybe relief at having confirmed through personal experience the long-held suspicion of our species, that the enchanted world of childhood is merely a mask for something else, a more subtle and paradoxical magic. - p. 157
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But his face had that hollow look, as if there was something gone... you know that look. The inward focus. Distantly attentive to the home you're missing, or the someone you're missing. That look that a bird has when it turns it dry reptilian eye on you. That look that doesn't see you because the mind is filled up with someone it would rather see.
The circularity of influence was like a trail of dominoes falling in four dimensions. Each time one slapped another and fell to the ground, from a different vantage point it appeared knocked upright, ready to be slapped and fall again. Everything was not merely relative, it was-how to put it? -relevant. Representational. Revealing. Referential and reverential both.
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Your childhood, " said Yackle coaxingly, as if she could smell his thoughts. As if she could sniff out those passages he hadn't chosen to retail at drink parties. Her words lulled him. The past, even a bitter past, is usually more pungent than the present, or at least better organized in the mind.
Galinda didn't see the verdant world through the glass of the carriage; she saw her own reflection instead. She had the nearsightedness of youth. She reasoned that because she was beautiful she was significant, though what she signified, and to whom, was not clear yet... She was, after all, on her way to Shiz because she was smart. But there was more than one way to be smart.