I love those dark moments in Peanuts. I love that they're in there, that Charles Schulz put the sad lonely bits of himself into the comic. I love the silliness too, the dancing Snoopy strips. The little boy Rerun drawing "basement" comics about Tarzan fighting Daffy Duck in a helicopter. Those are the bits that keep me reading. The funny parts! The fun parts. The silly bits that don't make any sense. And when I get to the sad lonely Peppermint Patty standing in a field wondering why nobody shook hands and said "good game, " well, it works because that's not all she was. I try to think that way about everything. That's the kind of person I want to be.
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I think it would be cool if we wore suits while we committed these violent acts of retribution. Not fancy suits. No. Cheap suits that we won't mind ruining. Then if we're caught by the police, well, think how amazing we'll look! All bloody and torn and grizzled. Plus, suits look official. They would add an air of credibility to our campaign of blood drenched disproportionate responses.
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She needs you, Dad, " Julia says. "She has unfinished business in this world." "What is the matter with you?" Charlie asks his daughter. "Any sane person would have told me to go to the doctor. I'm seeing a headless apparition every day. Maybe my medications are conflicting. You should see the list of side effects on this stuff.
There's something not quite Christian about it, " Tony said. He sat back in his chair and looked up to where his Bible sat on the shelf. "I can't put my finger on why exactly, but it doesn't seem right for a couple of young ladies to be out there in the middle of the night, obsessing over their telescopes.
Dear Nintendo, We need a new Mario game, where you rescue the princess in the first ten minutes, and for the rest of the game you try and push down that sick feeling in your stomach that she's 'damaged goods', a concept detailed again and again in the profoundly sex negative instruction booklet, and when Luigi makes a crack about her and Bowser, you break his nose and immediately regret it. When Peach asks you, in the quiet of her mushroom castle bedroom 'do you still love me?' you pretend to be asleep. You press the A button rhythmically, to control your breath, keep it even.
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I don't know what you believe in. I believe we just stop. Because if we move on to an afterlife, any kind of afterlife, that means there will be other people there. I'm tired of the chit chat. Oh, that is a handsome boy. He takes after his grandfather. Did they change the breakfast again? It tastes different to me. For Eternity? No thanks.
I live to feel her fingers move inside of me like this. The bus makes another stop. A fat man climbs aboard, hauling himself up the stairs. I would kill him for one more moment with her fingers inside me. I don't have to. She gives me my moment for free. He lives because of her generosity. We all live because of her generosity.