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APARobert Hughes Quotes. (n.d.). Jar of Quotes. Retrieved , from JarofQuotes.com Web site: https://www.jarofquotes.com/view.php?id=on-platinis-presidential-watch-he-has-to-balance-all-leagues-all-dreams-needs-hundreds-clubs-across-his-continent-robert-hughes
ChicagoRobert Hughes Quotes. Jar of Quotes, 2019. https://www.jarofquotes.com/view.php?id=on-platinis-presidential-watch-he-has-to-balance-all-leagues-all-dreams-needs-hundreds-clubs-across-his-continent-robert-hughes, accessed .
MLA"Robert Hughes Quotes." Jar of Quotes, 2019. . https://www.jarofquotes.com/view.php?id=on-platinis-presidential-watch-he-has-to-balance-all-leagues-all-dreams-needs-hundreds-clubs-across-his-continent-robert-hughes
If you like your soccer cerebral, and the triumph ultimately to be wrung out of staying power, Milan was the place to be. If you love the uncertainty of teams that cannot defend yet have the courage to attack, attack, attack, then Seville was heaven... The common denominator between the victories of Arsenal and Fenerbache? The strength of mind, the courage to dare in another team's domain, the inner belief that is as much a part of sporting success as the skill a fellow may be born with.
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It is hard to think of any work of art of which one can say 'this saved the life of one Jew, one Vietnamese, one Cambodian'. Specific books, perhaps; but as far as one can tell, no paintings or sculptures. The difference between us and the artists of the 1920's is that they they thought such a work of art could be made. Perhaps it was a certain naivete that made them think so. But it is certainly our loss that we cannot.
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It seems obvious, looking back, that the artists of Weimar Germany and Leninist Russia lived in a much more attenuated landscape of media than ours, and their reward was that they could still believe, in good faith and without bombast, that art could morally influence the world. Today, the idea has largely been dismissed, as it must in a mass media society where art's principal social role is to be investment capital, or, in the simplest way, bullion. We still have political art, but we have no effective political art. An artist must be famous to be heard, but as he acquires fame, so his work accumulates 'value' and becomes, ipso-facto, harmless. As far as today's politics is concerned, most art aspires to the condition of Muzak. It provides the background hum for power.
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Nevertheless, what was made in the hope of transforming the world need not be rejected because it failed to do so - otherwise, one would also have to throw out a good deal of the greatest painting and poetry of the nineteenth century. An objective political failure can still work as a model of intellectual affirmation or dissent.
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The basic project of art is always to make the world whole and comprehensible, to restore it to us in all its glory and its occasional nastiness, not through argument but through feeling, and then to close the gap between you and everything that is not you, and in this way pass from feeling to meaning. It's not something that committees can do. It's not a task achieved by groups or by movements. It's done by individuals, each person mediating in some way between a sense of history and an experience of the world.
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When the war (WWI) finally ended it was necessary for both sides to maintain, indeed even to inflate, the myth of sacrifice so that the whole affair would not be seen for what it was: a meaningless waste of millions of lives. Logically, if the flower of youth had been cut down in Flanders, the survivors were not the flower: the dead were superior to the traumatized living. In this way, the virtual destruction of a generation further increased the distance between the old and the young, between the official and the unofficial.
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