The gospel is never about everybody else; it is always about you, about me. The gospel is never truth in general; it's always a truth in specific. The gospel is never a commentary on ideas or cultures or conditions; it's always about actual persons, actual pains, actual troubles, actual sin; you, me; who you are and what you've done; who I am and what I've done.
Eugene H. Peterson
I can't do anything about how people who are all but completely unaware of my actual motivations and my actual thought process and my actual worldview, how they characterize me. There's not much I can do about it, except never say another word other than 'there's a ground ball to shortstop.' And I don't think that's going to happen.
I guess, like most foreigners, when you're away, you see your own culture being even more strange. But where I come from and my roots mean a lot. I miss my family and my friends. Something I've realized as I've been traveling is that it's more about the actual people than the actual place.
What I most cherish is the observation of the movement of colors. Only in this have I found the laws of those simultaneous and complementary color contrasts that nourish the actual rhythm of my vision. In this I find the actual essence, an essence which is not born out of an a priori system or theory.
If a kid is really interested in wanting to have a career in aviation, he's actually learning and getting some of the [basics], not even just fringe. There are things in here that movie [Planes] about like the pulp of an engine, and it's the actual engine, the actual parts and pieces. So I felt like I got schooled as well. I learned a lot just being in there and doing that.
Lying is a full time occupation, even if you tell just one, because once you tell it, you're stuck with it. If you want to do it right, you have to visualize it, conjure the graphics, tone, and sequence of action, then relate it purposefully in the midst of seemingly spontaneous dialogue. The more actual the lie becomes to the listener, the more actual it becomes to the teller, which is scariest of all. Some people really get to believing their own lies.
Hilary Thayer Hamann
When a philosopher, scientist, or psychologist discusses the discrepancy between the actual and the ideal, he or she attempts to convince us with the tools of discursive thought ... An artist does it differently ... their primary approach is different, even though both groups, if you will, are investigating the actual, the ideal, and the discrepancy in between.
I realized these were all the snapshots which our children would look at someday with wonder, thinking their parents had lived smooth, well-ordered lives and got up in the morning to walk proudly on the sidewalks of life, never dreaming the raggedy madness and riot of our actual lives, our actual night, the hell of it, the senseless emptiness.
The hope was, people like me got to finally find our place in college or in the actual world. People who understood this told you that high school wasn't the actual world, that it was more like a temporary alternate reality you were forced to believe in for four years. A video game you played, where you could never get to the next level no matter how hard you tried.
It's my own fault, really. For believing in fairy tales. Not that I ever mistook them for actual historical fact, or anything. But I did grow up believing that for every girl, there's a prince out there somewhere. All she has to do is find him. Then it's on with the happily ever after. So you can only imagine what happened when I found out. That my prince really IS one. A prince. No, I really mean it. He's an actual PRINCE.
Now intelligence seemed quantifiable. You could measure someone's actual or potential height, and now, it seemed, you could also measure someone's actual or potential intelligence. We had one dimension of mental ability along which we could array everyone... The whole concept has to be challenged; in fact, it has to be replaced.
Poems give us permission to be unsure, in ways we must be if we are ever to learn anything not already known. If you look with open eyes at your actual life, it's always going to be the kind of long division problem that doesn't work out perfectly evenly. Poems let you accept the multiplicity and complexity of the actual, they let us navigate the unnavigable, insoluble parts of our individual fates and shared existence.
People say the effect is only on the mind. It is no such thing. The effect is on the body, too. Little as we know about the way in which we are affected by form, by color, and light, we do know this, that they have an actual physical effect. Variety of form and brilliancy of color in the objects presented to patients, are actual means of recovery.
One can get a proper insight into the practice of flying only by actual flying experiments. . . . The manner in which we have to meet the irregularities of the wind, when soaring in the air, can only be learnt by being in the air itself. . . . The only way which leads us to a quick development in human flight is a systematic and energetic practice in actual flying experiments.
This is the essential distinction--even opposition--between the painting and the film: the painting is composed subjectively, thefilm objectively. However highly we rate the function of the scenario writer--in actual practice it is rated very low--we must recognize that the film is not transposed directly and freely from the mind by means of a docile medium like paint, but must be cut piece-meal out of the lumbering material of the actual visible world.
Even the absurdest report may in nearly every instance be traced to an actual occurrence; and had there been no such actual occurrence, this preposterous misrepresentation of it would never have existed. Though the distorted or magnified image transmitted to us through the refracting medium of rumour, is utterly unlike the reality; yet in the absence of the reality there would have been no distorted or magnified image.
That the mere matter of a poem, for instance--its subject, its given incidents or situation; that the mere matter of a picture--the actual circumstances of an event, the actual topography of a landscape--should be nothing without the form, the spirit of the handling, that this form, this mode of handling, should become an end in itself, should penetrate every part of the matter;Mthis is what all art constantly strives after, and achieves in different degrees.
One night, I was lying in bed, and I was channel surfing between reality TV programs and actual war coverage. On one channel, there's a group of young people competing for I don't even know; and on the next, there's a group of young people fighting in an actual war. I was really tired, and the lines between these stories started to blur in a very unsettling way. That's the moment when Katniss's story came to me.
The term 'Grace' has been explained by people just to fulfill the vested interest. But what is its actual meaning? Thakur (Sri Ramkrishna) has said 'When God within the body wishes to liberate himself, then there will be actual liberation of 'Atma' or 'Soul'. That means spontaneous evolution of life power. This spontaneous evolution which individual gets is called grace. Otherwise the term 'Grace' is an abstract idea.
Sri Jibankrishna or Diamond
Fantasy works inwards upon its author, blurring the boundary between the visioned and the actual, and associating itself ever moreclosely with the Ego, so that the child who has fantasied himself a murderer ends by becoming a Loeb or a Leopold. The creative Imagination works outwards, steadily increasing the gap between the visioned and the actual, till this becomes the great gulf fixed between art and nature. Few writers of crime-stories become murderers--if any do, it is not the result of identifying themselves with their murderous heroes.
Dorothy L. Sayers
People don't realize how much it means to your music to record on tape, whether it be for new music or old music. People don't realize how much or how imperative it is to use actual hardware when making drums because those are actual percussion samplers. They're hardware instruments that are made to have the drum hit.
A life thus names a restless activeness, a destructive-creative force-presence that does not coincide fully with any specific body. A life tear the fabric of the actual without ever coming fully 'out' in a person, place, or thing. A life points to... 'matter in variation that enters assemblages and leaves them. A life is a vitality proper not to any individual but to 'pure immanence,' or that protean swarm that is not actual though it is real: 'A life contains only virtuals. It is made of virtualities.
A child is asleep. Her private life unwinds inside skin and skull; only as she sheds childhood, first one decade and then another, can she locate the actual, historical stream, see the setting of her dreaming private life-the nation, the city, the neighborhood, the house where the family lives-as an actual project under way, a project living people willed, and made well or failed, and are still making, herself among them. I breathed the air of history all unaware, and walked oblivious through its littered layers.
Probably our atomic weights merely represent a mean value around which the actual atomic weights of the atoms vary within certain narrow limits... when we say, the atomic weight of, for instance, calcium is 40, we really express the fact that, while the majority of calcium atoms have an actual atomic weight of 40, there are not but a few which are represented by 39 or 41, a less number by 38 or 42, and so on.
Actual knowledge is identical with its object: in the individual, potential knowledge is in time prior to actual knowledge, but in the universe as a whole it is not prior even in time. Mind is not at one time knowing and at another not. When mind is set free from its present conditions it appears as just what it is and nothing more: this alone is immortal and eternal (we do not, however, remember its former activity because, while mind in this sense is impassible, mind as passive is destructible), and without it nothing thinks.
The error in this conclusion may be most simply demonstrated by means of an actual example. Let us select for this purpose the monetary history of Austria, which Laughlin also uses as an illustration. From 1859 onwards the Austrian National Bank was released from the obligation to convert its notes on demand into silver, and nobody could tell when the State paper-money issued in 1866 would be redeemed, or even if it would be redeemed at all. It was not until the later 'nineties that the transition to metallic money was completed by the actual resumption of cash payments on the part of the Austro-Hungarian Bank.
Ludwig von Mises
There is no better moment than this moment, when we're anticipating the actual moment itself. All of the moments that lead up to the actual moment are truly the best moments. Those are the moments that are filled with good times. Those are the moments in which you are able to think that it is going to be perfect, when the moment actually happens. But, the moment is reality, and reality always kinda sucks!
To mystify, in the active sense, is to befuddle, cloud, obscure, mask whatever is going on, whether this be experience, action, or process, or whatever is "the issue." It induces confusion in the sense that there is failure to see what is "really" being experienced, or being done, or going on, and failure to distinguish or discriminate the actual issues. This entails the substitution of false for true constructions of what is being experienced, being done (praxis), or going on (process), and the substitution of false issues for the actual issues.
R. D. Laing
And once the novelist has brought us to this state, in which, as in all purely mental states, every emotion is multiplied ten-fold, into which his book comes to disturb us as might a dream, but a dream more lucid and more abiding than those which come to us in sleep, why then, for the space of an hour he sets free within us all the joys and sorrows in the world, a few of which only we should have to spend years of our actual life in getting to know, and the most intense of which would never be revealed to us because the slow course of their development prevents us from perceiving them. It is the same in life; the heart changes, and it is our worst sorrow; but we know it only through reading, through our imagination: in reality its alteration, like that of certain natural phenomena, is so gradual that, even if we are able to distinguish, successively, each of its different states, we are still spared the actual sensation of change.
Under bilateral competition, market-price is determined within a range whose upper limit is set by the valuations of the lowest bidder among the actual buyers and the highest offerer among the excluded would-be sellers, and whose lower limit is set by the valuations of the lowest offerer among the actual sellers and the highest bidder among the excluded would-be buyers.
Ludwig von Mises