Just keep playing, mastering as you do the step Into disorder this one meant. Don't you see It's all we can do? Meanwhile, great fires Arise, as of haystacks aflame. The dial has been set And that's ominous, but all your graciousness in living Conspires with it, now that this is our home: A place to be from, and have people ask about.
SWEETHEART WHEN YOU'RE NEAR MY HEART IS AFLAME YOUR LIPS PRESSED ON MINE IS HEAVEN DESCENDING AND I COULD DIE BECAUSE IT IS ENDING FOR WITH THE DAWN, YOU'LL BE GONE LET THESE PASSIONS WE FEEL IN OUR HEARTS NEVER END I COULD NEVER SHARE THIS FEELING WITH ANOTHER OH PLEASE SAY THAT YOU FEEL THE SAME KNOWING NO OTHER ?? FOR WITH THE DAWN, YOU'LL BE GONE FOR WITH THE DAWN, YOU'LL BE GONE FOR WITH THE DAWN, YOU'LL BE GONE FOR WITH THE DAWN, YOU'LL BE GONE
And hoops, like rings aflame set to jump through for a world fit for someone else The cold harsh feel of steel on skin, the unloved touch of an industry used to deprave all mankind of its creativity and cast us out as a solider of fortune. Working to build an empire of dirt until the grave of another unknown warrior lays dead and buried amongst the masses of a billion unknowns before him.
Morris R. Gates
A flower's fragrance declares to all the world that it is fertile, available, and desirable, its sex organs oozing with nectar. Its smell reminds us in vestigial ways of fertility, vigor, life-force, all the optimism, expectancy, and passionate bloom of youth. We inhale its ardent aroma and, no matter what our ages, we feel young and nubile in a world aflame with desire.
He makes His ministers a flame of fire. Am I ignitible? God deliver me from the dread asbestos of 'other things.' Saturate me with the oil of the Spirit that I may be aflame. But flame is transient, often short lived. Canst thou bear this, my soul - short life? ... Make me thy fuel, Flame of God.
Invite the Sacred to participate in your joy in little things, as well as in your agony over the great ones. There are as many miracles to be seen through a microscope as through a telescope. Start with little things seen through the magnifying glass of wonder, and just as a magnifying glass can focus the sunlight into a burning beam that can set a leaf aflame, so can your focused wonder set you ablaze with insight. Find the light in each other and just fan it.
Alice O. Howell
I made my first fire last night and I didn't even set myself aflame! It was fantastic". "If you need more, there's plenty where that came from". "Sure, I'll take your wood anytime!" Matty fought the smile that threatened to engulf his face, and he coughed, using it for a cover of his laugh. But Rob laughed outright. "Consider me at your service. Though, technically, It wasn't my wood. So maybe it's more accurate to say that you'll take George's wood anytime. Matty cracked up. "No, definitely not. I'm sure it's aged and gnarled".
We give ourselves to prayer. We preach a Gospel that saves to the uttermost, and witness to its power. We do not argue about worldliness; we witness. We do not discuss philosophy; we preach the Gospel. We do not speculate about the destiny of sinners; we pluck them as brands from the burning. We ask no man's patronage. We beg no man's money. We fear no man's frownLet no man join us who is afraid, and we want none but those who are saved, sanctified and aflame with the fire of the Holy Ghost.
It soared, a bird, it held its flight, a swift pure cry, soar silver orb it leaped serene, speeding, sustained, to come, don't spin it out too long long breath he breath long life, soaring high, high resplendent, aflame, crowned, high in the effulgence symbolistic, high, of the ethereal bosom, high, of the high vast irradiation everywhere all soaring all around about the all, the endlessnessnessness...
The way sadness works is one of the strange riddles of the world. If you are stricken with a great sadness, you may feel as if you have been set aflame, not only because of the enormous pain, but also because your sadness may spread over your life, like smoke from an enormous fire. You might find it difficult to see anything but your own sadness, the way smoke can cover a landscape so that all anyone can see is black. You may find that if someone pours water all over you, you are damp and distracted, but not cured of your sadness, the way a fire department can douse a fire but never recover what has been burnt down.
Obedience makes our heart receptive to what God has already done. It doesn't move Him; His heart is always aflame toward us. Generally, this revelation is not taught correctly by well-meaning ministers. The incorrect way that obedience is taught causes people to be overly-introspective, obsessing over their inadequacies and failures. It breeds SELF-ESTEEM issues instead of promoting CHRIST-ESTEEM wholeness. It breeds a destructive DEMAND-CONSCIOUSNESS (law) instead of a liberating SUPPLY-CONSCIOUSNESS (grace).
God, we thank you for this earth, our homes; for the wide sky and the blessed sun, for the salt sea and the running water, for the everlasting hills and the never resting winds, for trees and the common grass underfoot. We thank you for our senses by which we hear the songs of birds, and see the splendor of the summer fields, and taste of the autumn fruits, and rejoice in the feel of the snow, and smell the breath of the spring. Grant us a heart wide open to all this beauty; and save our souls from being so blind that we pass unseeing when even the common thorn bush is aflame with your glory.
Albine now yielded to him, and Serge possessed her. And the whole garden was engulfed together with the couple in one last cry of love's passion. The tree-trunks bent as under a powerful wind. The blades of grass emitted sobs of intoxication. The flowers, fainting, lips half-open, breathed out their souls. The sky itself, aflame with the setting of the great star, held its clouds motionless, faint with love, whence superhuman rapture fell. And it was the victory of all the wild creatures, all plants and all things natural, which willed the entry of these two children into the eternity of life.
The way sadness works is one of the strangest riddles of the world. If you are stricken with a great sadness, you may feel as if you have been set aflame, not only because of the enormous pain, but also because your sadness may spread over your life, like smoke from an enormous fire. You might find it difficult to see anything but your own sadness, the way smoke can cover a landscape so that all anyone can see is black. You may find that happy things are tainted with sadness, the way smoke leaves its ashen colors and scents on everything it touches. And you may find that if someone pours water all over you, you are damp and distracted, but not cured of your sadness, the way a fire department can douse a fire but never recover what has been burnt down.
I was standing alone with him when she burst impetuously through the door, tall and wearing a rain-cape on top of a queen's costume, a forgotten crown on her head. She directed some rapid words at him. He began to tremble all over and dropped my hand from under his arm. Vera seized me cruelly by the arm and led me off... She led me through murky, dusty expanses, between strange machinery and constructions, through valleys and mountains and past a precarious wood to her dressing-room. And she still held me cruelly by the arm. There she slammed the door shut, rudely chasing away some handsome women with the amorous eyes of worshipers. I do not recall her words. It was as though she were all aflame. She kissed my hands and I realized then that she had seen only me that evening, that she had performed for only me, that she loved me and that this was all such madness. ("Thirty-Three Abominations")
The noble old synagogue had been profaned and turned into a stable by the Nazis, and left open to the elements by the Communists, at least after they had briefly employed it as a 'furniture facility.' It had then been vandalized and perhaps accidentally set aflame by incurious and callous local 'youths.' Only the well-crafted walls really stood, though a recent grant from the European Union had allowed a makeshift roof and some wooden scaffolding to hold up and enclose the shell until further notice. Adjacent were the remains of a mikvah bath for the ritual purification of women, and a kosher abattoir for the ritual slaughter of beasts: I had to feel that it was grotesque that these obscurantist relics were the only ones to have survived. In a corner of the yard lay a pile of smashed stones on which appeared inscriptions in Hebrew and sometimes Yiddish. These were all that remained of the gravestones. There wasn't a Jew left in the town, and there hadn't been one, said Mr. Kichler, since 1945.
Thus spoke the Beauty and her voice had a cheerful ring, and her face was aflame with a great rejoicing. She finished her story and began to laugh quietly, but not cheerfully. The Youth bowed down before her and silently kissed her hands, inhaling the languid fragrance of myrrh, aloe and musk which wafted from her body and her fine robes. The Beauty began to speak again. 'There came to me streams of oppressors, because my evil, poisonous beauty bewitches them. I smile at them, they who are doomed to death, and I feel pity for each of them, and some I almost loved, but I gave myself to no one. Each one I gave but one single kiss - and my kisses were innocent as the kisses of a tender sister. And whomsoever I kissed, died.' The soul of the troubled Youth was caught in agony, between two quite irresolvable passions, the terror of death and an inexpressible ecstasy. But love, conquering all, overcoming even the anguish of death's grief, was triumphant once again today. Solemnly stretching out his trembling hands to the tender and terrifying Beauty, the Youth exclaimed, 'If death is in your kiss, o beloved, let me revel in the infinity of death. Cling to me, kiss me, love me, envelop me with the sweet fragrance of your poisonous breath, death after death pour into my body and into my soul before you destroy everything that once was me!' 'You want to! You are not afraid!' exclaimed the Beauty. The face of the Beauty was pale in the rays of the lifeless moon, like a guttering candle, and the lightning in her sad and joyful eyes was trembling and blue. With a trusting movement, tender and passionate, she clung to the Youth and her naked, slender arms were entwined about his neck. 'We shall die together!' she whispered. 'We shall die together. All the poison of my heart is afire and flaming streams are rushing through my veins, and I am all enveloped in some great holocaust.' 'I am aflame!' whispered the Youth, 'I am being consumed in your embraces and you and I are two flaming fires, burning with the immense ecstasy of a poisonous love.' The sad and lifeless moon grew dim and fell in the sky - and the black night came and stood watch. It concealed the secret of love and kisses, fragrant and poisonous, with gloom and solitude. And it listened to the harmonious beating of two hearts growing quieter, and in the frail silence it watched over the final delicate sighs. And so, in the poisonous Garden, having breathed the fragrances which the Beauty breathed, and having drunk the sweetness of her love so tenderly and fatally compassionate, the beautiful Youth died. And on his breast the Beauty died, having delivered her poisonous but fragrant soul up to sweet ecstasies. ("The Poison Garden")
Was it a moment of indecision or was it a moment of redemption. Redemption long overdue and long unacknowledged? They didn't know. He suddenly went at her mouth and she claimed it as if it was never supposed to be elsewhere. It was stormy. It was fierce. His manhood shafted through his loose night pajamas challenging her even beyond the thickness of her bath robe, which was cast aside in one unsparing sweep of his hand, revealing the quavering ripeness of her fulsome breasts. After a moment of awe, he went at them with unquenched ferocity. First he devoured her there itself, against the wall, on the carpet. Within moments their frenzied hands tore away each other's underpants with unapologetic fury and then in one smooth motion of a dancer's lucidity, he lifted her and like a great performer of an opera, placed her on the bed. The inviting altar of desire and passion and longing. Now as they claimed each other, there was unhurried fluidity in their motion. Tears of pain and love in their eyes. Ecstasy of carnal compatibility in their fusion. Symphony of sensuality in their strokes and when he finally exploded inside her, she had gone aflame with matching uncontrollability. It was a heavenly union which in one go had robbed them of their beings, their earth, their universe, their past, their present, their future. In one instant, they had undone what was done and had done what was 'not done'.
I have loved in life and I have been loved. I have drunk the bowl of poison from the hands of love as nectar, and have been raised above life's joy and sorrow. My heart, aflame in love, set afire every heart that came in touch with it. My heart has been rent and joined again; My heart has been broken and again made whole; My heart has been wounded and healed again; A thousand deaths my heart has died, and thanks be to love, it lives yet. I went through hell and saw there love's raging fire, and I entered heaven illumined with the light of love. I wept in love and made all weep with me; I mourned in love and pierced the hearts of men; And when my fiery glance fell on the rocks, the rocks burst forth as volcanoes. The whole world sank in the flood caused by my one tear; With my deep sigh the earth trembled, and when I cried aloud the name of my beloved, I shook the throne of God in heaven. I bowed my head low in humility, and on my knees I begged of love, "Disclose to me, I pray thee, O love, thy secret." She took me gently by my arms and lifted me above the earth, and spoke softly in my ear, "My dear one, thou thyself art love, art lover, and thyself art the beloved whom thou hast adored.
Hazrat Inayat Khan
Jenks and I stood there like statues watching him twitch, his eyes rolling up in his head. He clutched at his clothes pulling the wooden pole they hung from down on top of him. Slowly his right hand came scrambling out away from his body to clutch at my left leg. Without thinking I shoved my crucifix at him and he pulled his hand back with a hiss, shielding his face again. As quickly as I could, I dug my tubes of Holy Water out of my coat pocket and emptied them on his head. He shrieked again and clawed at his face. Jenks followed suit, pouring his two vials on Skorzeny's body and legs. Skorzeny started to foam and bubble before our eyes. I was paralyzed. I couldn't quite believe what was happening. Those books hadn't described any of this. I was feeling dizzy and sick. The shrieks turned to groans and a gurgling deep in his throat. He pulled his hands away from his face and it looked like the disintegrating Portrait of Dorian Gray. I looked over to Jenks who had an odd expression on his face. I looked over to Jenks who had on odd expression on his face. He motioned to me and reached for my left hand which, I noticed, was still clutching the airline hag with the stake and hammer in it. I dropped it and he grabbed it off the floor, moving over to the smoking form still squirming in the closet which smelled even more foul than before, and oozing a greenish yellow pus from the crumpled clothing on his scarecrow frame. Jenks looked back at me and handed me the stake and hammer. 'Go ahead. This was your idea. Finish it.' I declined, turning away. Jenks spun me around violently and thrust the stake into my left hand. He pushed me toward what was left of Skorzeny and forced me to my knees. He forced my hand toward Skorzeny, positioning the stake over the man's chest. Then he stuck the hammer in my right hand. 'Do it, you gutless sonofabitch. Finish it... now!' And he stepped away. I looked at him and back at Skorzeny. Then I gave one vicious swing and hit the stake dead center. The thing made a gurgling grunt, like a pig snuffling for food, and started to regurgitate a blackish fluid from its mouth. I closed my eyes, took a deep breath and hit the stake three more times. Then I fell back and threw up. When I looked back, Skorzeny's hands, or what was left of them, clutched at the stake trying to pull it out. Suddenly, he emitted a kind of moaning, sucking sound, gagged and more bile-colored liquid flecked with black and red came coiling up in a viscous rope like some evil worm from his mouth. And he stopped moving, his hands still clutching the stake. Then a sort of gaseous mist started to rise from his body and it was so much worse than the original smell that I pushed Jenks aside and ran from the house. I ran all the way to a patrol car where I slumped against the left front wheel as Jenks slowly strolled toward me. He walked past me, ignoring me, and opened his trunk, taking out a couple of small gas cans, and headed back to the house. I wasn't paying much attention until he left the house again and I saw it was aflame.
Faded icon of the gilded halo, Once illuminating, inspiring; Admirers, enemies, lovers, family, A distant memory trodden under foot. Evanescent existence; flickering fame, A quintessence of reflections Incidentally etched on ancient relics. Can we conjure your presence? We barely remember Joseph Warren as the person who dispatched Paul Revere on his famous ride, and as the hero of the Battle of Bunker Hill, where he was killed in action. It wasn't always that way. For almost a century Warren was one of the most important and remembered founders of the fledgling American nation. John Trumbull's painting 'Death of General Warren at the Battle of Bunker's Hill, ' a renowned icon of American history, dates from that period. In it scarlet uniformed British soldiers, heavily armed and personally led by their officers, have just overwhelmed American entrenchments atop Breed's Hill, within sight across the Mystic River of Boston. In the background loom the eponymous Bunker Hill and the village of Charlestown, its houses and churches aflame, a smoky cloud framing the battlefield. The Americans, a motley amalgam of raw militia, countrymen and workers, try unsuccessfully to fend off the onslaught. New England's Pine Tree flag still stands within the American dirt fort in the unseasonably hot and breezeless early summer afternoon. The red coated attackers, brandishing the colors of the United Kingdom, will take it down in a moment. It is June 17, 1775: The defenders of an embryonic American Liberty are about to be defeated in a British Pyrrhic victory. In the forefront, Colonel William Prescott commands the Americans while rotund General Israel Putnam vainly shouts orders in the background. British Generals Burgoyne and Clinton command the British attackers as Major John Pitcairn, leader of the marines falters, mortally wounded, yet still supported by a soldier. British and Americans have fallen indiscriminately on the field among the detritus of battle. In the foreground, a finely dressed figure lies prostrate, his sword dropped to the earth. Prescott wards off a bayonet thrust by an onrushing British infantryman. It is a thrust the enemy's own superior officer, Colonel Small, curiously appears to want deflected. But the targeted figure already lies supine, looking skyward in a saintly blank stare. He is suspended momentarily in a halo of tranquility amongst the mayhem. This dying man can no longer smell the acrid, dense black powder smoke that hangs low in the windless oppressive heat, obscuring the afternoon sun. He pays no heed to the shouts of men nor the eerie lull in the previously deafening gunfire. The animation, his admonishments of others to action, the thrill and fear of battle, all suddenly calm. A single bullet annihilates in an instant inspiring words, the force of personality, the martial spirit in action, the reality and complexity of a human being. Dr. Joseph Warren, the central figure, moves from life to legend. Trumbull's iconic painting raises unanswered questions about its subject. How did a physician come to assume such a responsible role in this engagement? How did he meet his fate within sight of his home town? Why was he famous throughout the young United States as a model for involved citizenship? Was there any truth to the cynicism of his political enemies? Most compelling of all-why has this once beloved leader been so long and unjustifiably forgotten? This biography of Joseph Warren answers these and other questions. It utilizes modern analytical methods, uncovers new material, and sheds new light on 'established' facts... Please join me in getting to know Joseph Warren, accompanying him on his lifetime's journey to Bunker Hill, and considering the fate of his reputation and memory long after his heroic demise.