ARTHUR: Yellow car. DOUGLAS: What? ARTHUR: Nothing. Just - yellow car. MARTIN: Why did you say 'yellow car'? ARTHUR: There was a yellow car. MARTIN: But why did you say 'yellow car'? ARTHUR: You've got to say 'yellow car' when there's a yellow car. MARTIN: Why? ARTHUR: That's how you play Yellow Car. MARTIN: We're not playing Yellow Car. ARTHUR: You're always playing Yellow Car. DOUGLAS: And how, though I fear I can guess, does one play Yellow Car? ARTHUR: Right well, imagine you're driving along - MARTIN: We are driving along. ARTHUR: Oh yeah, okay, so now you look at the cars as they come along in the other direction, and they're all different colours. So, uh, for instance, now, uh, that one's white; that one's blue; that one's a sort of metally grey - DOUGLAS: And when you see a yellow car, you say 'yellow car'. ARTHUR: How did you know? DOUGLAS: A wild stab in the dark! MARTIN: And then what? ARTHUR: You start again! DOUGLAS: So how does it end, this game? ARTHUR: It never ends. DOUGLAS: That's very much what I feared.
We are racing down Main Street. Arthur is right on the tail of a blck sedan with tinted windows that won't pull over. He slams the horn. "Arthur, " I say. The car doesn't yield. "Arthur, " I say. He hits the horn again, still close on the car's bummper. "Arthur, our turn was back there.
In Merlin, Arthur has a very loyal friend who keeps him on his toes. Arthur enjoys those challenges, and there is a lot of great banter between them. Meanwhile, in Arthur, Merlin has a friend he can really rely on. Merlin knows that when it comes the crunch, Arthur will always do the right thing.
Sir Arthur stopped at the bottom of the hill and awaited the charging rider. The horseman halted in front of Sir Arthur and mud flew in all directions. 'Who are you?' demanded Sir Arthur. He stared into the masked face and turbaned head of an assassin. Rufus's heart stopped. A gasp escaped his frozen lips and his legs wobbled. Sir Arthur asked again, 'Who are you?' The man dismounted and drew from his golden sash a long scimitar. He approached Sir Arthur. The knight lifted his sword and the duel began.
Justus A. Platt
Arthur: If I asked you where the hell we were, would I regret it? Ford: We're safe. Arthur: Oh good. Ford: We're in a small galley cabin in one of the spaceships of the Vogon Constructor Fleet. Arthur: Ah, this is obviously some strange use of the word safe that I wasn't previously aware of.
Blood trickled down his chin as he was hauled up onto his knees, the golden rope securing his arms behind him and his ankles together. Arthur looked up and saw the fizzing sparkling crown coming down. I'm Arthur Penhaligon, he thought desperately... The crown was wedged tightly upon his head- and Arthur fell silently screaming into darkness.
So this is it," said Arthur, "We are going to die." "Yes," said Ford, "except... no! Wait a minute!" He suddenly lunged across the chamber at something behind Arthur's line of vision. "What's this switch?" he cried. "What? Where?" cried Arthur, twisting round. "No, I was only fooling," said Ford, "we are going to die after all.
King Arthur is profoundly stupid and inept.. then there's Clive Owen, rising above it all. Aloof yet watchful, the actor cultivates an inner stillness that is perfect for faintly ironic brooders. He neither distances himself from this risible material nor pulls out the stops and opens himself to ridicule. His King Arthur tells us little about Arthur, but much about protecting one's flank. The mark of a box-office king?
Remember a few years ago when they left Bea Arthur out of the death reel at the Oscars? Bea Arthur! How did they leave Bea Arthur out? She was in Mame; she was in All in the Family; she was in Maude; she was a Golden Girl, for God's sake! Bea was not only one of Hollywood's leading ladies, she was one of Hollywood's leading men!
Arthur's fingers tighten on the silver-braided hilt: see how naturally it fits his hand! He pulls. The Sword of Britain slides from its stone sheath. The ease with which this is accomplished shines in the wonder in Arthur's eyes. He truly cannot believe what he has done. Nor can he comprehend what it means.
Stephen R. Lawhead
As it 'appens, I am Arthur's right-hand man, " said Suzy. "Or left-hand girl, I can't remember where I stood last time. Anyhow, me and Arthur is like two fingers of a gauntlet. Or at least the thumb and the little finger. I mean, I'm his top General, and all. So if I say you're in, you're in.
Arthur Scargill's leadership of the miners' strike has been a disgrace. The price to be paid for his folly will be immense. He will have destroyed the N.U.M. as an effective fighting force within British trade unionism for the next 20 years. If kamikaze pilots were to form their own union, Arthur would be an ideal choice for leader.
Arthur Scargill's leadership of the miners' strike has been a disgrace. The price to be paid for his folly will be immense. He will have destroyed the NUM as an effective fighting force within British trade unionism for the next 20 years. If kamikaze pilots were to form their own union, Arthur would be an ideal choice for leader.
BEWARE OF THE MAN WHO ONLY SHOWS YOU THE BEST BITS BEWARE OF THE BAND WHO TYPE OUT THEIR SET LISTS SOMETIMES INSTEAD OF ARTHUR LEE I'D MUCH PREFER SOME ARTHUR LOWE AND WITH YOU BY MY SIDE I WOULD ASPIRE TO ASCEND SUCH HEIGHTS WHERE WE'D FIND TEARS AND LAUGHTER CEASE TO MATTER AND WE'D BE PLEASANTLY SURPRISED BY OUR ANNUAL WATER BILL
Half Man Half Biscuit
The big, big block in the Arthur/Merlin friendship is the status issue, that Merlin is the servant and Arthur is royalty, and in that time, princes did not socialize with their servants; that wasn't the done thing. It just so happens that their relationship, their friendship, is strong: they have been through the thick and the thin of it all.
A flicker of someone else's memory came to Simon and he picked up Excalibur from where he had dropped it. Carefully, he laid Excalibur on Arthur's chest. A smile crossed the king's pasty face as he closed his grazed hands around the sword's hilt. The touch of something so familiar seemed to give Arthur cause to close his eyes and after a final, relieved breath left his lips, he died.
Having seen one of William Steig's letters, I mentioned to Arthur how similar I thought William's handwriting seemed to the lines of his drawings. 'I never connected the handwriting and the drawing, ' Arthur remarked. 'But they're not in two different spheres; it's a good observation, and you're right: Bill is himself all the time. Even if I didn't know him, his handwriting would seem special because there's no separation in it between psyche and hand. And what comes through it is very beautiful because he's very beautiful.
Yet, there was once a king worthy of that name. That king was Arthur. It is paramount disgrace of this evil generation that the name of that great king is no longer spoken aloud except in derision. Arthur! He was the fairest flower of our race, Cymry's most noble son, Lord of the Summer Realm, Pendragon of Britain. He wore God's favour like a purple robe. Hear then, if you will, the tale of a true king.
Stephen R. Lawhead
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When I pointed to him his palms slipped slightly, leaving greasy sweat streaks on the wall, and he hooked his thumbs in his belt. A strange spasm shook him, as if he heard fingernails scrape slate, but as I gazed at him in wonder the tension slowly drained from his face. His lips parted into a timid smile, and our neighbor's image blurred with my sudden tears. "Hey, Boo," I said. "Mr. Arthur, honey," said Atticus, gently correcting me. "Jean Louise, this is Mr. Arthur Radley. I believe he already knows you.
Thus Arthur achieved the adventure of the sword that day and entered into his birthright of royalty. Wherefore, may God grant His Grace unto you all that ye too may likewise succeed in your undertakings. For any man may be a king in that life in which he is placed if so he may draw forth the sword of success from out of the iron of circumstance. Wherefore when your time of assay cometh, I do hope it may be with you as it was with Arthur that day, and that ye too may achieve success with entire satisfaction unto yourself and to your great glory and perfect happiness.
It comes from a very ancient democracy, you see... " "You mean, it comes from a world of lizards?" "No, " said Ford, who by this time was a little more rational and coherent than he had been, having finally had the coffee forced down him, "nothing so simple. Nothing anything like so straightforward. On its world, the people are people. The leaders are lizards. The people hate the lizards and the lizards rule the people." "Odd, " said Arthur, "I thought you said it was a democracy." "I did, " said Ford. "It is." "So, " said Arthur, hoping he wasn't sounding ridiculously obtuse, "why don't people get rid of the lizards?" "It honestly doesn't occur to them, " said Ford. "They've all got the vote, so they all pretty much assume that the government they've voted in more or less approximates to the government they want." "You mean they actually vote for the lizards?" "Oh yes, " said Ford with a shrug, "of course." "But, " said Arthur, going for the big one again, "why?" "Because if they didn't vote for a lizard, " said Ford, "the wrong lizard might get in. Got any gin?" "What?" "I said, " said Ford, with an increasing air of urgency creeping into his voice, "have you got any gin?" "I'll look. Tell me about the lizards." Ford shrugged again. "Some people say that the lizards are the best thing that ever happenned to them, " he said. "They're completely wrong of course, completely and utterly wrong, but someone's got to say it." "But that's terrible, " said Arthur. "Listen, bud, " said Ford, "if I had one Altairian dollar for every time I heard one bit of the Universe look at another bit of the Universe and say 'That's terrible' I wouldn't be sitting here like a lemon looking for a gin.
Tell me the story, " said Fenchurch firmly. "You arrived at the station." "I was about twenty minutes early. I'd got the time of the train wrong." "Get on with it." Fenchurch laughed. "So I bought a newspaper, to do the crossword, and went to the buffet to get a cup of coffee." "You do the crossword?" "Yes." "Which one?" "The Guardian usually." "I think it tries to be too cute. I prefer The Times. Did you solve it?" "What?" "The crossword in the Guardian." "I haven't had a chance to look at it yet, " said Arthur, "I'm still trying to buy the coffee." "All right then. Buy the coffee." "I'm buying it. I am also, " said Arthur, "buying some biscuits." "What sort?" "Rich Tea." "Good Choice." "I like them. Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." "All right." "So let me give you the layout. Me sitting at the table. On my left, the newspaper. On my right, the cup of coffee. In the middle of the table, the packet of biscuits." "I see it perfectly." "What you don't see, " said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me." "What's he look like?" "Perfectly ordinary. Briefcase. Business suit. He didn't look, " said Arthur, "as if he was about to do anything weird." "Ah. I know the type. What did he do?" "He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and... " "What?" "Ate it." "What?" "He ate it." Fenchurch looked at him in astonishment. "What on earth did you do?" "Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled, " said Arthur, "to ignore it." "What? Why?" "Well, it's not the sort of thing you're trained for is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits." "Well, you could... " Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?" "I stared furiously at the crossword, " said Arthur. "Couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice, " he added, "that the packet was already mysteriously open... " "But you're fighting back, taking a tough line." "After my fashion, yes. I ate a biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit, " Arthur said, "it stays eaten." "So what did he do?" "Took another one. Honestly, " insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground." Fenchurch stirred uncomfortably. "And the problem was, " said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject a second time around. What do you say? "Excuse me... I couldn't help noticing, er... " Doesn't work. No, I ignored it with, if anything, even more vigor than previously." "My man... " "Stared at the crossword, again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day... " "What?" "I went into the breach again. I took, " said Arthur, "another biscuit. And for an instant our eyes met." "Like this?" "Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you, " said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time." "I can imagine.
Two literary figures bridge the gap between the mediaeval age and the Renaissance. They are Sir Thomas Malory, the author of Le Morte D'Arthur, and the first 'poet-laureate', John Skelton. In their entirely separate ways, they made distinctive contributions to the history of literature and to the growth of English as a literary language... . Le Morte D'Arthur is, in a way, the climax of a tradition of writing, bringing together myth and history, with an emphasis on chivalry as a kind of moral code of honour. The supernatural and fantastic aspects of the story, as in Sir Gawain and the Green Knight, are played down, and the more political aspects, of firm government and virtue, emphasised. It was a book for the times. The Wars of the Roses ended in the same year as Le Morte D'Arthur was published. Its values were to influence a wide readership for many years to come. There is sadness, rather than heroism, in Arthur's final battle... John Skelton is one of the unjustly neglected figures of literature. His reputation suffered at the hands of one of the earliest critics of poetry, George Puttenham, and he is not easily categorised in terms of historical period, since he falls between clearly identified periods like 'mediaeval' and 'Renaissance'. He does not fit in easily either because of the kinds of poetry he wrote. But he is one of the great experimenters, and one of the funniest poets in English.
The monster, Hitler, died like Uther, frightened, hiding, haunted by his crimes and his wholly reasonable belief that all decent human beings would turn their backs on him. Who really cares where Hitler's bones lie, or how he died, as long as he is safely dead? Now, in the twenty-first century, Karl Marx's grave in a London cemetery is no longer a rallying cry to the poisoned idea that the end justifies the means. We shall never know for certain where Arthur lies, or if he even lived. If he was a myth, then it was necessary for human beings to invent him. Hail, Arthur, King of the Britons! I wish another hero would take your place, now that the west has such a need of you.
The mice were furious." [... ] "Oh yes, " said the old man mildly. "Yes well so I expect were the dogs and cats and duckbilled platypuses, but... " "Ah, but they hadn't paid for it you see, had they?" "Look, " said Arthur, "would it save you a lot of time if I just gave up and went mad now?" [... ] "Earthman, the planet you lived on was commissioned, paid for, and run by mice. It was destroyed five minutes before the completion of the purpose for which it was built, and we've got to build another one." Only one word registered with Arthur. "Mice?" he said. "Indeed Earthman." "Look, sorry - are we talking about the little white furry things with the cheese fixation and women standing on tables screaming in early sixties sit coms?" Slartibartfast coughed politely. "[... ] These creatures you call mice, you see, they are not quite as they appear. They are merely the protrusion into our dimension of vast hyperintelligent pandimensional beings. The whole business with the cheese and the squeaking is just a front." The old man paused, and with a sympathetic frown continued. "They've been experimenting on you, I'm afraid.
Her first really great role, the one that cemented the 'Jean Arthur character, ' was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra's Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra's rendition of Kaufman and Hart's You Can't Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). 'Jean Arthur is my favorite actress, ' said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. '... push that neurotic girl... in front of the camera... and that whining mop would magically blossom into a warm, lovely, poised and confident actress.' Capra obviously recognized that Jean was often frustrated in her career choice.