I first became fascinated with the Sears catalogue because all the people in its pages were perfect. Nearly everybody I knew had something missing, a finger cut off, a toe split, an ear half-chewed away, an eye clouded with blindness from a glancing fence staple. And if they didn't have something missing, they were carrying scars from barbed wire, or knives, or fishhooks. But the people in the catalogue had no such hurts. They were not only whole, had all their arms and legs and eyes on their unscarred bodies, but they were also beautiful.
There are things that happen so quickly. A better cameraman can capture them, but if the light is not bright and you hoist up your camera by the time you've dialed in your settings. there are eye blink moments where you're like "Aaahhhh, I wish," but those are too many to catalogue. Nothing really sticks out.
The history of the astronomy of the nineteenth century will be incomplete without a catalogue of his labours. He was one of the founders of the Astronomical Society, and his attention to its affairs was as accurate and minute as if it had been a firm of which he was the chief clerk, with expectation of being taken into partnership.
Augustus De Morgan
I'm not particularly keen on writing which exhaustively describes the physical characteristics of the people in the story and what they're wearing... I can always get a J. Crew catalogue... ... So spare me, if you please, the hero's 'sharply intelligent blue eyes' and 'outthrust determined chin'.
[About Francis Baily] The history of the astronomy of the nineteenth century will be incomplete without a catalogue of his labours. He was one of the founders of the Astronomical Society, and his attention to its affairs was as accurate and minute as if it had been a firm of which he was the chief clerk, with expectation of being taken into partnership.
Augustus De Morgan
Societies in which most people depend for most of their goods and services on the personal whim, kindness, or skill of another are called underdeveloped, while those in which living has been transformed into a process of ordering from an all-encompassing store catalogue are called advanced.
I might mention all the divine charms of a bright spring day, but if you had never in your life utterly forgotten yourself in straining your eyes after the mounting lark, or in wandering through the still lanes when the fresh-opened blossoms fill them with a sacred silent beauty like that of fretted aisles, where would be the use of my descriptive catalogue?
Ay, in the catalogue ye go for men; As hounds, and greyhounds, mongrels, spaniels, curs, Shoughs, water-rugs, and demi-wolves, are 'clept All by the name of dogs: the valued file Distinguishes the swift, the slow, the subtle, The housekeeper, the hunter, every one According to the gift which bounteous nature Hath in him closed.
It is not uncommon for those who at their first entrance into the world were distinguished for attainments or abilities, to disappoint the hopes which they had raised, and to end in neglect and obscurity that life which they began in honour. To the long catalogue of the inconveniences of old age, which moral and satirical writers have so copiously displayed, may be often added the loss of fame.
Lyndon B. Johnson
Above them, stars shine in constellations that Jenny recognizes from the ceiling of her father's house, the ones Mom and Dad helped her put up when she was in third grade. Constellations with names like Fire Truck and Ladybug Come Home, constellations that you won't find in any astronomer's catalogue.
Yoon Ha Lee
What other developed democracy has such a ridiculous and squalid history of intolerance? From the imprisonment and roasting of heretics, witches and poachers, to the censorship of literature, art and television: from St Alban through Wilde, Joyce and Lawrence I think we can point with pride to as grim a catalogue of intemperate, bigoted repression as any nation on earth...
If I don't keep this job, then my only future career-options are working in Argos, or being a prostitute, ' I say, wildly. 'Maybe you could work in Argos as a prostitute, ' my mother says, merrily. She appears to be enjoying this conversation. 'They could list you in the catalogue, and people could queue up, and wait for you to come down the conveyor belt.
A man who is in the habit of smiling in the glass at his handsome face and stalwart figure, if you shew him their radiograph, will have, face to face with that rosary of bones, labelled as being the image of himself, the same suspicion of error as the visitor to an art gallery who, on coming to the portrait of a girl, reads in his catalogue: 'Dromedary resting.
Then about 12 years ago it dawned on me that folk music - the music of Woody Guthrie and Phil Ochs, early Bob Dylan, Johnny Cash, Pete Seeger - could be as heavy as anything that comes through a Marshall stack. The combination of three chords and the right lyrical couplet can be as heavy as anything in the Metallica catalogue.
I never thought I was cut out for a life of crime. I even felt guilty when I accidentally stole a Subbuteo catalogue, thinking it was free. But everyone has an inner rebel, and mine has finally found a natural outlet. My crime of choice is that, with a heart as cold as ice and no care for what society thinks, I steal wireless computer network time.
Bodies count, of course - they count more than we're willing to admit - but we don't fall in love with bodies, we fall in love with each other. We all know that, but the moment we go beyond a catalogue of surface qualities and appearances, words begin to fail us, to crumble apart in mystical confusions and cloudy, unsubstantial metaphors.
Oh, there are so many ways to categorize and catalogue things. Alphabetically, numerically, by date, weight, height, color, monetary value, sentimental value, or by Orafoura's spiritual index. For me, I order things to subdue the overwhelming feeling of chaos in life. If I can fold my underwear into tiny triangles and arrange them ROYGBIV in the top drawer of my dresser, then I feel I can make it through the day.
Something is unfolding, being revealed to me. I see that there's a whole world of of girls and their doings that has been unknown to me, and that I can be part of without making any effort at all. I don't have to keep up with anyone, run as fast, aim as well, make loud explosive noises, decode messages, die on cue. I don't have to think about whether I do these things well, as well as a boy. All I have to do is sit on the floor and cut frying pans our of the Eaton's Catalogue with embroidery scissors, and say I've done it badly.
Time is the most extraordinary gift for friendship. You'll get to eat your meals together and study together; in some cases you'll even sleep in the same room. You'll have time to waste on each other. You'll find out every single thing you have in common and still have time to catalogue all of your differences. Don't underestimate the vital necessity of friendship in your life because it is the thing that will sustain you later, when there will be considerably less time.
To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning around. Surely our innocent pleasures are not so abundant in this life, that we can afford to despise this or any other source of them.
This fine young man had all the inclination to be a profligate of the first water, and only lacked the one good trait in the common catalogue of debauched vices - open-handedness - to be a notable vagabond. But there his griping and penurious habits stepped in; and as one poison will sometimes neutralise another, when wholesome remedies would not avail, so he was restrained by a bad passion from quaffing his full measure of evil, when virtue might have sought to hold him back in vain.
I shall always rebel against any attempt to reduce a human being to a kind of mannequin, whose deeds and questions would be comprehensible like the deeds and gestures of monarchs recorded day after day in official communiques. Six months of a life cannot catalogue the vitality, the activity of an individual; only death stops development and then, what is important is the overall meaning of a life, not the details of that life, edifying to some, scandalous to others.
What I learned about them, I liked. But it also seemed that the liberal line was not entirely correct, for it was obvious that racial differences went far beyond skin color. It would be difficult to categorize all the distinctions I noticed. In fact, I made no effort to catalogue them at the time, but their differences ranged all the way from physical characteristics to more subtle differences such as extreme aversion for work in cold weather. On cold days, when I felt invigorated, my black co-workers seemed lethargic.
We grow by letting the customer tell us. So when the customer tells us that they're frustrated, that they just got their catalogue and we're already out of a product they wanted, then it tells me that we're not making enough. We let the customer tell us instead of creating an artificial demand for our products. Any time you're making products that people don't need, you're at the mercy of the economy, you're at the mercy of whatever is going on. So we tried to avoid that situation.
I swore as the knife I'd been using to dice our dinner bit into my finger. I dropped it on the floor, blood spattering the counter and cupboard doors a furious red. I watched, mesmerised, as the blood welled up and began to seep down my hand; I tried to catalogue the amount of pain I was in. Surprisingly little, I concluded, pushing at the edges of the wound to see how deep it went. Deep enough. I was starting to feel it now, but it didn't hurt so much. I'd endured far worse. If it came to it, I could do it. There was comfort in that knowledge.
The concept that really gets the goat of the gay-hater, the idea that really spins their melon and sickens their stomachs is that most terrible and terrifying of all human notions, love. That one can love another of the same gender, that is what the homophobe really cannot stand. Love in all eight tones and all five semitones of the world's full octave. Love as Agape, Eros and Philos; love as infatuation, obsession and lust; love as torture, euphoria, ecstasy and oblivion (this is beginning to read like a Calvin Klein perfume catalogue); love as need, passion and desire.
In 1846 on of his Academy exhibits was a painting called The Angel Standing in the Sun. Turner found this passage for the Academy catalogue in the Book of Revelation: And I saw an angel standing in the sun; and he cried with a loud voice, saying to all the fowls that fly in the midst of heaven, Come and gather yourselves together unto the supper of the great God; That ye may eat the flesh of kings, and the flesh of captains and the flesh of mighty men, and the flesh of horses, and of them that sit on them, both free and bond, both small and great. To reinforce the note of voracious doom, he added two lines from Samuel Rogers' Voyage of Columbus: The morning march that flashes to the sun; The feast of vultures when the day is done.
Now, there is a tendency at a point like this to look over one's shoulder at the cover artist and start going on at length about leather, tightboots and naked blades. Words like 'full', 'round' and even 'pert' creep into the narrative, until the writer has to go and have a cold shower and a lie down. Which is all rather silly, because any woman setting out to make a living by the sword isn't about to go around looking like something off the cover of the more advanced kind of lingerie catalogue for the specialized buyer. Oh well, all right. The point that must be made is that although Herrena the Henna-Haired Harridan would look quite stunning after a good bath, a heavy-duty manicure, and the pick of the leather racks in Woo Hun Ling's Oriental Exotica and Martial Aids on Heroes Street, she was currently quite sensibly dressed in light chain mail, soft boots, and a short sword. All right, maybe the boots were leather. But not black.
I have nothing to offer but blood, toil, tears and sweat. We have before us an ordeal of the most grievous kind. We have before us many, many long months of struggle and of suffering. You ask, what is our policy? I can say: It is to wage war, by sea, land and air, with all our might and with all the strength that God can give us; to wage war against a monstrous tyranny, never surpassed in the dark, lamentable catalogue of human crime. That is our policy. You ask, what is our aim? I can answer in one word: It is victory, victory at all costs, victory in spite of all terror, victory, however long and hard the road may be; In 'Blood, Toil, Tears, and Sweat, ' his first speech as Prime Minister to the House of Commons May 13, 1940 quoted by Jeffrey R. Holland in 'However Long and Hard the Road' BYU Devotional 18 Jan 1983
Winston S. Churchill
All writers struggle at some point with the problem of balance between authority and involvement, seduction and revelation. Specifically, beginning writers wonder how much description to employ, and more advanced writers ask how much plot is too much or too little. And there is no better place to find answers than in the Victoria's Secret catalogue-or in any ad for lingerie-where the arts of seduction and revelation are so successfully practiced. After all, the secret of the effective lingerie ad is the secret of effective storytelling-to provide, moment by moment, the illusion of imminent expose, to give the viewer (read: reader) the uncanny sense that something fundamentally compelling is always just about to be revealed. Lingerie ads and storytelling balance the veiled and the unveiled, the seen and the unseen, the shown and the about-to-be-shown. In short, it is the art of the tease, the craft of selective 'coverage, ' that, not just in lingerie but in storytelling, works to enthrall.
Taken together, the narratives of how the animals ended up at Lowry Park revealed as much about Homo sapiens as they revealed about the animals themselves. The precise details-how and where each was born, how they were separated from their mothers and taken into custody, all they had witnessed and experienced on their way to becoming the property of this particular zoo-could have filled an encyclopedia with insights into human behavior and psychology, human geopolitics and history and commerce. Lowry Park's very existence declared our presumption of supremacy, the ancient belief that we have been granted dominion over other creatures and have the right to do with them as we please. The zoo was a living catalogue of our fears and obsessions, the ways we see animals and see ourselves, all the things we prefer not to see at all. Every corner of the grounds revealed our appetite for amusement and diversion, no matter what the cost. Our longing for the wildness we have lost inside ourselves. Our instinct to both exalt nature and control it. Our deepest wish to love and protect other species even as we scorch their forests and poison their rivers and shove them toward oblivion. All of it was on display in the garden of captives.
Pierre Janet, a French professor of psychology who became prominent in the early twentieth century, attempted to fully chronicle late- Victorian hysteria in his landmark work The Major Symptoms of Hysteria. His catalogue of symptoms was staggering, and included somnambulism (not sleepwalking as we think of it today, but a sort of amnesiac condition in which the patient functioned in a trance state, or "second state, " and later remembered nothing); trances or fits of sleep that could last for days, and in which the patient sometimes appeared to be dead; contractures or other disturbances in the motor functions of the limbs; paralysis of various parts of the body; unexplained loss of the use of a sense such as sight or hearing; loss of speech; and disruptions in eating that could entail eventual refusal of food altogether. Janet's profile was sufficiently descriptive of Mollie Fancher that he mentioned her by name as someone who "seems to have had all possible hysterical accidents and attacks." In the face of such strange and often intractable "attacks, " many doctors who treated cases of hysteria in the 1800s developed an ill-concealed exasperation.
The sin of Book I is at first sight more obscure, but it is particularly significant. We have seen that there appear to be two very important episodes showing the Red-Crosse a prey to Despair. When we find, further, that of the three Paynim Brethren, Sansfoy, Sansloi and Sansjoy, it is the last who is the Red-Crosse's most formidable enemy, we are driven to assume that there is some special significance in this stressing of a tendency to melancholy. Such a tendency is not now regarded as a serious sin, but in mediaeval times melancholy leading to inertia and in extreme cases to suicide was under the name of accidie one of the recognized Deadly Sins. By Elizabeth's day the much less pregnant term Sloth had been substituted in the usual catalogue, and Spenser nowhere uses the word accidie. But the late sixteenth and early seventeenth centuries were much preoccupied with the subject. They regarded the sufferers from it as at once in a highly dangerous spiritual state and as intensely interesting. It was the favourite pose of fashionable young men. Hamlet is the supreme treatment of it in literature, but most of the dramatists of the day are interested in it. I suggest that the first Book of the original Faerie Queene treated of the sin of accidie.
The criminals who, in the face of contumely, hatred or violence, have led the world to a higher standard and brought humanity to a diviner order, have so loved truth and righteousness as to defy the law, and in every age these men have met the life of outcasts, and the death of felons. Whatever may be said of the necessity of government to protect itself, no one can believe that any human being merits punishment for following his own highest ideal. Punishment can only be in any wise defended upon the theory that the individual is untrue to himself, that his heart is bad. But all schemes of human punishment seem specially contrived to exempt this class of men. Those who are untrue to themselves find no difficulty in obeying the state, or at least in seeming to be subservient to its laws. The cunning man without strong convictions of right and wrong can always find ample room to operate his trade inside the dead line the law lays down. Even Blackstone wrote that a man who governed his conduct solely by the law was neither an honest man nor a good citizen. The penal code cannot pretend to cover all the vicious acts of men. If there is a distinction between vicious acts and righteous acts, each are so numerous that even to catalogue them would be beyond the power of the state.
I do not know you, my friends, not individually, most of you, but this is the wonderful thing about the work of a preacher, he does not need to know his congregation. Do you know why? Because I know the most important thing about every single one of you, and that is that each of you is a vile sinner. I do not care who you are, because all have sinned and come short of the glory of God. I do not care what particular form your sin takes. There is a great deal of attention paid to that today. The preacher is not interested in that. I do not want a catalogue of your sins. I do not care what your sins are. They can be very respectable or they can be heinous, vile, foul, filthy. It does not matter, thank God. But what I have authority to tell you is this. Though you may be the vilest man or woman ever known, and though you may until this moment have lived your life in the gutters and the brothels of sin in every shape and form, I say this to you: be it known unto you that through this man, this Lord Jesus Christ, is preached unto you the forgiveness of sin. And by him all who believe, you included, are at this very moment justified entirely and completely from everything you have ever done- if you believe that this is the Lord Jesus Christ, the Son of God, and that he died there on the cross, for your sins and to bear your punishment. If you believe that, and thank him for it, and rely utterly only upon him and what he has done, I tell you, in the name of God, all your sins are blotted out completely, as if you had never sinned in your life, and his righteousness is put on you and God sees you perfect in his Son. That is the message of the cross, that is Christian preaching, that it is our Lord who saves us, by dying on the cross, and that nothing else can save us, but that that can save whosoever believeth in him.
D. Martyn Lloyd-Jones
Killing, raping and looting have been common practices in religious societies, and often carried out with clerical sanction. The catalogue of notorious barbarities - wars and massacres, acts of terrorism, the Inquisition, the Crusades, the chopping off of thieves' hands, the slicing off of clitorises and labia majora, the use of gang rape as punishment, and manifold other savageries committed in the name of one faith or another - attests to religion's longstanding propensity to induce barbarity, or at the very least to give it free rein. The Bible and the Quran have served to justify these atrocities and more, with women and gay people suffering disproportionately. There is a reason the Middle Ages in Europe were long referred to as the Dark Ages; the millennium of theocratic rule that ended only with the Renaissance (that is, with Europe's turn away from God toward humankind) was a violent time. Morality arises out of our innate desire for safety, stability and order, without which no society can function; basic moral precepts (that murder and theft are wrong, for example) antedated religion. Those who abstain from crime solely because they fear divine wrath, and not because they recognize the difference between right and wrong, are not to be lauded, much less trusted. Just which practices are moral at a given time must be a matter of rational debate. The 'master-slave' ethos - obligatory obeisance to a deity - pervading the revealed religions is inimical to such debate. We need to chart our moral course as equals, or there can be no justice.
This was all splendid stuff for Luciaphils; it was amazing how at a first glance she recognised everybody. The gallery, too, was full of dears and darlings of a few weeks' standing, and she completed a little dinner-party for next Tuesday long before she had made the circuit. All the time she kept Stephen by her side, looked over his catalogue, put a hand on his arm to direct his attention to some picture, took a speck of alien material off his sleeve, and all the time the entranced Adele felt increasingly certain that she had plumbed the depth of the adorable situation. Her sole anxiety was as to whether Stephen would plumb it too. He might-though he didn't look like it-welcome these little tokens of intimacy as indicating something more, and when they were alone attempt to kiss her, and that would ruin the whole exquisite design. Luckily his demeanour was not that of a favoured swain; it was, on the other hand, more the demeanour of a swain who feared to be favoured, and if that shy thing took fright, the situation would be equally ruined... To think that the most perfect piece of Luciaphilism was dependent on the just perceptions of Stephen! As the three made their slow progress, listening to Lucia's brilliant identifications, Adele willed Stephen to understand; she projected a perfect torrent of suggestion towards his mind. He must, he should understand... Fervent desire, so every psychist affirms, is never barren. It conveys something of its yearning to the consciousness to which it is directed, and there began to break on the dull male mind what had been so obvious to the finer feminine sense of Adele. Once again, and in the blaze of publicity, Lucia was full of touches and tweaks, and the significance of them dawned, like some pale, austere sunrise, on his darkened senses. The situation was revealed, and he saw it was one with which he could easily deal. His gloomy apprehensions brightened, and he perceived that there would be no need, when he went to stay at Riseholme next, to lock his bedroom-door, a practice which was abhorrent to him, for fear of fire suddenly breaking out in the house. Last night he had had a miserable dream about what had happened when he failed to lock his door at The Hurst, but now he dismissed its haunting. These little intimacies of Lucia's were purely a public performance. "Lucia, we must be off, " he said loudly and confidently. "Pepino will wonder where we are.