The line is "So we beat on, boats against the current, born back ceaselessly into the past." We've interpreted it as the meaning of us [when we] went against the current, against the grain and did what felt natural to us...regardless of what we thought we were supposed to be doing. We threw all of that out the window. We existed how we wanted to.
Beauty is like a train that ceaselessly roars out of the Gare de Lyon and which I know will never leave, which has not left. It consists of jolts and shocks, many of which do not have much importance, but which we know are destined to produce one Shock, which does...The human heart, beautiful as a seismograph...Beauty will be CONVULSIVE or will not be at all.
There is a line in Verlaine I shall not recall again, There is a street close by forbidden to my feet, There's a mirror that's seen me for the very last time, There is a door that I have locked till the end of the world. Among the books in my library (I have them before me) There are some that I shall never open now. This summer I complete my fiftieth year; Death is gnawing at me ceaselessly.
Jorge Luis Borges
In order to cultivate yourself and to drop no lower than the level of the milieu in which you have landed, it is not enough to read Pickwick and memorize a monologue from Faust.... You need to work continually day and night, to read ceaselessly, to study, to exercise your will.... Each hour is precious.
For some of us, the soul is resident in the sole, and yearns ceaselessly for light and air and self-expression. Our feet are our very selves. The touch of floor or carpet, grass or mud or asphalt, speaks to us loud and clear from the foot, that scorned and lowly organ as dear to us as our eyes and ears.
When one begins to reflect on philosophy""then philosophy seems to us to be everything, like God, and love. It is a mystical, highly potent, penetrating idea""which ceaselessly drives us inward in all directions. The decision to do philosophy""to seek philosophy is the act of self-liberation""the thrust toward ourselves.
Ants are so much like human beings as to be an embarrassment. They farm fungi, raise aphids as livestock, launch armies into war, use chemical sprays to alarm and confuse enemies, capture slaves, engage in child labour, exchange information ceaselessly. They do everything but watch television.
Being well regulated in relatedness is the deeply gratifying state that people seek ceaselessly in romance, religions, and cults; in husbands and wives, pets, softball teams, bowling leagues, and a thousand other features of human life driven by the thirst for sustaining affiliations. (157)
Through positive thinking and related approaches, we seek the safety and solid ground of certainty, of knowing how the future will turn out, of a time in the future when we'll be ceaselessly happy and never have to fear negative emotions again. But in chasing all that, we close down the very faculties that permit the happiness we crave.
Let me say it openly: we are surrounded by an enterprise of degradation, cruelty, and killing which rivals anything the Third Reich was capable of, indeed dwarfs it, in that ours is an enterprise without end, self-regenerating, bringing rabbits, rats, poultry, livestock ceaselessly into the world for the purpose of killing them.
J. M. Coetzee
Nothing retains its form; new shapes from old. Nature, the great inventor, ceaselessly contrives. In all creation, be assured, there is no death - no death, but only change and innovation; what we men call birth is but a different new beginning; death is but to cease to be the same. Perhaps this may have moved to that, and that to this, yet still the sum of things remains the same.
There was one of his lonelinesses coming, one of those times when he walked the streets or sat, aimless and depressed, biting a pencil at his desk. It was a self-absorption with no comfort, a demand for expression with no outlet, a sense of time rushing by, ceaselessly and wastefully - assuaged only by that conviction that there was nothing to waste, because all efforts and attainments were equally valueless.
F. Scott Fitzgerald
How very paltry and limited the normal human intellect is, and how little lucidity there is in the human consciousness, may be judged from the fact that, despite the ephemeral brevity of human life, the uncertainty of our existence and the countless enigmas which press upon us from all sides, everyone does not continually and ceaselessly philosophize, but that only the rarest of exceptions do.
I have myself always been terrified of plagiarism - of being accused of it, that is. Every writer is a thief, though some of us are more clever than others at disguising our robberies. The reason writers are such slow readers is that we are ceaselessly searching for things we can steal and then pass off as our own: a natty bit of syntax, a seamless transition, a metaphor that jumps to its target like an arrow shot from an aluminum crossbow.
I shall never sleep calmly again when I think of the horrors that lurk ceaselessly behind life in time and in space, and of those unhallowed blasphemies from elder stars which dream beneath the sea, known and favoured by a nightmare cult ready and eager to loose them upon the world whenever another earthquake shall heave their monstrous stone city again to the sun and air.
H. P. Lovecraft
Pre-high tech, objects thunked and crashed and clopped, amid a thunder of drums, a tumult of trumpets. Today things beep and cheep and whistle. We have come from the roar of the lion to the chirp of the tree frog, ceaselessly bleating our identities while the frog-eating bats hover above us.
The advance of science is not comparable to the changes of a city, where old edifices are pitilessly torn down to give place to new, but to the continuous evolution of zoologic types which develop ceaselessly and end by becoming unrecognisable to the common sight, but where an expert eye finds always traces of the prior work of the centuries past. One must not think then that the old-fashioned theories have been sterile and vain.
We all run on two clocks. One is the outside clock, which ticks away our decades and brings us ceaselessly to the dry season. The other is the inside clock, where you are your own timekeeper and determine your own chronology, your own internal weather and your own rate of living. Sometimes the inner clock runs itself out long before the outer one, and you see a dead man going through the motions of living.
Toy is talking and this is why I love her. She can go on about herself ceaselessly and like the scratching of a branch against the window at night, the steady insistence of it is comforting. She has stories without beginnings, stories that trail off, stories that crisscross and contradict and dead end. Toy is the star of her stories. Events orbit her like a constellation.
Erica Lorraine Scheidt
Soil is a resource, a living, breathing entity that, if treated properly, will maintain itself. It's our lifeline for survival. When it has finally been depleted, the human population will disappear. . . . Project you imagination into the soil below you next time you go into the garden. Think with compassion of the life that exists there. Think, the drama, the sexuality, the harvesting, the work that carries on ceaselessly. Think about the meaning of being a steward for the earth.
Imagination, devotion, perseverance, together with divine grace, will assure your success. Knowing that material & spiritual progress are essential to man, we must ceaselessly work for the equal attainment of both. It is only when a people strike an even balance between scientific progress & spiritual & moral advancement that it can be said to possess a wholly perfect and complete personality and not a lopsided one.
Selfishness is the most constant of human motives. Patriotism, humanity, or the love of God may lead to sporadic outbursts sweep away the heaped-up wrongs of centuries; but they languish at times, while the love of self works on ceaselessly, unwearyingly,burrowing always at the very root of life, and heaping up fresh wrongs for other centuries to sweep away.
Charles W. Chesnutt
Sports are too much with us. Late and soon, sitting and watching - mostly watching on television - we lay waste our powers of identification and enthusiasm and, in time, attention as more and more closing rallies and crucial putts and late field goals and final playoffs and sudden deaths and world records and world championships unreel themselves ceaselessly before our half-lidded eyes.
Frightened of my futureless life, scared by my foolish anxieties, unable to see ahead and aiming nowhere, I continued ceaselessly living my ridiculously idiotic life. I was beset on all sides by invisible worries. So, I shut myself in and slept. I slept until sleep exhausted me. Spring passed, summer ended, fall came, and then winter arrived. Then, it turned into another gentle spring.
If there is some corner of the world which has remained peaceful, but with a peace based on injustices the peace of a swamp with rotten matter fermenting in its depths - we may be sure that that peace is false. Violence attracts violence. Let us repeat fearlessly and ceaselessly: injustices bring revolt, either from the oppressed or from the young, determined to fight for a more just and more human world.
In the spiritual world there are no time divisions such as the past, present and future; for they have contracted themselves into a single moment of the present where life quivers in its true sense. The past and the future are both rolled up in this present moment of illumination, and this present moment is not something standing still with all its contents, for it ceaselessly moves on.
It is important that spiritual advancement must keep pace with material advancement. When this comes to be realized man's journey toward higher and more lasting values will show more marked progress while the evil in him recedes into the background. Knowing that material and spiritual progress are essen- tial to man, we must ceaselessly work for the equal attainment of both. Only then shall we be able to acquire that absolute inner calm so necessary to our well-being.
O, this faith is a living, busy, active, powerful thing! It is impossible that it should not be ceaselessly doing that which is good. It does not even ask whether good works should be done; but before the question can be asked, it has done them, and it is constantly engaged in doing them. But he who does not do such works, is a man without faith. He gropes and casts about him to find faith and good works, not knowing what either of them is, and yet prattles and idly multiplies words about faith and good works.
Thirsty for being, the poet ceaselessly reaches out to reality, seeking with the indefatigable harpoon of the poem a reality that is always better hidden, more re(g)al. The poem's power is as an instrument of possession but at the same time, ineffably, it expresses the desire for possession, like a net that fishes by itself, a hook that is also the desire of the fish. To be a poet is to desire and, at the same time, to obtain, in the exact shape of the desire.
The third dream was hard to put into words. It was a rambling, incoherent dream without any setting. All that was there was a feeling of being in motion. Aomame was ceaselessly moving through time and space It didn't matter when or where this was All that mattered was this movement. Everything was fluid, and a specific meaning was born of that fluidity. But as she gave herself up to it, she found her body growing transparent. She could see through her hands to the other side. Her bones, organs, and womb became visible. At this rate she might very well no longer exist. After she could no longer see herself, Aomame wondered what could possibly come then. She had no answer.
To what level does your patriarchal blessing reach in your life? Can you recollect the time you received it and recover any of the spirit of the occasion? Do you in quiet moments ponder it? Does Karl G.Maeser's phrase, "paragraphs from the book of our possibilities" rest upon you with a sense of mission so that, as President Heber J.Grant exemplified, "you "dream nobly and manfully" and prepare ceaselessly? Do you ever think of Heber C.Kimball's faith that you can "write your own patriarchal blessing" under inspiration, for, saith the Lord, "No good thing will I withhold...
Truman G. Madsen
Throughout my life, until this very moment, whatever virtue I have accomplished, including any benefit that may come from this book, I dedicate to the welfare of all beings. May the roots of suffering diminish. May warfare, violence, neglect, indifference, and addiction also decrease. May the wisdom and compassion of all beings increase, now and in the future. May we clearly see all the barriers we erect between ourselves and others to be as insubstantial as our dreams. May we appreciate the great perfection of all phenomena. May we continue to open our hearts and minds, in order to work ceaselessly for the benefit of all beings. May we go to the places that scare us. May we lead the life of a warrior.
One man watches a river flow by. If he does not wish it to flow, to change ceaselessly in accord with its nature, he will suffer great pain. Another man understands that nature of the river is to change constantly, regardless of his likes and dislikes, and therefore he does not suffer. To know existence as this flow, empty of lasting pleasure, void of self, is to find that which is stable and free of suffering, to find true peace in the world.
Just as the teaching of the Law and the prophets, being harbingers of the coming advent of the Logos in the flesh, guide our souls to Christ (cf. Gal. 3:24), so the glorified incarnate Logos of God is Himself a harbinger of His spiritual advent, leading our souls forward by His own teachings to receive His divine and manifest advent. He does this ceaselessly, by means of the virtues converting those found worthy from the flesh to the spirit. And He will do it at the end of the age, making manifest what has hitherto been hidden from men.
Maximus the Confessor
I say this because as an older man I am prone to ponder matters in the light of death in a way that you are not. I am like a traveler from Mars who looks down in astonishment at what passes here. And what I see is the same human frailty passed from generation to generation. What I see is again and again the same sad human frailty. We hate one another; we are the victims of irrational fears. And there is nothing in the stream of human history to suggest we are going to change this. But-I digress, confess that. I merely wish to point out that in the face of such a world you have only yourselves to rely on. You have only the decision you must make, each of you, alone. And will you contribute to the indifferent forces that ceaselessly conspire toward injustice? Or will you stand up against this endless tide and in the face of it be truly human?
The Christian community is a community of the cross, for it has been brought into being by the cross, and the focus of its worship is the Lamb once slain, now glorified. So the community of the cross is a community of celebration, a eucharistic community, ceaselessly offering to God through Christ the sacrifice of our praise and thanksgiving. The Christian life is an unending festival. And the festival we keep, now that our Passover Lamb has been sacrificed for us, is a joyful celebration of his sacrifice, together with a spiritual feasting upon it.
S. E. Smith's I Live in a Hut has a deceptively simple title, considering that the brain in that hut contains galaxies-worth of invention: At night when your soldiers are praying ceaselessly for less rain and more underwear my soldiers make underwear out of rain. These poems seesaw between despair and delight but delight is winning the battle. Smith is a somersaulting tightrope walker of a poet and her poems will make you look at anything and everything with new eyes: For days I tried to rub the new freckle // off my hand until I realized what it was / and began to grant it its sovereignty.
The heat is searing and superb. The paddocks surrounding the town are bleached blond. The distant ring-barked gums, mile after mile, wriggle in the heat-waves, and seem to melt like the bristles of a melting hairbrush. The hills turn powder-blue and gauzy. Mirages resembling pools of mica and shallows of crystal water appear at the far ends of streets and roads. Punctually at eleven every burning morning, the cicadas begin to drill the air, to drill themselves also, ceaselessly and relentlessly, to death in one short day after seven long years underground.
I was living and dying in all the fibers of what is chewed and digested and in all the fibers that absorb the sun, consuming and digesting. Under the thatched arbor of a restaurant on a river-bank, where Olivia had waited for me, our teeth began to move slowly, with equal rhythm, and our eyes stared into each other's with the intensity of serpents'-serpents concentrated in the ecstasy of swallowing each other in turn, as we were aware, in our turn, of being swallowed by the serpent that digests us all, assimilated ceaselessly in the process of ingestion and digestion, in the universal cannibalism that leaves its imprint on every amorous relationship and erases the lines between our bodies and sopa de frijoles, huachinango a la vera cru-zana, and enchiladas.
DAISIES It is possible, I suppose that sometime we will learn everything there is to learn: what the world is, for example, and what it means. I think this as I am crossing from one field to another, in summer, and the mockingbird is mocking me, as one who either knows enough already or knows enough to be perfectly content not knowing. Song being born of quest he knows this: he must turn silent were he suddenly assaulted with answers. Instead oh hear his wild, caustic, tender warbling ceaselessly unanswered. At my feet the white-petalled daisies display the small suns of their center piece, their - if you don't mind my saying so - their hearts. Of course I could be wrong, perhaps their hearts are pale and narrow and hidden in the roots. What do I know? But this: it is heaven itself to take what is given, to see what is plain; what the sun lights up willingly; for example - I think this as I reach down, not to pick but merely to touch - the suitability of the field for the daisies, and the daisies for the field.
On the edge of a tropical ocean, in a thousand reflections of the silver light of an invisible moon, among undulations of restless waters, ceaselessly changing... Among silent breakers, the tremors of the shining surface, in the swift flux and reflux martyrizing the patches of light, in the rendings of luminous loops and arcs, and lines, in the occultations and reappearances of dancing bursts of light being decomposed, recomposed, contracted, spread out, only to be re-distributed once more before me, with me, within me, drowned, and unendurably buffeted, my calm violated a thousand times by the tongues of infinity, oscillating, sinusoidally overrun by the multitude of liquid lines. enormous with a thousand folds, I was and I was not, I was caught, I was lost, I was in a state of complete ubiquity. The thousands upon thousands of rustlings were my own thousand shatterings.
Our lives are mere flashes of light in an infinitely empty universe. In 12 years of education the most important lesson I have learned is that what we see as 'normal' living is truly a travesty of our potential. In a society so governed by superficiality, appearances, and petty economics, dreams are more real than anything anything in the 'real world'. Refuse normalcy. Beauty is everywhere, love is endless, and joy bleeds from our everyday existence. Embrace it. I love all of you, all my friends, family, and community. I am ceaselessly grateful from the bottom of my heart for everyone. The only thing I can ask of you is to stay free of materialism. Remember that every day contains a universe of potential; exhaust it. Live and love so immensely that when death comes there is nothing left for him to take. Wealth is love, music, sports, learning, family and freedom. Above all, stay gold.
Dominic Owen Mallary
Woman is the opposite, the 'other' of man: she is non-man, defective man, assigned a chiefly negative value in relation to the male first principle. But equally man is what he is only by virtue of ceaselessly shutting out this other or opposite, defining himself in antithesis to it, and his whole identity is therefore caught up and put at risk in the very gesture by which he seeks to assert his unique, autonomous existence. Woman is not just an other in the sense of something beyond his ken, but an other intimately related to him as the image of what he is not, and therefore as an essential reminder of what he is. Man therefore needs this other even as he spurns it, is constrained to give a positive identity to what he regards as no-thing. Not only is his own being parasitically dependent upon the woman, and upon the act of excluding and subordinating her, but one reason why such exclusion is necessary is because she may not be quite so other after all. Perhaps she stands as a sign of something in man himself which he needs to repress, expel beyond his own being, relegate to a securely alien region beyond his own definitive limits. Perhaps what is outside is also somehow inside, what is alien also intimate - so that man needs to police the absolute frontier between the two realms as vigilantly as he does just because it may always be transgressed, has always been transgressed already, and is much less absolute than it appears.
This is life. Learning to love through loss. Seeking warm pockets in the bitter cold. Finding the worth of a smile on a cloudy day. Carrying the weight of the world on weary shoulders-mistakes, sins, injustices-added upon daily. Enduring burdens that spur greater strength. This is life. Sorting through layers of expressions staring you straight in the eye. A battle to be right when wrong, to be good when bad, to be content when in need, and to laugh when tearing up. This is life. Valuing things of no worth. Reevaluating dreams. Laboring ceaselessly against the current. Seeing less, wanting more, having enough. This is life. Chasing the moon when the sun would extend its warmth. Slapping the hand that would offer a gentle caress. Cowering at personal, monstrous shadows. Giving and taking in unbalanced weights. Diminishing the majesty of mountains in order to form our own lowly hills. Hoping for more than we deserve. This is life. Hurting. Despairing. Losing. Weeping. Suffering. Laboring. Sinking. Mourning. Appreciating with greater capacity and sincerity a learned knowledge that these adversities do have their opposites. This is life. A taste. A revelation. A banishment. A mercy. A test. An experience. A turbulent sea-voyage that shall assuredly reach the unseen shore, making seasoned sailors of us all. This is life.
Richelle E. Goodrich
What is personal death? Asking this question and pausing to look inward - isn't personal death a concept? Isn't there a thought-and-picture series going on in the brain? These scenes of personal ending take place solely in the imagination, and yet they trigger great mental ad physical distress - thinking of one's cherished attachments an their sudden, irreversible termination. Similarly, if there is 'pain when I let some of the beauty of life in' - isn't this pain the result of thinking, 'I won't be here any longer to enjoy this beauty?' Or, 'No one will be around and no beauty left to be enjoyed if there is total nuclear devastation.' Apart from the horrendous tragedy of human warfare - why is there this fear of 'me' not continuing? Is it because I don't realize that all my fear and trembling is for an image? Because I really believe that this image is myself? In the midst of this vast, unfathomable, ever-changing, dying, and renewing flow of life, the human brain is ceaselessly engaged in trying to fix for itself a state of permanency and certainty. Having the capacity to think and form pictures of ourselves, to remember them and become deeply attached to them, we take this world of pictures and ideas for real. We thoroughly believe in the reality of the picture story of our personal life. We are totally identified with it and want it to go on forever. The idea of "forever" is itself an invention of the human brain. Forever is a dream. Questioning beyond all thoughts, images, memories, and beliefs, questioning profoundly into the utter darkness of not-knowing, the realization may suddenly dawn that one is nothing at all - nothing - that all one has been holding on to are pictures and dreams. Being nothing is being everything. It is wholeness. Compassion. It is the ending of separation, fear, and sorrow. Is there pain when no one is there to hold on? There is beauty where there is no "me".
Do I, then, belong to the heavens? Why, if not so, should the heavens Fix me thus with their ceaseless blue stare, Luring me on, and my mind, higher Ever higher, up into the sky, Drawing me ceaselessly up To heights far, far above the human? Why, when balance has been strictly studied And flight calculated with the best of reason Till no aberrant element should, by rights, remain- Why, still, should the lust for ascension Seem, in itself, so close to madness? Nothing is that can satify me; Earthly novelty is too soon dulled; I am drawn higher and higher, more unstable, Closer and closer to the sun's effulgence. Why do these rays of reason destroy me? Villages below and meandering streams Grow tolerable as our distance grows. Why do they plead, approve, lure me With promise that I may love the human If only it is seen, thus, from afar- Although the goal could never have been love, Nor, had it been, could I ever have Belonged to the heavens? I have not envied the bird its freedom Nor have I longed for the ease of Nature, Driven by naught save this strange yearning For the higher, and the closer, to plunge myself Into the deep sky's blue, so contrary To all organic joys, so far From pleasures of superiority But higher, and higher, Dazzled, perhaps, by the dizzy incandescence Of waxen wings. Or do I then Belong, after all, to the earth? Why, if not so, should the earth Show such swiftness to encompass my fall? Granting no space to think or feel, Why did the soft, indolent earth thus Greet me with the shock of steel plate? Did the soft earth thus turn to steel Only to show me my own softness? That Nature might bring home to me That to fall, not to fly, is in the order of things, More natural by far than that improbable passion? Is the blue of the sky then a dream? Was it devised by the earth, to which I belonged, On account of the fleeting, white-hot intoxication Achieved for a moment by waxen wings? And did the heavens abet the plan to punish me? To punish me for not believing in myself Or for believing too much; Too earger to know where lay my allegiance Or vainly assuming that already I knew all; For wanting to fly off To the unknown Or the known: Both of them a single, blue speck of an idea?
The studio was immense and gloomy, the sole light within it proceeding from a stove, around which the three were seated. Although they were bold, and of the age when men are most jovial, the conversation had taken, in spite of their efforts to the contrary, a reflection from the dull weather without, and their jokes and frivolity were soon exhausted. In addition to the light which issued from the crannies in the stove, there was another emitted from a bowl of spirits, which was ceaselessly stirred by one of the young men, as he poured from an antique silver ladle some of the flaming spirit into the quaint old glasses from which the students drank. The blue flame of the spirit lighted up in a wild and fantastic manner the surrounding objects in the room, so that the heads of old prophets, of satyrs, or Madonnas, clothed in the same ghastly hue, seemed to move and to dance along the walls like a fantastic procession of the dead; and the vast room, which in the day time sparkled with the creations of genius, seemed now, in its alternate darkness and sulphuric light, to be peopled with its dreams. Each time also that the silver spoon agitated the liquid, strange shadows traced themselves along the walls, hideous and of fantastic form. Unearthly tints spread also upon the hangings of the studio, from the old bearded prophet of Michael Angelo to those eccentric caricatures which the artist had scrawled upon his walls, and which resembled an army of demons that one sees in a dream, or such as Goya has painted; whilst the lull and rise of the tempest without but added to the fantastic and nervous feeling which pervaded those within. Besides this, to add to the terror which was creeping over the three occupants of the room, each time that they looked at each other they appeared with faces of a blue tone, with eyes fixed and glittering like live embers, and with pale lips and sunken cheeks; but the most fearful object of all was that of a plaster mask taken from the face of an intimate friend but lately dead, which, hanging near the window, let the light from the spirit fall upon its face, turned three parts towards them, which gave it a strange, vivid, and mocking expression. All people have felt the influence of large and dark rooms, such as Hoffmann has portrayed and Rembrandt has painted; and all the world has experienced those wild and unaccountable terrors - panics without a cause - which seize on one like a spontaneous fever, at the sight of objects to which a stray glimpse of the moon or a feeble ray from a lamp gives a mysterious form; nay, all, we should imagine, have at some period of their lives found themselves by the side of a friend, in a dark and dismal chamber, listening to some wild story, which so enchains them, that although the mere lighting of a candle could put an end to their terror, they would not do so; so much need has the human heart of emotions, whether they be true or false. So it was upon the evening mentioned. The conversation of the three companions never took a direct line, but followed all the phases of their thoughts; sometimes it was light as the smoke which curled from their cigars, then for a moment fantastic as the flame of the burning spirit, and then again dark, lurid, and sombre as the smile which lit up the mask from their dead friend's face. At last the conversation ceased altogether, and the respiration of the smokers was the only sound heard; and their cigars glowed in the dark, like Will-of-the-wisps brooding o'er a stagnant pool. It was evident to them all, that the first who should break the silence, even if he spoke in jest, would cause in the hearts of the others a start and tremor, for each felt that he had almost unwittingly plunged into a ghastly reverie. ("The Dead Man's Story")
James Hain Friswell