Rubashov had always believed that he knew himself rather well. Being without moral prejudices, he had no illusions about the phenomenon called the "first person singular" and had taken for granted, without particular emotion, that this phenomenon was endowed with certain impulses which people are generally reluctant to admit. Now, when he stood with his forehead against the window or suddenly stopped on the third black tile, he made unexpected discoveries. He found that those processes wrongly known as monologues are really dialogues of a special kind - dialogues in which one partner remains silent while the other, against all grammatical rules, addresses him as "I" instead of "you, " in order to creep into his confidence and to fathom his intentions, but the silent partner just remains silent, shuns observation, and even refuses to be localized in time and space.
We can inspire others through witness so that one grows together in communicating. BUt the worst thing of all is religious proselytism, which paralyses: 'I am talking with you in order to persuade you.' No. Each person dialogues, starting with his and her own identity. The church grows by attracting, not proselytizing.
Philosophy is the true home of irony, which might be defined as logical beauty: for wherever men are philosophizing in spoken or written dialogues, and provided they are not entirely systematic, irony ought to be produced and postulated; even the Stoics regarded urbanity as a virtue.
Karl Wilhelm Friedrich Schlegel
Because I actively enjoy sleeping, dreams, the unexplainable dialogues that take place in my head as I am drifting off, all that, I tell myself that lying down to an afternoon nap that goes on and on through eternity is not something to be concerned about. What spoils this pleasant fancy is the recollection that when people are dead they don't read books. This I find unbearable.
Putting into words what exactly was off is not easy. I myself don't even understand it. It was like a replica of my best friend was sitting in front of me, saying well-rehearsed lines at the wrong cues whilst I struggled to remember my dialogues. It was as if you had talked to me in some other language, a vernacular I used to be fluent in; but now, although the words sounded familiar, I really had no idea what you meant.
The audience for 'Lootera' is far less than for my other kind of films. Just because I pulled it off doesn't mean I will change my tastes. I love to watch masala films, and I love to sing, dance and say those larger-than-life dialogues. But whenever I get a chance, and I really feel the connect, I will do a performance-oriented film.
Mindfulness can create a foundation for emotional bonding that allows you to be fully present and authentic during dialogues or a discussion. A mindful approach to entering difficult conversations keeps both parties out of the heat of emotions and able to explore the needs, wants and interests on both sides. Judgement is suspended and, with a strong bond, the mind is able to focus on and look for the mutual benefit of the common goal.
Today you can buy the Dialogues of Plato for less than you would spend on a fifth of whiskey, or Gibbon's Decline and Fall of the Roman Empire for the price of a cheap shirt. You can buy a fair beginning of an education in any bookstore with a good stock of paperback books for less than you would spend on a week's supply of gasoline.
I will begin with what in my opinion is your lack of restraint. You are like a spectator in a theatre who expresses his enthusiasm so unrestrainedly that he prevents himself and others from hearing. That lack of restraint is particularly noticeable in the descriptions of nature with which you interrupt dialogues; when one reads them, these descriptions, one wishes they were more compact, shorter, say two or three lines.
When artists and philosophers talk only amongst themselves, they ignore the potential of popular culture to become a variety of dialogues with and between everyday people. Its discourse may be productive of desire and pleasure, but popular culture is also a language in which people discuss politics, religion, ethics, and action.
In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you treat music properly, but it doesn't always happen this way. Music is often blamed, but it's not its fault.
After meditating for some years, I began to see the patterns of my own behavior. As you quiet your mind, you begin to see the nature of your own resistance more clearly, struggles, inner dialogues, the way in which you procrastinate and develop passive resistance against life. As you cultivate the witness, things change. You don't have to change them. Things just change.
The fact that I have done films down South didn't boost or hamper my chances here. In fact, I was still shooting for both my Telugu films when I met Ashu sir for 'Mohenjo Daro.' During the audition, he gave me five scenes with lengthy dialogues. Once I cleared them, he gave me a song to dance to. So, my Bollywood entry was no cakewalk.
I often wonder whether real conversation in real time may eventually give way to these sanitized and easier screen dialogues, in much the same way as killing, skinning and butchering an animal to eat has been replaced by the convenience of packages of meat on the supermarket shelf... Perhaps future generations will recoil with similar horror at the messiness, unpredictability and immediate personal involvement of a three-dimensional, real-time interaction.
He lay still, his bloodshot eyes staring blankly before him, and drifted into dreams of his problems, compulsively living out dialogues, summing up emotional scenes with his mother, Dot, and his friends. Repeatedly he chided himself to go to sleep, but it did no good, for he was hungry for these waking visions that depicted his dilemmas, yet he knew that such brooding did not help; in fact he was wasting his waning strength, for into these unreal dramas he was putting the whole of his ardent being. The long hours dragged on.
She had always felt that the essence of human experience lay not primarily in the peak experiences, the wedding days and triumphs which stood out in the memory like dates circled in red on old calendars, but, rather, in the unself-conscious flow of little things-the weekend afternoon with each member of the family engaged in his or her own pursuit, their crossings and connections casual, dialogues imminently forgettable, but the sum of such hours creating a synergy which was important and eternal.
I think my role is as a writer, especially, and then also as a speaker, an organizer, and an entre- preneur of social change. My role isn't to make choices for people-each individual or group needs to do that on their own. But as a writer and a speaker, you can describe possibilities that perhaps haven't been visible before, and aren't in other public dialogues or in the rest of the media. So I suppose I think of myself mainly as an organizer and as someone who describes possibilities.
We should be told: Write fast, write close to the bone, write for ten hours straight until you're not thinking in words anymore, but in colors, in smells, in waves of memory. Right what you care about. Don't write one more word you don't care about. Don't waste any more of your life on what does not matter to you. Write only what matters to you-those scenes, those dialogues. Get messy. Before you get neat, get very, very messy. Write until you are more alive than you have ever been before.
Everything Brecht wrote""plays, dialogues, and poetry""was his attempt to clarify the inner contradictions not only of the capitalism and fascism of his times, but also of the communism that was always disappointing his deepest hopes. In a book that makes Brecht's struggle to reveal these hidden contradictions its central theme, Glahn issues, by implication, a call to arms to today's artists""who are faced with a world that seems to defy attempts to treat the global crisis with an art that is rarely more than notes on 'local' angst.
Never have I enjoyed youth so thoroughly as I have in my old age. In writing Dialogues in Limbo, The Last Puritan, and now all these descriptions of the friends of my youth and the young friends of my middle age, I have drunk the pleasure of life more pure, more joyful than it ever was when mingled with all the hidden anxieties and little annoyances of actual living. Nothing is inherently and invincibly young except spirit. And spirit can enter a human being perhaps better in the quiet of old age and dwell there more undisturbed than in the turmoil of adventure.
A chef is a chef, a cook is a cook; a lorry driver is a lorry driver and a designer is a designer. I've never heard anyone say that Philippe Starck is a chef. The important thing is dialogue. If I said to Norman Foster that he was a chef he'd say "No", but he might have a dialogue with chefs. People have said to me for many years that I'm not a chef and that I'm an artist instead, but I always say, "No, I'm a chef." I just have dialogues with designers.
Quoting from Thomas Merton Dialogues With Silence The true contemplative is not one who prepares his mind for a particular message that he wants or expects to hear, but is one who remains empty because he knows that he can never expect to anticipate the words that will transform his darkness into light. He does not even anticipate a special kind of transformation. He does not demand light instead of darkness. He waits on the Word of God in silence, and, when he is answered it is not so much by a word that bursts into his silence. It is by his silence itself, suddenly, inexplicably revealing itself to him as a word of great power, full of the voice of God. (17)
Who gave the decisive deathblow to the argument from design on the basis of biological complexity? Both philosophers and biologists are divided on this point (Oppy 1996; Dawkins 1986; Sober 2008). Some have claimed that the biological design argument did not falter until Darwin provided a proper naturalistic explanation for adaptive complexity; others maintain that David Hume had already shattered the argument to pieces by sheer logical force several decades earlier, in his Dialogues Concerning Natural Religion (Hume 2007 ). Elliott Sober has been among the philosophers who maintain that, as Hume was not in a position to offer a serious alternative explanation of adaptive complexity, it is hardly surprising that 'intelligent people strongly favored the design hypothesis' (Sober 2000, 36). In his most recent book, however, Sober (2008) carefully develops what he thinks is the most charitable reconstruction of the design argument, and proceeds to show why it is defective for intrinsic reasons (for earlier version of this argument, see Sober 1999, 2002). Sober argues that the design argument can be rejected even without the need to consider alternative explanations for adaptive complexity (Sober 2008, 126): 'To see why the design argument is defective, there is no need to have a view as to whether Darwin's theory of evolution is true' (Sober 2008, 154).
Hyperbolic Suggestion is-as one might infer from the term's literal interpretation-a method of suggestion induced upon the subject (or subjects), in question, through the blatant and immoderate invocation of hyperbole. Simply stated, excessive exaggeration induces a trance upon the recipient, rendering him or her remarkably susceptible to suggestion. Thus, through the use of a multitude of descriptive adjectives and superlatives, neural mechanisms and pathways are overloaded, as canals and bypasses are burrowed into the thick of the gray matter. The dendrites are, through this process, tuned to a predetermined frequency by which the seeds of suggestion can be sown. When this occurs, the subject becomes incredibly compliant to any orders given at a certain tone of voice. In some cases, orders need not be given. The subject's attitudes might well be so affected by the hyperbole as to affect his natural tendencies... Emmanuel silently wondered if there existed a perfect combination of words or phrases that could somehow-as in the case of Hyperbolic Suggestion-subvert even the most stubborn of wills. Then again, maybe it wasn't so much the words as it was how they were spoken: if he achieved exactly the most desirable intonation, rhythm, timing, pitch and pronunciation in his speaking, would his verbal appeals somehow make greater inroads in garnering their consent? There had to be some optimal combination of aspirated consonants, diphthongs, facial expressions and inflection he could somehow affect in order to persuade them effectively. But it seemed that to search for this elusive mixture of ingredients would only prove an onerous task, conceivably of little benefit. In view of this sobering reality, he decided instead to try out a completely different approach from those previous: it occurred to him that his attempts at persuasion might be slightly more effective if he carried them out as dialogues, rather than as monologues.
I see things in windows and I say to myself that I want them. I want them because I want to belong. I want to be liked by more people, I want to be held in higher regard than others. I want to feel valued, so I say to myself to watch certain shows. I watch certain shows on the television so I can participate in dialogues and conversations and debates with people who want the same things I want. I want to dress a certain way so certain groups of people are forced to be attracted to me. I want to do my hair a certain way with certain styling products and particular combs and methods so that I can fit in with the In-Crowd. I want to spend hours upon hours at the gym, stuffing my body with what scientists are calling 'superfoods', so that I can be loved and envied by everyone around me. I want to become an icon on someone's mantle. I want to work meaningless jobs so that I can fill my wallet and parentally-advised bank accounts with monetary potential. I want to believe what's on the news so that I can feel normal along with the rest of forever. I want to listen to the Top Ten on Q102, and roll my windows down so others can hear it and see that I am listening to it, and enjoying it. I want to go to church every Sunday, and pray every other day. I want to believe that what I do is for the promise of a peaceful afterlife. I want rewards for my 'good' deeds. I want acknowledgment and praise. And I want people to know that I put out that fire. I want people to know that I support the war effort. I want people to know that I volunteer to save lives. I want to be seen and heard and pointed at with love. I want to read my name in the history books during a future full of clones exactly like me. The mirror, I've noticed, is almost always positioned above the sink. Though the sink offers more depth than a mirror, and mirror is only able to reflect, the sink is held in lower regard. Lower still is the toilet, and thought it offers even more depth than the sink, we piss and shit in it. I want these kind of architectural details to be paralleled in my every day life. I want to care more about my reflection, and less about my cleanliness. I want to be seen as someone who lives externally, and never internally, unless I am able to lock the door behind me. I want these things, because if I didn't, I would be dead in the mirrors of those around me. I would be nothing. I would be an example. Sunken, and easily washed away.
Il regarde les gens autour de lui, ecoute leurs conversations, suppute, pour chacun, ses chances d'echapper e sa condition presente. Les clochards, les vrais, c'est re¢pe. Les employes, les secretaires, qui viennent e l'heure du dejeuner manger un sandwich sur un banc, ils auront de l'avancement mais n'iront pas bien loin, d'ailleurs ils n'imaginent meªme pas d'aller bien loin. Les deux jeunes types e teªtes d'intellectuels qui discutent et couvrent d'annotations, avec l'air de se prendre tre¨s au serieux, les feuillets dactylographies de ce qui doit eªtre un scenario : ils doivent y croire, e leurs dialogues e la con, e leurs personnages e la con, et peut-eªtre qu'ils ont raison d'y croire, peut-eªtre qu'ils y arriveront, peut-eªtre qu'ils connae®tront Hollywood, les piscines, les starlettes, et la ceremonie des Oscars. La tribu de Portoricains, en revanche, qui deploie sur la pelouse tout un campement de couvertures, de transistors, de bebes, de thermos... : ceux-le , on peut eªtre se»r qu'ils resteront oe¹ ils sont. Encore que... qui sait? Peut-eªtre que leur bebe braillard, e la couche pleine de merde, fera gre¢ce e leurs sacrifices de formidables etudes et deviendra prix Nobel de medecine ou secretaire general de l'ONU. Et lui, e‰douard, avec son jean blanc et ses idees noires, que va-t-il devenir?
Reading list (1972 edition) 1. Homer - Iliad, Odyssey 2. The Old Testament 3. Aeschylus - Tragedies 4. Sophocles - Tragedies 5. Herodotus - Histories 6. Euripides - Tragedies 7. Thucydides - History of the Peloponnesian War 8. Hippocrates - Medical Writings 9. Aristophanes - Comedies 10. Plato - Dialogues 11. Aristotle - Works 12. Epicurus - Letter to Herodotus; Letter to Menoecus 13. Euclid - Elements 14. Archimedes - Works 15. Apollonius of Perga - Conic Sections 16. Cicero - Works 17. Lucretius - On the Nature of Things 18. Virgil - Works 19. Horace - Works 20. Livy - History of Rome 21. Ovid - Works 22. Plutarch - Parallel Lives; Moralia 23. Tacitus - Histories; Annals; Agricola Germania 24. Nicomachus of Gerasa - Introduction to Arithmetic 25. Epictetus - Discourses; Encheiridion 26. Ptolemy - Almagest 27. Lucian - Works 28. Marcus Aurelius - Meditations 29. Galen - On the Natural Faculties 30. The New Testament 31. Plotinus - The Enneads 32. St. Augustine - On the Teacher; Confessions; City of God; On Christian Doctrine 33. The Song of Roland 34. The Nibelungenlied 35. The Saga of Burnt Nje¡l 36. St. Thomas Aquinas - Summa Theologica 37. Dante Alighieri - The Divine Comedy;The New Life; On Monarchy 38. Geoffrey Chaucer - Troilus and Criseyde; The Canterbury Tales 39. Leonardo da Vinci - Notebooks 40. Niccole² Machiavelli - The Prince; Discourses on the First Ten Books of Livy 41. Desiderius Erasmus - The Praise of Folly 42. Nicolaus Copernicus - On the Revolutions of the Heavenly Spheres 43. Thomas More - Utopia 44. Martin Luther - Table Talk; Three Treatises 45. Frane§ois Rabelais - Gargantua and Pantagruel 46. John Calvin - Institutes of the Christian Religion 47. Michel de Montaigne - Essays 48. William Gilbert - On the Loadstone and Magnetic Bodies 49. Miguel de Cervantes - Don Quixote 50. Edmund Spenser - Prothalamion; The Faerie Queene 51. Francis Bacon - Essays; Advancement of Learning; Novum Organum, New Atlantis 52. William Shakespeare - Poetry and Plays 53. Galileo Galilei - Starry Messenger; Dialogues Concerning Two New Sciences 54. Johannes Kepler - Epitome of Copernican Astronomy; Concerning the Harmonies of the World 55. William Harvey - On the Motion of the Heart and Blood in Animals; On the Circulation of the Blood; On the Generation of Animals 56. Thomas Hobbes - Leviathan 57. Rene Descartes - Rules for the Direction of the Mind; Discourse on the Method; Geometry; Meditations on First Philosophy 58. John Milton - Works 59. Molie¨re - Comedies 60. Blaise Pascal - The Provincial Letters; Pensees; Scientific Treatises 61. Christiaan Huygens - Treatise on Light 62. Benedict de Spinoza - Ethics 63. John Locke - Letter Concerning Toleration; Of Civil Government; Essay Concerning Human Understanding;Thoughts Concerning Education 64. Jean Baptiste Racine - Tragedies 65. Isaac Newton - Mathematical Principles of Natural Philosophy; Optics 66. Gottfried Wilhelm Leibniz - Discourse on Metaphysics; New Essays Concerning Human Understanding;Monadology 67. Daniel Defoe - Robinson Crusoe 68. Jonathan Swift - A Tale of a Tub; Journal to Stella; Gulliver's Travels; A Modest Proposal 69. William Congreve - The Way of the World 70. George Berkeley - Principles of Human Knowledge 71. Alexander Pope - Essay on Criticism; Rape of the Lock; Essay on Man 72. Charles de Secondat, baron de Montesquieu - Persian Letters; Spirit of Laws 73. Voltaire - Letters on the English; Candide; Philosophical Dictionary 74. Henry Fielding - Joseph Andrews; Tom Jones 75. Samuel Johnson - The Vanity of Human Wishes; Dictionary; Rasselas; The Lives of the Poets
Mortimer J. Adler