The principle factor in my success has been an absolute desire to draw constantly. I never decided to be an artist. Simply, I couldn't stop myself from drawing. I drew for my own pleasure. I never wanted to know whether or not someone liked my drawings. I have never kept one of my drawings. I drew on walls, the school blackboard, odd bits of paper, the walls of barns. Today I'm still as fond of drawings as when I was a kid - and that was a long time ago - but, surprising as it may seem, I never thought about the money I would receive for my drawings. I simply drew them.
Of course, in my mind, violence would have been better, but since that wasn't an option, I decided to play along. 'It's okay, handsome. I've only been here a few minutes. I'd like to introduce you to Dick.' 'No, it's... ' Richard tried to correct me only to be interrupted by Drew. 'Nice to meet you, Dick, ' Drew retorted.
To my surprise, I had not just doodled, I had prayed (I drew new shapes and names of each friend and focused on the person whose name stared at me from the paper). I had though OF each person as I drew but not ABOUT each person. I could just sit with them in a variation on stillness. I could hold them in prayer.
I don't know if you know this," Tobias says, "but Edward is a little unstable." "I'm getting that," I say. "That Drew guy who helped Peter perform that butterknife maneuver," Tobias says. "Apparently when he got kicked out of Dauntless, he tried to join the same group of factionless Edward was a part of. Notice that you haven't seen Drew anywhere.
My breathing slowed. I shaded her thick chestnut hair resting in a smooth curve against her face, a large bruise blazing across her cheek. I paused, looking over my shoulder to make certain I was alone. I drew her eye makeup, smudged by tears. In her watery eyes I drew the reflection of the commander, standing in front of her, his fist clenched. I continued to sketch, exhaled, and shook out my hands.
It is the simple truth that man does differ from the brutes in kind and not in degree; and the proof of it is here; that it sounds like a truism to say that the most primitive man drew a picture of a monkey and that it sounds like a joke to say that the most intelligent monkey drew a picture of a man. Something of division and disproportion has appeared; and it is unique. Art is the signature of man.
Gilbert K. Chesterton
Lord Randall barreled inside, brandishing his cane in Drew's face. "You beggarly knave, I was told this marriage was in name only! Who gave you permission to consummate the vows?" "Theodore Hopkin, governor of this colony, representative of the kind, and it's going to cost you plenty, for that daughter of yours is nothing but trouble. What in the blazes were you thinking to allow her an education?" Drew bit back his smile at the man's shocked expression. Nothing like landing the first punch. Lord Randall furrowed his bushy gray brows. "I knew not about her education until it was too late." Drew straightened the cuffs of his shirt. "Well, be prepared to pay dearly for it. No man should have to suffer through what I do with the constant spouting of the most addlepated word puzzles you could imagine." - "I require fifteen thousand pounds." Lord Randall spewed ale across the floor. "What! Surely drink has tickled your poor brain. You're a FARMER, you impudent rascal. I'll give you five thousand." Drew plopped his drink onto the table at his side, its contents sloshing over the rim. A satisfied smile broke across his face. "Excellent." He stood. "When will you take her back to England with you? Today? Tomorrow?" The old man's red-rimmed eyes widened. "I cannot take her back. Why, she's already birthed a child!" Drew shrugged. "Fifteen thousand or I send her AND the babe back, with or without you.
I drew laughing, high-breasted girls aquaplaning without a care in the world, as a result of being amply protected against such national evils as bleeding gums, facial blemishes, unsightly hairs, and faulty or inadequate life insurance. I drew housewives who, until they reached for the right soap flakes, laid themselves wide open to straggly hair, poor posture, unruly children, disaffected husbands, rough (but slender) hands, untidy (but enormous) kitchens.
J. D. Salinger
The exceptions were two men a little ahead of them, standing just outside the Three Broomsticks. One was very tall and thin; squinting through his rain-washed glasses Harry recognized the barman who worked in the other Hogsmeade pub, the Hog's Head. As Harry, Ron, and Hermione drew closer, the barman drew his cloak more tightly around his neck and walked away, leaving the shorter man to fumble with something in his arms. They were barely feet from him when Harry realized who the man was. "Mundungus!
J. K. Rowling
He wants a fifteen thousand pound settlement." "Fifteen thousand!" "He says you're a great deal of trouble." She hesitated for one startled moment before choking back a laugh. "I am." "I thought so." He leveled Drew a look. "If I pay you the fifteen thousand, do you swear to keep her?" Drew reared back his head. "Forever?" Her father scowled. "Forever." "Oh, I suppose." He gave a long-suffering sigh. "If I must." She bit the insides of her cheeks to keep from laughing outright.
I thought of what pride would look like, a jowly old guy in a smoking jacket. Vanity was a tall, beautiful woman with a face like a mask. Envy was a treasure-hoarding dragon, dainty and diabolical. As I sketched in the dragon's face, I gave her eyebrows like mine, my turtle necklace around its scaly neck. Xanda drew them as cliffs and valleys, irrevocably linked pride as a mountain, envy as a valley, hating its lowness and longing to reach, overtake, conquer. She drew vanity as a volcano with an abyss at its core.
Without making a conscious decision to do so, Drew grabbed a fistful of her ridiculous blond wig and tugged. Some of her hair came with it and he felt a moment of satisfaction when she howled. Bianca's real hair was a matted mess against her head. He looked at the wig in his hand and moved his gaze to the water fountain. Bianca's eyes widened. 'Don't do it. Don't you dare.' 'Don't do what? Don't do this?' He dangled the wig above the fountain. She raised her hands and crept toward him. 'Just give it back, Drew, and we'll be even. Okay?' 'Aaawww, is Bianca getting worried? Poor baby.' 'Come on.' 'Say you're sorry.' He shook it up and down. 'What? No way.' With a shrug, he tossed the wig into the water fountain.
I stared out of the window at the bright-blue Swiss sky and I told him a story of two people. Two people who shouldn't have met, and who didn't like each other much when they did, but who found they were the only two people in the world who could possibly have understood each other. And I told him of the adventures they had, the places they had gone, and the things I had seen that I had never expected to. I conjured for him electric skies and iridescent seas and evenings full of laughter and silly jokes. I drew a world for him, a world far from a Swiss industrial estate, a world in which he was still somehow the person he had wanted to be. I drew the world he had created for me, full of wonder and possibility. I let him know a hurt had been mended in a way that he couldn't have known, and for that alone there would always be a piece of me indebted to him. And as I spoke I knew these would be the most important words I would ever say and that it was important that they were the right words, that they were not propaganda, an attempt to change his mind, but respectful of what Will had said. I told him something good...