What's that around your neck?' asked Emily. 'It's a golden star.' Said Reed. 'What did you get it for?' 'Chemistry class.' 'What's the star for?' the shadow asked, Usually stars represent a straight A student. 'You get it for having greatness. But Emily doesn't know what that is.' He said, answering the shadows question and looking at Emily. 'Greatness, what's greatness?' Emily asked, all wide eyed, and clueless looking 'It's when you do really awesome stuff, and people recognize you for it.' 'Oh, no' Emily laughed.'No, I don't know what that is.
I put my fingers under Emily's chin, tilting her head up. "I love you." Emily's dark eyes widen and if this moment wasn't so dire, I'd laugh at her expression. swipe a finger across her smooth cheek. "I've never said that to anyone and I don't plan on it being the last time, either. I love you, Emily, and I'm telling you we'll work ths out.
Emily suffers no more from pain or weakness now. She will never suffer more in this world. She is gone after a hard, short conflict...Yes there is no Emily in time or on earth now. Yesterday we put her poor, wasted, mortal frame quietly under the chancel pavement. We are very calm at present. Why shoud we be otherwise? The anguish of seeing her suffer is over; the spectacle of the pains of death is gone by; the funeral day is past. We feel she is at peace. No need now to trouble for the hard frost and the keen wind. Emily does not feel them.
I was sleeping in the woods one night after a gig we'd played somewhere, when I saw this girl appear before me. That girl was Emily. (on how he wrote "See Emily Play") "Chapter 24"-that was from the "I Ching", there was someone around who was very into that, most of the words came straight off that. "Lucifer Sam" was another one-it didn't mean much to me at the time, but then three or four months later it came to mean a lot.
As I raced out of the office, I could hear Emily rapid-fire dialing four-digit extensions and all but screaming, 'She's on her way-- tell everyone.' It took me only three seconds to wind through the hallways and pass through the fashion department, but I had already heard panicked cries of 'Emily said she's on her way in' and 'Miranda's coming!' and a particularly blood curdling cry of 'She's baaaaaaaaaaaaaaaaaaaack!
As I raced out of the office, I could hear Emily rapid-fire dialing four-digit extensions and all but screaming, 'She's on her way- tell everyone.' It took me only three seconds to wind through the hallways and pass through the fashion department, but I had already heard panicked cries of 'Emily said she's on her way in' and 'Miranda's coming!' and a particularly blood curdling cry of 'She's baaaaaaaaaaaaaaaaaaaack!
I was not really aware of the dystopian genre before I read 'The Handmaid's Tale.' Many poets as well, like John Donne and Emily Dickinson, would be the influences; I specialized in Emily Dickinson at university. Both of those poets have really interesting ways of looking at life and death.
Here you go, dear."" The corners of Mrs. Colbert's mouth curled up. "You like meat, don't you?" Emily blinked. Was it her, or did that statement seem... loaded? She checked Issac for his reaction, but he was innocently selecting a roll from a wicker basket. "Uh, thanks." Emily said, pulling the platter toward her. She did like meat. The kind you, um, eat.
I offer Emily half of my hit of acid- Love Saves the Day. It's my second or third time tripping, Emily's first, and she's understandably trepid. Awake all night, at one point I find her touching her reflection in a cruelly lit dorm bathroom, asking if she'll ever be the same. I kiss her then for the first time and whisper, No.
Imagine wasting all that perfectly good anger on paranoid fantasies. Not since Emily Litella got upset about "Soviet jewelry" has there been such a waste of anger. You will notice a certain theme to these Emily Litella Moments. Behind them all is a touching faith that someone, somewhere is actually in charge of what's happening - a proposition I beg leave to doubt.
Payne sought clarification. 'Vertical or horizontal?' 'Horizontal, of course.' 'Sorry but I can't help you.' 'Will you pipe down for a minute? Naturally she was dead since I work at a cemetery. Her face struck a chord though. So, I rummaged around in the old Rory memory bank, and Emily is what rings a bell. Didn't we go to school with an Emily? Tenth or eleventh grade, if I recall it correctly.
I did not know there was any controversy. I don't get a lot of time to read the fan forums, etc. I was thrilled to have the opportunity to have more storylines. I was just so happy to step in and pick up some of the slack for Emily while she was pregnant. It was so important for Emily to concentrate on her health and the well-being of her baby. In the end ... she is a great mother and her baby is adorable. I did not realize there was any controversy. LOL!
Emily's world fascinates and disturbs: in it you can touch thick Yorkshire speech, and moorland rain slants across your mind with a smell of mossy limestone and yet you are not at home, you might almost be in Gondal or Angria except the towers and the dungeons are of the spirit, the dungeons especially; and sometimes when Emily reads out in her low, almost guttural voice Charlotte wants to run but can't think why or where she would run to.
Some would look at Emily's life and think that a child born with Down's syndrome has little hope for a meaningful life. Throw in the diagnosis of leukemia and that little hope turns into no hope whatsoever. I disagree. Emily's life, with all its imperfections, had great meaning. Because of how many people she touched, I realize that we are far more than what we can accomplish. We are the very thumbprints of God.
No," he said calmly, filled with purpose. he took her arms lightly in his hands and shook her. "I am not giving you up." Emily looked at him, and for just a moment he could read her thoughts. Melanie use to say they were like twins, with their own secret, silent language. in that instant, Chris felt her fear and her resignation, and the knotty pain of coming up against a brick wall again and again. She glanced away, and he could breathe again. "The thing is, Chris" Emily said, "it's not your choice.
They call each other `E.' Elvis picks wildflowers near the river and brings them to Emily. She explains half-rhymes to him. In heaven Emily wears her hair long, sports Levis and western blouses with rhinestones. Elvis is lean again, wears baggy trousers and T-shirts, a letterman's jacket from Tupelo High. They take long walks and often hold hands. She prefers they remain just friends. Forever. Emily's poems now contain naugahyde, Cadillacs, Electricity, jets, TV, Little Richard and Richard Nixon. The rock-a-billy rhythm makes her smile. Elvis likes himself with style. This afternoon he will play guitar and sing 'I Taste A Liquor Never Brewed' to the tune of 'Love Me Tender.' Emily will clap and harmonize. Alone in their cabins later, they'll listen to the river and nap. They will not think of Amherst or Las Vegas. They know why God made them roommates. It's because America was their hometown. It's because God is a thing without feathers. It's because God wears blue suede shoes.
Wyatt should've looked ridiculous sitting on the floor, leaning into the crate making kissykiss noises at the cat, but he didn't. He looked ... mouthwatering. 'Hey, sweet thing, ' he said in a low cajoling voice. 'Come on out. I'll gonna love you up, I promise. You know you want some of that.' 'Oh, please, ' Emily said on a laugh to cover up the fact that her bones melted at the sound of him. 'That's never going to work-' But hell if the cat didn't shift ever so slightly closer to Wyatt and sniff at him. Wyatt flashed both Sweetie and Emily a smile. 'Aw, that's it, ' he crooned to the suspicious, wary cat. 'Come on, baby girl, all the way. I'll be good to you, I promise.' Emily laughed again, even as she felt her nipples tighten. She crossed her arms over her chest. 'Honestly, Wyatt, no selfrespecting female - cat or woman - is going to-
Ten good lines out of four hundred, Emily-comparatively good, that is-and all the rest balderdash-balderdash, Emily." "I-suppose so, " said Emily faintly. Her eyes brimmed with tears-her lips quivered. She could not help it. Pride was hopelessly submerged in the bitterness of her disappointment. She felt exactly like a candle that somebody had blown out. "What are you crying for? demanded Mr. Carpenter. Emily blinked away tears and tried to laugh. "I-I'm sorry-you think it's no good-" she said. Mr. Carpenter gave the desk a mighty thump. "No good! Didn't I tell you there were ten good lines? Jade, for ten righteous men Sodom had been spared." "Do you mean-that-after all-" The candle was being relighted again. "Of course, I mean. If at thirteen you can write ten good lines, at twenty you'll write ten times ten-if the gods are kind. Stop messing over months, though-and don't imagine you're a genius, either, if you have written ten decent lines. I think there's something trying to speak through you-but you'll have to make yourself a fit instrument for it. You've got to work hard and sacrifice-by gad, girl, you've chosen a jealous goddess. And she never lets her votaries go-not even when she shuts her ears forever to their plea.
And I knew in my bones that Emily Dickinson wouldn't have written even one poem if she'd had two howling babies, a husband bent on jamming another one into her, a house to run, a garden to tend, three cows to milk, twenty chickens to feed, and four hired hands to cook for. I knew then why they didn't marry. Emily and Jane and Louisa. I knew and it scared me. I also knew what being lonely was and I didn't want to be lonely my whole life. I didn't want to give up on my words. I didn't want to choose one over the other. Mark Twain didn't have to. Charles Dickens didn't.
The moment Jace Calder saw his sister's face, he feared the worst. His heart sank. Emily, his troubled little sister, had been doing so well since she'd gotten the job at the Sarah Hamilton Foundation in Big Timber, Montana. "What's wrong?" he asked as he removed his Stetson, pulled up a chair at the Big Timber Java coffee shop and sat down across from her. Tossing his hat on the seat of an adjacent chair, he braced himself for bad news. Emily blinked her big blue eyes. Even though she was closing in on twenty-five, he often caught glimpses of the girl she'd been. Her pixie cut, once a dark brown like his own hair, was dyed black. From thirteen on, she'd been piercing anything she could. At sixteen she'd begun getting tattoos and drinking. It wasn't until she'd turned seventeen that she'd run away, taken up with a thirty-year-old biker drug-dealer thief and ended up in jail for the first time. But while Emily still had the tattoos and the piercings, she'd changed after the birth of her daughter, and after snagging this job with Bo Hamilton. "What's wrong is Bo, " his sister said. Bo had insisted her employees at the foundation call her by her first name. "Pretty cool for a boss, huh?" his sister had said at the time. He'd been surprised. That didn't sound like the woman he knew. But who knew what was in Bo's head lately. Four months ago her mother, Sarah, who everyone believed dead the past twenty-two years, had suddenly shown up out of nowhere. According to what he'd read in the papers, Sarah had no memory of the past twenty-two years. He'd been worried it would hurt the foundation named for her. Not to mention what a shock it must have been for Bo. Emily leaned toward him and whispered, "Bo's... She's gone.