Faces of the grass go lengthening the lengthening faces through the ice and the sun faces lengthen go lengthening faces into lengthening faces from the branch to the grass with buried heads they stand in full view eyes sliding of the faces up and up slide up the faces ice and sun and up the faces go lengthening faces eyes are sliding above the tall and peaceful grass
Just as a human soul that faces great difficulties also faces great opportunities for spiritual growth, so a human society that faces destruction also faces the opportunity to enter a period of renaissance. I think that, barring an accident, the wish to survive will keep us from a nuclear war.
I said that when I looked at photographs of the firefighters who went into the Twin Towers, their faces looked to me like Irish faces. I hadn't yet learnt how careful outsiders have to be when talking about race in America, and I'd put my foot in it. Someone stood up and said aggressively, 'What do you mean by Irish faces?'
When you look into the faces of these quiet creatures who don't know how to tell stories--who are mute, who can't make themselves heard, who fade into the woodwork, who only think of the perfect answer after the fact, after they're back at home, who can never think of a story that anyone else will find interesting--is there not more depth and more meaning in them? You can see every letter of every untold story swimming on their faces, and all the signs of silence, dejection, and even defeat. You can even imagine your own face in those faces, can't you?
It's funny, but certain faces seem to go in and out of style. You look at old photographs and everybody has a certain look to them, almost as if they're related. Look at pictures from ten years later and you can see that there's a new kind of face starting to predominate, and that the old faces are fading away and vanishing, never to be seen again.
I want to be someone capable of seeing the unseen faces, of seeing those who do not seek fame or glory, who silently fulfil the role life has given them. I want to be able to do this because the most important things, those that shape our existence, are precisely the ones that never show their faces.
Life of a Man is Precious just as a precious stone of Diamond, Note that Diamond is evolved only when it faces the Fury of the Heat which it can't Bear, Similarly a Man's life gets Deemed as Precious only when he Boldly faces the Deep Oceans of Sorrow, Dreadfulness and Fear which He too Can't Bear, For Who Faces all these Realizes that this journey was the best part than the success of reaching the Final Destination
There is no such thing as originality. It has all been said before, suffered before. If a person knows that, is it any wonder love becomes mechanical and death just a scene to be shunned? There is no absolute knowledge to be gained from either. Just another ride on the merry-go-round, another blurred scene of faces smiling and faces grieved.
I want to hear raucous music, to see faces, to brush against bodies, to drink fiery Benedictine. Beautiful women and handsome men arouse fierce desires in me. I want to dance. I want drugs. I want to know perverse people, to be intimate with them. I never look at naive faces. I want to bite into life, and to be torn by it.
The Latin American photographer has the possibility, and the means, for naming the things of our world, for demonstrating that there is another kind of beauty, that the faces of the First World are not the only ones. These Indian, black, plundered white and mestizo faces are the first element defining the demographic content of our photography.
My brothers' faces haunt me. I hear their children, my nieces and nephews, asking me why I came home without their daddies. I think of their wives, imagine their questions. Our parents, forever seeing the faces of their lost sons when they look at me. They will want answers, demand to know how I survived. And what do I tell them? That I huddled like a baby inside my tent while their killer beckoned me forth for one last stand?
Stephen Blackpool fall into the loneliest of lives, the life of solitude among a familiar crowd. The stranger in the land who looks into ten thousand faces for some answering look and never finds it, is in cheering society as compared with him who passes ten averted faces daily, that were once the countenances of friends
She always paid attention to fingers rather than faces because they told so much more. People remembered to guard their faces. They forgot their hands. Her own were small, though strong and supple from all the hours of piano playing, but what use was that now? For the first time she understood what real danger does to the human mind, as flat white fear froze the coils of her brain.
If we are to love our neighbors, before doing anything else we must see our neighbors. With our imagination as well as our eyes, that is to say like artists, we must see not just their faces but the life behind and within their faces. Here it is love that is the frame we see them in.
Nature has written a letter of credit upon some men's faces that is honored wherever presented. You cannot help trusting such men. Their very presence gives confidence. There is promise to pay in their faces which gives confidence and you prefer it to another man's endorsement. Character is credit.
William Makepeace Thackeray
Our accent will be upon youth: we need new ideas, new methods, new approaches. We will call upon young students of political science throughout the nation to help us. We will encourage these young students to launch their own independent study, and then give us their analysis and their suggestions. We are completely disenchanted with the old, adult, established politicians. We want to see some new faces -- more militant faces.
What I notice is that every adult or child I give a new set of Crayolas to goes a little funny. The kids smile, get a glazed look on their faces, pour the crayons out, and just look at them for a while....The adults always get the most wonderful kind of sheepish smile on their faces--a mixture of delight and nostalgia and silliness. And they immediately start telling you about all their experiences with Crayolas.
Your motivations-get that promotion, throw the best parties, run for public office-aren't impersonal abstractions but powerfully reflect who you are and what you focus on. An individual's goals figure prominently in the theories of personality first developed by the Harvard psychologist Henry Murray. According to his successor David McClelland, what Friedrich Nietzsche called "the will to power, " which he considered the major driving force behind human behavior, is one of the three basic motivations, along with achievement and affiliation, that differentiate us as individuals. A simple experiment show show these broad emotional motivations can affect what you pay attention to or ignore on very basic levels. When they examine images of faces that express different kinds of emotion, power-oriented subjects are drawn to nonconfrontational visages, such as "surprise faces, " rather than to those that suggest dominance, as "anger faces" do. In contrast, people spurred by affiliation gravitate toward friendly or joyful faces.
Hades raised an eyebrow. When he sat forward in his throne, shadowy faces appeared in the folds of his black robes, faces of torment,as if the garment was stitched of trapped souls from the Fields of Punishment, trying to get out. The ADHD part of me wondered, off-task, whether the rest of his clothes were made the same way. What horrible things would you have to do in your life to get woven into Hades' underwear?
Hades raised an eyebrow. When he sat forward in his throne, shadowy faces appeared in the folds of his black robes, faces of torment, as if the garment was stitched of trapped souls from the Fields of Punishment, trying to get out. The ADHD part of me wondered, off-task, whether the rest of his clothes were made the same way. What horrible things would you have to do in your life to get woven into Hades' underwear?
The faces of your young people in general are not interesting-I don't mean the children, but the young men and women-and they are awkward and clownish in their manners, without the quaintness of the elder generation, who are the funniest old dears in the world." "They will all be quaint enough as they get older. You must remember the sort of life they lead. They get their notions very slowly, and they must have notions in their heads before they can show them on their faces.
Intelligence, goodness, humanity, excitement, serenity. Over time, these are the things that change the musculature of your face, as do laughter, and animation, and especially whatever peace you can broker with the person inside. It's furrow, pinch, and judgement that make us look older - our mothers were right. They said that if you made certain faces, they would stick, and they do. But our mothers forgot that faces of kindness and integrity stick as well.
All of childhood's unanswered questions must finally be passed back to the town and answered there. Heroes and bogey men, values and dislikes, are first encountered and labeled in that early environment. In later years they change faces, places and maybe races, tactics, intensities and goals, but beneath those penetrable masks they wear forever the stocking-capped faces of childhood.
We all reek of weariness. A room full of the black-soul phenomenon. All of a sudden I don't feel so alone in the recognition of my own mixed feelings mirrored in those faces. In those faces, I see that the seemingly repugnant behavior wasn't so atrocious after all. Everything is forgiv- able. Everything we said and did and felt was magnified by the pres- ence of something we couldn't control, and that fact definitely brought out the crazy. Each of us will carry a balance of regret and pride for the rest of our lives.
She saw the faces streaming past her, the faces made alike by fear-fear as a common denominator, fear of themselves, fear of all and of one another, fear making them ready to pounce upon whatever was held sacred by any single one they met... She had kept herself clean and free in a single passion-to touch nothing. She had liked facing them in the streets, she had liked the impotence of their hatred, because she offered them nothing to be hurt.
My main reason for scepticism about the Huxley/Sagan theory is that the human brain is demonstrably eager to see faces in random patterns, as we know from scientific evidence, on top of the numerous legends about faces of Jesus, or the Virgin Mary, or Mother Teresa, being seen on slices of toast, or pizzas, or patches of damp on a wall. This eagerness is enhanced if the pattern departs from randomness in the specific direction of being symmetrical.
May be we will meet again somewhere in future... With little less complications, little less worries, little less pain and a little smile on our faces remembering how stupid we were to take such decisions which kept us waiting for a happier day with little less complications, little less worries, little less pain and a little smile on our faces...
I think it is no small attraction in a painter to be able to give a pleasing air to his figures, and whoever is not naturally possessed of this grace may acquire it by study, as opportunity offers in the following manner: be on the watch to take good parts of many beautiful faces of which the beautiful parts are established by general repute rather than by your own judgement, for you may deceive yourself by selecting faces that resemble your own, since it often seems that such similarities please us; ... so therefore choose the beautiful ones as I tell you and fix them in your mind.
Leonardo da Vinci
O you who believe! When you rise to pray, wash your faces and your hands and arms to the elbows, and wipe your heads, and your feet to the ankles. If you had intercourse, then purify yourselves. If you are ill, or travelling, or one of you returns from the toilet, or you had contact with women, and could not find water, then use some clean sand and wipe your faces and hands with it. Allah does not intend to burden you, but He intends to purify you, and to complete His blessing upon you, that you may be thankful.
[Poem: Slates of Grey] Sullen faces like slates of grey- What I'd seen on a walk today. Bodies rushing bodies bolting Time for life a disregarding. Money to make and to grow old What about the hands to hold? Deadlines, projects, people to meet What about our own two feet. Sullen faces like slates of grey... What I'd see most anyday.
Jess C. Scott
Only In Sleep Only in sleep I see their faces, Children I played with when I was a child, Louise comes back with her brown hair braided, Annie with ringlets warm and wild. Only in sleep Time is forgotten - What may have come to them, who can know? Yet we played last night as long ago, And the doll-house stood at the turn of the stair. The years had not sharpened their smooth round faces, I met their eyes and found them mild - Do they, too, dream of me, I wonder, And for them am I too a child?
When a candidate for public office faces the voters he does not face men of sense; he faces a mob of men whose chief distinguishing mark is the fact that they are quite incapable of weighing ideas, or even of comprehending any save the most elemental - men whose whole thinking is done in terms of emotion, and whose dominant emotion is dread of what they cannot understand. So confronted, the candidate must either bark with the pack or be lost... All the odds are on the man who is, intrinsically, the most devious and mediocre....
H. L. Mencken
The difference between me and other people is that they all walk around with onion skins wrapped around them. Pre-meditations, pretentions, the faces that they present to the world, the faces that they present to themselves.. onion skins that come in layer after layer. They're on the inside of all that. And I... I am the inside of the onion skin walking around. I am only me.
C. JoyBell C.
We lived only to dance. What was the true characteristic of a queen, I wondered later on; and you could argue that forever. 'What do we all have in common in this group?' I once asked a friend seriously, when it occurred to me how slender, how immaterial, how ephemeral the bond was that joined us; and he responded, 'We all have lips.' Perhaps that is what we all had in common: no one was allowed to be serious, except about the importance of music, the glory of faces seen in the crowd. We had our songs, we had our faces! We had our web belts and painter's jeans, our dyed tank tops and haircuts, the plaid shirts, bomber jackets, jungle fatigues, the all-important shoes.
There were office-worn gents with yellow faces, bent backs, and one shoulder set slightly higher than the other from spending hours hunched over desks. And their sad, anxious faces spoke volumes about their domestic troubles, never-ending money worries, and all those old hopes which had been dashed for good; for they all belonged to the army of poor threadbare drudges who just about make ends meet in some dismal plasterboard house with a flowerbed for a garden in the rubbish-and-slag-heap belt on the outskirts of Paris.
Guy de Maupassant
They who have drunk beer, fall on their back, but there is a peculiarity in the effects of the drink made from barley, for they that get drunk on other intoxicating liquors fall on all parts of their body, they fall on the left side, on the right side, on their faces, and and on their backs. But it is only those who get drunk on beer that fall on their backs with their faces upward.
Our visual cortexes are wired to quickly recognize faces and then quickly subtract massive amounts of detail from them, zeroing in on their essential message: Is this person happy? Angry? Fearful? Individual faces may vary greatly, but a smirk on one is a lot like a smirk on another. Smirks are conceptual, not pictorial. Our brains are like cartoonists - and cartoonists are like our brains, simplifying and exaggerating, subordinating facial detail to abstract comic concepts.
The roar of the traffic, the passage of undifferentiated faces, this way and that way, drugs me into dreams; rubs the features from faces. People might walk through me. And what is this moment of time, this particular day in which I have found myself caught? The growl of traffic might be any uproar - forest trees or the roar of wild beasts. Time has whizzed back an inch or two on its reel; our short progress has been cancelled. I think also that our bodies are in truth naked. We are only lightly covered with buttoned cloth; and beneath these pavements are shells, bones and silence.
They waited awhile before lighting the candles; the gloom allowed the past to slip cozily into the present. But the memories were of a time that was gone and didn't overshadow the present. But the memories were vivid, and they made the freinds feel both young and old... When Chrsitanne finally lit the candles and they saw one another clearly again, she was happy to see in the old faces of the others the young faces they had come across in their memories. we store our youth wihtin us, we can go back to it and find ourselves in it, but it is past-melancholy filled their hearsts, and sympahty, for one another and for themsleves.
It is incumbent upon the Aghsan, the Afnan and My kindred to turn, one and all, their faces towards the Most Mighty Branch. Consider that which We have revealed in Our Most Holy Book: 'When the ocean of My presence hath ebbed and the Book of My Revelation is ended, turn your faces toward Him Whom God hath purposed, Who hath branched from this Ancient Root.' The object of this sacred verse is none other except the Most Mighty Branch (Abdu'l-Baha). Thus have We graciously revealed unto you our potent Will, and I am verily the Gracious, the All-Powerful.
I'm going to wake Peeta, " I say. "No, wait, " says Finnick. "Let's do it together. Put our faces right in front of his." Well, there's so little opportunity for fun left in my life, I agree. We position ourselves on either side of Peeta, lean over until our faces are inches frim his nose, and give him a shake. "Peeta. Peeta, wake up, " I say in a soft, singsong voice. His eyelids flutter open and then he jumps like we've stabbed him. "Aa!" Finnick and I fall back in the sand, laughing our heads off. Every time we try to stop, we look at Peeta's attempt to maintain a disdainful expression and it sets us off again.
Manhattan Community College had not one course on Peurto Rican history. The Peurto Rican sisters and brothers who knew what was happening became our teachers... once you understand something about the history of a people, their heroes, their hardships, and their sacrifices, it's easier to struggle with them. To support their struggle. For a lot of peole in this country, people who live in other places have no faces. And this is the way the U.S. government wants it to be. They figure as long as the people have no faces and the country has no form, amerikans will not protest when they send in the marines to wipe them out.
It is not wonderful. It is an ugly world. Not like this one. Anarres is all dusty and dry hills. All meager, all dry. And the people aren't beautiful. They have big hands and feet, like me and the waiter there. But not big bellies. They get very dirty, and take baths together, nobody here does that. The towns are very small and dull, they are dreary. No palaces. Life is dull, and hard work. You can't always have what you want, or even what you need, because there isn't enough. You Urrasti have enough. Enough air, enough rain, grass, oceans, food, music, buildings, factories, machines, books, clothes, history. You are rich, you own. We are poor, we lack. You have, we do not have. Everything is beautiful here. Only not the faces. On Anarres nothing is beautiful, nothing but the faces. The other faces, the men and women. We have nothing but that, nothing but each other. Here you see the jewels, there you see the eyes. And in the eyes you see the splendor, the splendor of the human spirit. Because our men and women are free-possessing nothing, they are free. And you the possessors are possessed. You are all in jail. Each alone, solitary, with a heap of what he owns. You live in prison, die in prison. It is all I can see in your eyes-the wall, the wall!
Ursula K. Le Guin
o. It is not wonderful. It is an ugly world. Not like this one. Anarres is all dusty and dry hills. All meager, all dry. And the people aren't beautiful. They have big hands and feet, like me and the waiter there. But not big bellies. They get very dirty, and take baths together, nobody here does that. The towns are very small and dull, they are dreary. No palaces. Life is dull, and hard work. You can't always have what you want, or even what you need, because there isn't enough. You Urrasti have enough. Enough air, enough rain, grass, oceans, food, music, buildings, factories, machines, books, clothes, history. You are rich, you own. We are poor, we lack. You have, we do not have. Everything is beautiful here. Only not the faces. On Anarres nothing is beautiful, nothing but the faces. The other faces, the men and women. We have nothing but that, nothing but each other. Here you see the jewels, there you see the eyes. And in the eyes you see the splendor, the splendor of the human spirit. Because our men and women are free-possessing nothing, they are free. And you the possessors are possessed. You are all in jail. Each alone, solitary, with a heap of what he owns. You live in prison, die in prison. It is all I can see in your eyes-the wall, the wall!
Ursula K. Le Guin
On Saturday afternoons I used to go for a walk with my mother. From the dusk of the hallway, we stepped at once into the brightness of the day. The passerby, bathed in melting gold, had their eyes half-closed against the glare, as if they were drenched with honey, upper lips were drawn back, exposing the teeth. Everyone in this golden day wore that grimace of heat-as if the sun had forced his worshippers to wear identical masks of gold. The old and the young, women and children, greeted each other with these masks, painted on their faces with thick gold paint; they smiled at each other's pagan faces-the barbaric smiles of Bacchus.
I came to feel a tenderness for them all. This was something new to me. It gave me a curious pleasure to touch them, to help them in and out of the chair, to shave their weather-toughened old faces. They had known hard use, nearly all of them. You could tell it by the way they held themselves and moved. Most of all you could tell it by their hands, which were shaped by wear and often by the twists and swellings of arthritis. They had used their hands forgetfully, as hooks and pliers and hammers, and in every kind of weather. The backs of their hands showed a network of little scars where they had been cut, nicked, thornstuck, pinched, punctured, scraped, and burned. Their faces told that they had suffered things they did not talk about.Every one of them had a good knife in his pocket, sharp, the blades whetted narrow and concave, the horn of the handle worn smooth.
[she used to say that] each of us has a veil between ourselves and the rest of the world - like a bride wears on her wedding day-except this kind of veil is invisible. we walk around happily with these invisible veils hanging down over our faces. the world is kind of blurry. we like it that way. but sometimes our veils are pushed away for a few moments - like there's a wind blowing it from our faces - and when the veil lifts, we can see the world as it really is, just for those few seconds before it settles down again. we see all the beauty and cruelty and sadness and love, but mostly we are happy not to. some people learn to lift the veils themselves. then they don't have to depend on the wind anymore... it's just her way of saying that most of the time people get distracted by little stuff, and ignore the big stuff.