This is one of those lessons in life. You can't do anything about rumors. I expect Mark to be fine. Mark wasn't one that we wanted to trade. [Baltimore] asked for Mark. We didn't volunteer Mark. If you look over baseball, Willie Mays got traded, Hank Aaron got traded. I'm glad Mark wasn't traded.
Skye said when she looked at Lise, she saw a black mark, an aura. Just like the mark on Lise's thigh, it was a warming. Deenie thought of it now, of Lise and the stretch mark on her thigh. And how the fevered mind of her fevered friend might believe anything. But also, somewhere inside, it felt the smallest bit true. That the stretch mark was a kind of witch's mark, the blot of Lise's body that reminded you of what she had been -a plump, awkward girl- before the lithesome beauty took her place. It was a kind of witchcraft, that transformation.
But that was my very first time on a set and they said, you know, you have to stand on a mark. That little piece of tape that you stand on is called a mark. I kept correcting them and telling them that my name was Michael and not Mark. They said, 'No, no honey.' I was a little green.
BOYET A mark! O, mark but that mark! A mark, says my lady! Let the mark have a prick in't, to mete at, if it may be. MARIA Wide o' the bow hand! i' faith, your hand is out. COSTARD Indeed, a' must shoot nearer, or he'll ne'er hit the clout. BOYET An if my hand be out, then belike your hand is in. COSTARD Then will she get the upshoot by cleaving the pin. MARIA Come, come, you talk greasily; your lips grow foul. COSTARD She's too hard for you at pricks, sir: challenge her to bowl. BOYET I fear too much rubbing. Good night, my good owl. Exeunt BOYET and MARIA
Every sign, linguistic or nonlinguistic, spoken or written (in the usual sense of this opposition), as a small or large unity, can be cited, put between quotation marks; thereby it can break with every given context, and engender infinitely new contexts in an absolutely nonsaturable fashion. This does not suppose that the mark is valid outside its context, but on the contrary that there are only contexts without any center of absolute anchoring. This citationality, duplication, or duplicity, this iterability of the mark is not an accident or anomaly, but is that (normal/abnormal) without which a mark could no longer even have a so-called 'normal' functioning. What would a mark be that one could not cite? And whose origin could not be lost on the way?
I always had hopes of being a big star. But as you get older, you aim a little lower. Everybody wants to make an impression, some mark upon the world. Then you think, you've made a mark on the world if you just get through it, and a few people remember your name. Then you've left a mark. You don't have to bend the whole world. I think it's better to just enjoy it. Pay your dues, and just enjoy it. If you shoot a arrow and it goes real high, hooray for you.
Mark Twain told jokes, but they somehow stayed funny for a hundred years; they're still funny today. When Mark Twain said, 'He was a good man in the worst sense of the word,' we know exactly what he's talking about. When he said 'Wagner's music is not as bad as it sounds,' it still is funny. Mark Twain was really a miracle.
MARK MY WORDS: DON'T FORGET WHERE YOU ARE DON'T FORGET WHO'S THE STAR DO YOU THINK THAT I'LL GO FAR MARK MY WORDS: DON'T STOP IF IT'S WISE I CAN SEE THROUGH YOUR EYES AND I'VE LEFT MY MARK I WANNA SWAP YOU FOR ANOTHER AND ANOTHER WE COULD MATE, WE'LL MAKE GREAT LOVERS MARK MY WORDS: DON'T FORGET WHO I AM DON'T FORGET I'M A MAN DO YOU THINK YOU EVER CAN MARK MY WORDS: I THINK IT'S PROBABLY TRUE WHY YOU THINK LIKE YOU DO AND I'VE LEFT MY MARK FOREVER I WANNA SWAP YOU FOR ANOTHER AND ANOTHER WE COULD MATE, WE'LL MAKE GREAT LOVERS
If you do a character, always make the character with a big question mark. Even if the character is very enigmatic and all over the place, make him always with a question mark, because if you turn a question mark upside down, like they do in South America in Spanish, then it becomes a hook.
A wise man ought always to follow the paths beaten by great men, and to imitate those who have been supreme, so that if his ability does not equal theirs, at least it will savor of it. Let him act like the clever archers who, designing to hit the mark which yet appears too far distant, and knowing the limits to which the strength of their bow attains, take aim much higher than the mark, not to reach by their strength or arrow to so great a height, but to be able with the aid of so high an aim to hit the mark they wish to reach.
I understand the opposite side of the camera. I have a profound respect for that. I have worked with people who, when you hit that mark, are doing 50 percent of your work for you. So, you know, it's a balance. When you walk into a mark and you're lit a certain way or something's happening so often you don't know what's behind you... And that's what's so strange about being a movie actor.
Well, obviously I'm not Mark Wahlberg - I have much better abs and I look much better in a pair of Calvin Kleins but when I saw Mark Wahlberg interacting with the world, I realised that his stardom was sort of a result of the movies he had done and the publicity that he had got and the work that he did.
Realizing that other people have a problem with [homosexuality] was the weirdest thing for me. As a kid it wasn't even something that was mentioned. It was never something that was even explained to me. It was just, "That's Mark and he's gay." Mark was just another friend of my dad's who would talk about his boyfriend instead of his girlfriend. I was 5. I didn't care. It seemed perfectly normal, and still does...
My style also has a lot to do with theater because often I'm imagining I'm a character who is wandering by a wall and leaves a mark. Then I'm someone else, who 10 days later leaves another mark. Someone was angry and did this, and then someone came and painted over it, and then the sun bleached it out and the weather exposed it again.
Cruelty to dumb animals is one of the distinguishing vices of low and base minds. Wherever it is found, it is a certain mark of ignorance and meanness; a mark which all the external advantages of wealth, splendour, and nobility, cannot obliterate. It is consistent neither with learning nor true civility.
The first memory I have in the world is of death and tears. That is how I would mark the beginning of my life: the way people mark the end of one. My family had gathered at Papa Joe's house because Mam' Grace was slipping away, only I didn't register it that way. For some reason I thought that it was her birthday.
Charles M. Blow
Sentimentality, the ostentatious parading of excessive and spurious emotion, is the mark of dishonesty...the wet eyes of the sentimentalist betray his aversion to experience, his fear of life, his arid heart; and it is always, therefore, the signal of secret and violent humanity, the mark of cruelty.
James A. Baldwin
That Jesus is popular in Mark 2:2, however, is not a general model for Christian ministry; the rest of Mark itself shows that eventually crowds denounced Jesus (15:13-14). From these narratives we might learn to use any popularity for good at the moment but not to count on it enduring.
Craig S. Keener
I don't know, ' Mark said, looking down at his own long pale fingers tangled in the little boy's brown curls. 'He just - Julian left, and Tavvy fell asleep on my lap.' He sounded amazed, wondering. 'Of course he did, ' Cristina said. 'He's your brother. He trusts you.' 'Nobody trusts a Hunter, ' Mark said.
Anything to declare? the customs inspector said."Two pound of uncut heroin and a manual of pornographic art, " Mark answered, looking about for Kity. All Americans are comedians, the inspector thought, as he passed Parker through. A government tourist hostess approached him."Are you Mr. Mark Parker?""Guilty.
Anything to declare? the customs inspector said."Two pound of uncut heroin and a manual of pornographic art," Mark answered, looking about for Kity. All Americans are comedians, the inspector thought, as he passed Parker through. A government tourist hostess approached him."Are you Mr. Mark Parker?""Guilty.
I have a great deal of respect for Mark Gordon's work and am confident that together we can bring the beauty and magical delight that Narnia engenders in the hearts of those who read the books to the screen in 'The Silver Chair.' I am very much looking forward to diving once more into Narnia, this time with Mark Gordon and his team.
I am so happy for this team, for Mike Shank and for Mark Patterson. Everything went almost perfectly, and to come so close to winning this race I think really gives us a lot of confidence looking to the rest of the season. To be racing with this team and with Mark is an opportunity that I am very thankful for, and I just can't wait to get the rest of the season going.
I would not unduly praise the virtue of restraint. It is often merely temperamental. But it is not always a sign of coldness. It may be pride. There can be nothing more humiliating than to see the shaft of one's emotion miss the mark of either laughter or tears. Nothing more humiliating! And this for the reason that should the mark be missed, should the open display of emotion fail to move, then it must perish unavoidably in disgust or contempt.
We were not foolish enough to try to make a currency [backed by] gold of which we had none, but for every mark that was issued we required the equivalent of a mark's worth of work done or goods produced ... we laugh at the time our national financiers held the view that the value of a currency is regulated by the gold and securities lying in the vaults of a state bank.
All... religions show the same disparity between belief and practice, and each is safe till it tries to exclude the rest. Test each sect by its best or its worst as you will, by its high-water mark of virtue or its low-water mark of vice. But falsehood begins when you measure the ebb of any other religion against the flood-tide of your own. There is a noble and a base side to every history.
Thomas Wentworth Higginson
Now more than ever I am aware that a person's significant birthdays can either mark the passage of time, or they can mark changes they've made in their lives to reach their potential and become the person they were created to be. With each passing year, I want to make good choices that make me a better person, help me become a better leader, and make a positive impact on others.
John C. Maxwell
He gazed amusedly down the table at Tessa. "You're the shape-changer, aren't you?" he said. "Magnus Bane told me about you. No mark on you at all, they say." Tessa swallowed and looked him straight in the eye. They were discordantly human eyes, ordinary in his extraordinary face. "No. No mark." He grinned around his fork. "I do suppose they've looked everywhere?" "I'm sure Will's tried," said Jessamine in a bored tone.
He gazed amusedly down the table at Tessa. 'You're the shape-changer, aren't you?' he said. 'Magnus Bane told me about you. No mark on you at all, they say.' Tessa swallowed and looked him straight in the eye. They were discordantly human eyes, ordinary in his extraordinary face. 'No. No mark.' He grinned around his fork. 'I do suppose they've looked everywhere?' 'I'm sure Will's tried, ' said Jessamine in a bored tone.
Error is multiform (for evil is a form of the unlimited, as in the old Pythagorean imagery, and good of the limited), whereas success is possible in one way only (which is why it is easy to fail and difficult to succeed - easy to miss the target and difficult to hit it); so this is another reason why excess and deficiency are a mark of vice, and observance of the mean a mark of virtue: Goodness is simple, badness is manifold.
The faces stood out, separate, lonely, no two alike. Behind each, there were the years of a life lived or half over, effort, hope and an attempt, honest or dishonest, but an attempt. It had left on all a single mark in common: on lips smiling with malice, on lips loose with renunciation, on lips tight with uncertain dignity-on all-the mark of suffering.
In 1963, when I assigned the name "quark" to the fundamental constituents of the nucleon, I had the sound first, without the spelling, which could have been "kwork." Then, in one of my occasional perusals of Finnegans Wake, by James Joyce, I came across the word "quark" in the phrase "Three quarks for Muster Mark." Since "quark" (meaning, for one thing, the cry of a gull) was clearly intended to rhyme with "Mark," as well as "bark" and other such words, I had to find an excuse to pronounce it as "kwork." But the book represents the dreams of a publican named Humphrey Chimpden Earwicker. Words in the text are typically drawn from several sources at once, like the "portmanteau words" in Through the Looking Glass. From time to time, phrases occur in the book that are partially determined by calls for drinks at the bar. I argued, therefore, that perhaps one of the multiple sources of the cry "Three quarks for Muster Mark" might be "Three quarts for Mister Mark," in which case the pronunciation "kwork" would not be totally unjustified. In any case, the number three fitted perfectly the way quarks occur in nature.
When I die, the world is going to talk about me. They will never forget me and I will never have any regrets. If nothing else, the world will know I was here. I think that everyone should make their mark wherever they are. They will talk about you way after you're gone. Make your mark. Live your life.
There is a specific feeling that comes about during the dying embers of a relationship. Different from the Monday morning quarrels before work because you two are tired, different from the 'I'm not going to talk to you for a while because I am mad at you' silences. Breaks ups happen instantly, yet the process occurs over a gradual period of time, with tear by tear until what was once whole, rips into two. Breakups are the disappointment we feel when we wanted our lover to finish the story with an exclamation mark, but instead are left with a question mark.
Adam is fading out. It is on account of Darwin and that crowd. I can see that he is not going to last much longer. There's a plenty of signs. He is getting belittled to a germ-a little bit of a speck that you can't see without a microscope powerful enough to raise a gnat to the size of a church. ('The Refuge of the Derelicts' collected in Mark Twain and John Sutton Tuckey, The Devil's Race-Track: Mark Twain's Great Dark Writings (1980), 340-41. - 1980)
Instead of it being the mark of a real man that you can shoot somebody at 50 feet and kill them with a gun, the mark of a real man is that you would never do anything like that. . . . The gun is a great equalizer because it makes wimps as dangerous as people who really have skill and bravery and so I'd like to have this notion that anyone using a gun is a wuss. They aren't anybody to be looked up to. They're somebody to look down at because they couldn't defend themselves or couldn't protect others without using a gun.
CHAPTER VI Concerning New Principalities Which Are Acquired By One's Own Arms And Ability LET no one be surprised if, in speaking of entirely new principalities as I shall do, I adduce the highest examples both of prince and of state; because men, walking almost always in paths beaten by others, and following by imitation their deeds, are yet unable to keep entirely to the ways of others or attain to the power of those they imitate. A wise man ought always to follow the paths beaten by great men, and to imitate those who have been supreme, so that if his ability does not equal theirs, at least it will savour of it. Let him act like the clever archers who, designing to hit the mark which yet appears too far distant, and knowing the limits to which the strength of their bow attains, take aim much higher than the mark, not to reach by their strength or arrow to so great a height, but to be able with the aid of so high an aim to hit the mark they wish to reach.
If a being suffers there can be no moral justification for refusing to take that suffering into consideration. No matter what the nature of the being, the principle of equality requires that its suffering be counted equally with the like suffering - insofar as rough comparisons can be made - of any other being. So the limit of sentience is the only defensible boundary of concern for the interests of others. To mark this boundary by some other characteristic like intelligence or rationality would be to mark it in an arbitrary manner. Why not choose some other characteristic, like skin color?
...she took her hand and raised her brush. For a moment it stayed trembling in a painful but exciting ecstacy in the air. Where to begin?--that was the question at what point to make the first mark? One line placed on the canvas committed her to innumerable risks, to frequent and irrevocable decisions. All that in idea seemed simple became in practice immediately complex; as the waves shape themselves symmetrically from the cliff top, but to the swimmer among them are divided by steep gulfs, and foaming crests. Still the risk must run; the mark made.
There's going to be no more digital enhancements or digital additions to anything based on any film I direct. I'm not going to do any corrections digitally to even wires that show... If 1941 comes on Blu-ray I'm not going to go back and take the wires out because the Blu-ray will bring the wires out that are guiding the airplane down Hollywood Blvd. At this point right now I think letting movies exist in the era, with all the flaws and all of the flourishes, is a wonderful way to mark time and mark history.
A heartwarming tale of Christmas past that's chock full of all the wit and hilarity we admire in America's favorite humorist--Mark Twain. Carlo DeVito brings us back one hundred years to a magical time in Twain's family life, revealing a house that's brimming with love and laughter, as well as the profound heartbreaks of life. A Mark Twain Christmas only deepens our understanding and respect for both the man and his work.