Novella Quotes

Authors: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Categories: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
im-too-much-man-for-hysterics-liu-marjorie-m-20090120-hunter-kiss-a-companion-novella-to-the-iron-hunt-darkness-calls-a-hunter-kiss-novella-kindle-locations-355356-penguin-group-
the-evasions-her-little-novel-were-exactly-those-her-life-everything-she-did-not-wish-to-confront-was-also-missing-from-her-novella-was-necessary-to-ian-mcewan
if-you-go-wrong-in-novel-you-can-straighten-it-out-in-next-chapter-you-dont-have-any-room-to-do-that-in-novella
twitter-is-most-suitable-for-me-in-chinese-language-140-characters-is-novella-ai-weiwei
ivan-turgenevs-novella-first-love-is-one-most-perfect-things-ever-written
the-key-to-this-collaboration-which-we-undertook-after-much-deliberation-was-to-stretch-creatively-new-characters-new-locales-new-form-novella
having-made-films-i-know-well-that-scope-average-90-to-120minute-movie-is-about-same-narrative-heft-as-long-short-story-novella-paul-auster
my-novella-the-lucky-one-is-inspired-in-part-by-my-dad-also-by-holocaust-survivor-i-interviewed-for-steven-spielberg-survivors-shoah-foundation
ive-never-written-poetry-im-not-poet-but-i-think-nearest-you-get-is-either-short-story-novella-in-that-you-cant-waste-word-there-is-no-hiding-place-everythings-got-to-be-seen-to-
a-verbose-prosaic-review-which-mentions-whistling-winds-timeless-feeling-jade-doesnt-mean-anything-to-me-i-dont-need-novella-telling-me-about-how-david-cross
the-novella-will-be-called-i-think-the-messiah-stockholm-it-takes-place-in-stockholm-id-better-say-no-more-muse-will-wipe-it-out-cynthia-ozick
i-believe-novella-is-perfect-form-prose-fiction-it-is-beautiful-daughter-rambling-bloated-illshaven-giant-but-giant-whos-genius-on-his-best-ian-mcewan
Rarely do wonder tales end unhappily. They triumph over death. The tale begins with "Once upon a time" or "Once there was" and never really ends when it ends. The ending is actually the beginning. The once upon a time is not a past designation but futuristic: the timelessness of the tale and its lack of geographical specificity endow it with utopian connotations - "utopia" in its original meaning designated "no place, " a place that no one had ever envisaged. We form and keep the utopian kernel of the tale safe in our imaginations with hope. The significance of the paradigmatic functions of the wonder tale is that they facilitate recall for teller and listeners. They enable us to store, remember, and reproduce the utopian spirit of the tale and to change it to fit our experiences and desires, owing to the easily identifiable characters who are associated with particular assignments and settings... The characters, settings, and motifs are combined and varied according to specific functions to induce wonder, It is this sense of wonder that distinguished the wonder tales from such other oral tales as the legend, the fable, the anecdote, and the myth; it is clearly the sense of wonder that distinguishes the literary fairy tale from the moral story, novella, sentimental tale, and other modern short literary genres. Wonder causes astonishment, and as manifested in a marvelous object or phenomenon, it is often regarded as a supernatural occurrence and can be an omen or a portent, It gives rise to admiration, fear, awe, and reverence. The Oxford Universal Dictionary states that wonder is "the emotion excited by the perception of something novel and unexpected, or inexplicable; astonishment mingled with perplexity or bewildered curiosity." In the oral wonder tale, we are to wonder about the workings of the universe, where anything can happen at any time, and these happy or fortuitous events are never to be explained. Nor do the characters demand an explanation - they are opportunistic, are encouraged to be so, and if they do not take advantage of the opportunity that will benefit them in their relations with others, they are either dumb or mean-spirited. The tales seek to awaken our regard for the miraculous condition of life and to evoke in a religious sense profound feelings of awe and respect for life as a miraculous process, which can be altered and changed to compensate for the lack of power, wealth, and pleasure that is most people's lot. Lack, deprivation, prohibition, and interdiction motivate people to look for signs of fulfillment and emancipation. In the wonder tales, those who are naive and simple are able to succeed because they are untainted and can recognize the wondrous signs. They have retained their belief in the miraculous condition of nature, revere nature in all its aspects. They have hot been spoiled by conventionalism, power, or rationalism. In contrast to the humble characters, the villains are those who use words intentionally to exploit, control, transfix, incarcerate, and destroy for their benefit. They have no respect or consideration for nature and other human beings, and they actually seek to abuse magic by preventing change and causing everything to be transfixed according to their interests. Enchantment equals petrification. Breaking the spell equals emancipation. The wondrous protagonist wants to keep the process of natural change flowing and indicates possibilities for overcoming the obstacles that prevent other characters or creatures from living in a peaceful and pleasurable way.

Jack Zipes
rarely-do-wonder-tales-end-unhappily-they-triumph-over-death-the-tale-begins-with-once-upon-time-once-there-was-never-really-ends-when-it-ends-the-ending-is-actually-beginning-th
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