Every time I look at it, It looks back at me I love the sea, its waters are blue And the sky is too And the sea is very dear to me If when I grow up and the sea is still there Then I'll open my eyes and smell the fresh air Because the sea is very dear to me The sea is very calm and that's why I like it there The sand is brand new and the wind blows in my hair And the sea is very dear to me.
Land and sea. We may think of them as opposites; as complements. But there is a difference in how we think of them; the sea, and the land. If we are walking around in a forest, a meadow or a town, we see our surroundings as being made up of individual elements. There are many different kinds of trees in varying sizes, those buildings, these streets. The meadow, the flowers, the bushes. Our gaze lingers on details, and if we are standing in a forest in the autumn, we become tongue-tied if we try to describe the richness around us. All this exists on land. But the sea. The sea is something completely different. The sea is one. We may note the shifting moods of the sea. What the sea looks like when the wind is blowing, how the sea plays with the light, how it rises and falls. But still it is always the sea we are talking about. We have given different parts of the sea different names for navigation and identification, but if we are standing before the sea, there is only one whole. The Sea. If we are taken so far out in a small boat that no land is visible in any direction, we may catch sight of the sea. It is not a pleasant experience. The sea is a god, an unseeing, unhearing deity that does not even know we exist. We mean less than a grain of sand on an elephant's back, and if the sea wants us, it will take us. That's just the way it is. The sea knows no limits, makes no concessions. It has given us everything and it can take everything away from us. To other gods we send our prayer: Protect us from the sea.
John Ajvide Lindqvist
Say the sea. Say the sea. Say the sea. So that perhaps a drop of that magic may wander through time, and something might find it, and save it before it disappears forever. Say the sea. Because it's what we have left. Because faced by the sea, we without crosses, without magic, we must still have a weapon, something, so as not to die in silence, that's all.
Nobody could catch cold by the sea; nobody wanted appetite by the sea; nobody wanted spirits; nobody wanted strength. Sea air was healing, softening, relaxing - fortifying and bracing - seemingly just as was wanted - sometimes one, sometimes the other. If the sea breeze failed, the seabath was the certain corrective; and where bathing disagreed, the sea air alone was evidently designed by nature for the cure.
The Sea of Galilee and the Dead Sea are made of the same water. It flows down, clean and cool, from the heights of Herman and the roots of the cedars of Lebanon. the Sea of Galilee makes beauty of it, the Sea of Galilee has an outlet. It gets to give. It gathers in its riches that it may pour them out again to fertilize the Jordan plain. But the Dead Sea with the same water makes horror. For the Dead Sea has no outlet. It gets to keep.
Harry Emerson Fosdick
I stare at her chest. As she breathes, the rounded peaks move up and down like the swell of waves, somehow reminding me of rain falling softly on a broad stretch of sea. I'm the lonely voyager standing on deck, and she's the sea. The sky is a blanket of gray, merging with the gray sea off on the horizon. It's hard to tell the difference between sea and sky. Between voyager and sea. Between reality and the workings of the heart.
Meditation is like going to the bottom of the sea, where everything is calm and tranquil. On the surface of the sea there may be a multitude of waves but the sea is not affected below. In its deepest depths, the sea is all silence. When we start meditating, first we try to reach our own inner existence, our true existence- that is to say, the bottom of the sea. Then when the waves come from the outside world, we are not affected. Fear, doubt, worry and all the earthly turmoils just wash away, because inside us is solid peace. Thoughts cannot touch us, because our mind is all peace, all silence, all oneness. Like fish in the sea, they jump and swim but leave no mark. When we are in our highest meditation, we feel that we are the sea, and the animals in the sea cannot affect us. We feel that we are the sky, and all the birds flying past cannot affect us. Our mind is the sky and our heart is the infinite sea. This is meditation.
I find it very difficult to talk here now because I'm watching the sea all the time. The sea always makes me watch it all the time. I've spent hours and hours not just on the sea but just watching wave after wave come in. If it's an image of anything, I think it's an image of our own unconscious, the unconscious of our own minds... or you can put it the other way around, and that is that we have a sea in us. After all, we are sea creatures that learnt to walk on the land, are we not? And perhaps one way or another we go back to it. Every night when we dream we go back into that kind of depths, and that kind of beauty and monstrosity and mystery. So really the sea is not a single image, it can really image almost anything that the human mind can discover.
This ego business has come from various sources, you know that, but it has to be cleansed out. Like when the river flows all kinds of dirt, filth flows into it, but when it meets the sea it becomes the sea. In the same way you have to become that. To become the sea what you have to do is to forget all these tributaries which were coming into you, and all these wrong ideas which came to you.
The winds, the sea, and the moving tides are what they are. If there is wonder and beauty and majesty in them, science will discover these qualities... If there is poetry in my book about the sea, it is not because I deliberately put it there, but because no one could write truthfully about the sea and leave out the poetry.
Its subject is the slow and erratic process by which the peoples of the British Isles learnt - and then for long periods forgot - about the 'Safeguard of the Sea', as the 15th century phrase had it, meaning the use of the sea for national defence, and the defence of those who used the sea.
To young men contemplating a voyage I would say go. The tales of rough usage are for the most part exaggerations, as also are the tales of sea danger. To face the elements is, to be sure, no light matter when the sea is in its grandest mood. You must then know the sea, and know that you know it, and not forget that it was made to be sailed over.
A beautiful, majestic, and awe-inspiring sea awaits you. And you are welcome to enter however you see fit - to wade, to walk lightly, to swim for your life, or to sail. The decision is yours. No one will stop you from returning to the sandy towel on the shore if you desire. But I'd like to think you chose to come to the sea for a reason. You have been called to the sea. There is something here that you need, and it has awaited your arrival for quite some time.
Neleus... The son of Poseidon! A birth that came from the mate of a god and a mortal woman. Not plain at all! So it was, when the gods love, mate as humans with humans! From such a union two children were born, both boys. Their mother placed them in a small boat, and dropped it into the sea. The sea loved and saved them, children of Neptune were anyway! The river itself is connected with the sea, fresh water with salt, the land and the sea... "The sea herself guided us like legendary heroes into this new place..". It couldn't be differently. Children of the Gods aren't we, our race? Have similar origin and similar history! Could not abandoned us, prey and exposed, like the two babies?
once upon a time all the rivers combined to protest against the action of the sea in making their waters salt. "When we come to you," sad they to the sea, "we are sweet and drinkable; but when once we have mingled with you, our waters become as briny and unpalatable as your own." The sea replied shortly, "Keep away from me, and you'll remain sweet.
I really don't know why it is that all of us are so committed to the sea, except I think it's because in addition to the fact that the sea changes, and the light changes, and ships change, it's because we all came from the sea. And it is an interesting biological fact that all of us have in our veins the exact same percentage of salt in our blood that exists in the ocean, and, therefore, we have salt in our blood, in our sweat, in our tears. We are tied to the ocean. And when we go back to the sea - whether it is to sail or to watch it - we are going back from whence we came. [Remarks at the Dinner for the America's Cup Crews, September 14 1962]
John F. Kennedy
A singular disadvantage of the sea lies in the fact that after successfully surmounting one wave you discover another behind it just as important and just as nervously anxious to do something effective in the way of swamping boats. In a ten-foot dinghy one can get an idea of the resources of the sea in the line of waves that is not probable to the average experience, which is never at sea in a dinghy.
There are no footprints on the sea and no road-signs, not a single guard-stone or post, and no bends, only paths of light and dark from which to choose, the choice is always a difficult navigation and the storm's wingspan immeasurable as the depths and the horizon, but the sea holds you in its mighty hand your life is a sea-blue tale of love and death.
I have watched the river and the sea for a lifetime. I have seen rivers rob soil from the roots of trees until the giants came foundering down. I have watched shores slip and perish, the channels silt and change; what was beach become a swamp and a headland tumble into the sea. An island has eroded in silent pain since my boyhood, and reefs have become islands. Yet the old people used to say, People pass away, but not the land. It remains forever. Maybe that is so. The land changes. The land continues. The sea changes. The sea remains.
The voice of the sea is seductive; never ceasing, whispering, clamoring, murmuring, inviting the soul to wander for a spell in abysses of solitude; to lose itself in mazes of inward contemplation. The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close embrace.
Beautifully Bleak. I likened the hills encircling Canberra to the sea. They, like the sea, could be a sunny beguiling blue, or deep and inky. They could be distant and mysterious, or beautifully bleak as the wind tore across the plains from their snowy peaks. The hills were ever changing like the sea.
When we meditate, what we actually do is enter into a vacant, calm, still, silent mind. We go deep within and approach our true existence, which is our soul. When we live in the soul, we feel that we are actually meditating spontaneously. On the surface of the sea are multitudes of waves, but the sea is not affected below. In the deepest depths, at the bottom of the sea is all tranquility. So when you start meditating, try to feel your own inner existence first. That is to say, the bottom of the sea: calm and quiet. Feel that your whole being is surcharged with peace and tranquility.
Again, there were maidens who cherished the firm belief that he had come from the sea. Because within his breast could be heard the roaring of the sea. Because in the pupils of his eyes there lingered the mysterious and eternal horizon that the sea leaves as a keepsake deep in the eyes of all who are born at the seaside and forced to depart from it. Because his signs were sultry like the tidal breezes of full summer, fragrant with the smell of seaweed cast upon the shore.
I don't like the beach. I think we have no business at the beach at all, as a species. We don't belong in the sea. The sea is full of things that bite us, sting us, hurt the soles of our feet, and it's extremely cold. When are we gonna take the hint that the things that live in the sea don't like us?
On the sea he wished to meet it, if meet it he must. He was not sure why this was, yet he had a terror of meeting the thing again on dry land. Out of the sea there rise storms and monsters, but no evil powers: evil is of earth. And there is no sea, no running of river or spring, in the dark land where once Ged had gone. Death is the dry place.
Ursula K. Le Guin
The sea is a body in a thousand ways that don't add up, because adding is too stable a transaction for that flux, but the waves come in in a roar and then ebb, almost silent but for the fain suck of sand and snap of bubbles, over and over, a heartbeat rhythm, the sea always this body turned inside out and opened to the sky, the body always a sea folded in on itself, a nautical chart folded into a paper cup.
The sea is a body in a thousand ways that don't add up, because adding is too stable a transaction for that flux, but the waves come in in a roar and then ebb, almost silent but for the faint suck of sand and snap of bubbles, over and over, a heartbeat rhythm, the sea always this body turned inside out and opened to the sky, the body always a sea folded in on itself, a nautical chart folded into a paper cup.