Arya, What are you doing?" "Syrio says a water dancer can stand on one toe for hours." Her hands flailed at the air to steady herself. Ned had to smile. "Which toe?" he teased. "ANY toe," Arya said, exasperated with the question. She hopped from her right leg to her left, swaying dangerously before she regained her balance. "Must you do your standing here?" he asked. "It's a long hard fall down these steps." "Syrio says a water dancer NEVER falls.
George R. R. Martin
One day, when I was doing well in class and had finished my lessons, I was sitting there trying to analyze the game of tic-tac-toe... The teacher came along and snatched my papers on which I had been doodling... She did not realize that analyzing tic-tac-toe can lead into dozens of non-trivial mathematical questions.
When you're scared - and I mean really scared, not just hearing a noise in the night, or standing toe to toe with someone twice your size who wants to pound you into the earth - it feels as if you're being injected with darkness. It's like black water as cold as ice settling in your body where your blood and marrow used to be, pushing every other feeling out as it fills you from your feet to your scalp. It leaves you with nothing.
Alexander Gordon Smith
I've always found that the most beautiful people, truly beautiful inside and out, are the ones who are quietly unaware of their effect." His eyes searched mine intently, and for a moment we stood there toe to toe. "The ones who throw their beauty around, waste what they have? Their beauty is only passing. It's just a shell hiding nothing but shadows and emptiness.
Jennifer L. Armentrout
Each of us face a moment in our lives called 'the breakdown moment.' This is the time when you must stand toe to toe, eyeball to eyeball, with the very thing you have tried desperately to avoid. In that moment, when there is nothing standing between you and the thing you fear the most, you will be forced to step into your greatness, because that is what life is demanding of you.
Songs give you incredible opportunity to convey a tremendous amount in a relatively short period of time. The first thing that John Powell, our composer, says is, "Is the song engaging you to tap your toe?" If you're not tapping your toe, it doesn't matter what you're doing in the song, it's not going to work. But, if you can get the audience to be engaged by the song, then it gives you the opportunity to accomplish so much, in a very concise way.
I've separated my shoulder and my collarbone; I've messed up my knee a million times. I've broken my foot in several places. I've broken my toe a bunch, broken my nose a couple of times, and had a bunch of other annoying little injuries, like turf toe and arthritis and tendonitis. It's part of the game.
Straight up from this road Away from the fitted particles of frost Coating the hull of each chick pea, And the stiff archer bug making its way In the morning dark, toe hair by toe hair, Up the stem of the trillim, Straight up through the sky above this road right now, The galaxies of the Cygnus A cluster Are colliding with each other in a massive swarm Of interpenetrating and exploding catastrophes. I try to remember that.
If peace comes from seeing the whole, then misery stems from a loss of perspective. We begin so aware and grateful. The sun somehow hangs there in the sky. The little bird sings. The miracle of life just happens. Then we stub our toe, and in that moment of pain, the whole world is reduced to our poor little toe. Now, for a day or two, it is difficult to walk. With every step, we are reminded of our poor little toe. Our vigilance becomes: Which defines our day-the pinch we feel in walking on a bruised toe, or the miracle still happening? It is the giving over to smallness that opens us to misery. In truth, we begin taking nothing for granted, grateful that we have enough to eat, that we are well enough to eat. But somehow, through the living of our days, our focus narrows like a camera that shutters down, cropping out the horizon, and one day we're miffed at a diner because the eggs are runny or the hash isn't seasoned just the way we like. When we narrow our focus, the problem seems everything. We forget when we were lonely, dreaming of a partner. We forget first beholding the beauty of another. We forget the comfort of first being seen and held and heard. When our view shuts down, we're up in the night annoyed by the way our lover pulls the covers or leaves the dishes in the sink without soaking them first. In actuality, misery is a moment of suffering allowed to become everything. So, when feeling miserable, we must look wider than what hurts. When feeling a splinter, we must, while trying to remove it, remember there is a body that is not splinter, and a spirit that is not splinter, and a world that is not splinter.
THINGS AIN'T THE SAME, STRESS, I COULD FEEL IT IN MY VEINS I NEEDED TO GET AWAY, THAT'S JUST STRAIGHT PLAYIN' I'M TIRED OF BEIN' DOWN IN THE BOTTOM WITH THE RATS WHERE THEY'LL GET YOU FOR YA CHEESE, GOTTA WATCH FOR THE STICKY TRAPS IN FACT, THAT'S THE REASON WHY I RAP THAT BETTER THAN PULLIN' A TRIGGER, THE RESULT OF A NIGGA BEIN' FLAT Y'ALL AIN'T BEEN TOE-TO-TOE IN DUE TIME FUCK YEAH, I'M TIRED OF WAITIN' ON MY SHINE I DONE START UP MY SIX, GOT RETARDED UP BY TEN FIVE YEARS LATE AGAIN, DEF JAM IS INTERESTED AND I'M HOT CAUSE I'M LIVIN' AND GIVIN' MY ALL, SPITTIN' IT JUST FOR RECORD EXECUTIVES TO TELL ME THEY'RE NOT DIGGIN' IT DOG, CAN'T BELIEVE MY EARS, MY SOUL, MY PRIDE I'M SORRY, THEM PUTTIN' THE HUNT AGAIN I CAN'T, I WON'T, SAY CAN'T, SAY WON'T I'M A SADDAM THESE NIGGAZ, NOOSE, HANG 'EM FROM THEY THROAT
I sit on the bed and kick off my shoes, and he kneels before me and takes the riding boots, holding one open for my bare foot. I hesitate; it is such an intimate gesture between a young woman and a man. His smiling upward glance tells me that he understands my hesitation but is ignoring it. I point my toe and he holds the boot, I slide my foot in and he pulls the boot over my calf. He takes the soft leather ties and fastens the boot, at my ankle, then at my calf, and then just below my knee. He looks up at me, his hand gently on my toe. I can feel the warmth of his hand through the soft leather. I imagine my toes curling in pleasure at his touch. 'Anne, will you marry me?' he asks simply, as he kneels before me.
When you're and only child in a family with an only parent, you look at other, bigger families with envy. Mary Alice had a family with a station wagon, a split-level house, and a pool. But then I looked up and saw Mary Alice's toes, as she stood at the edged of the diving board. Her second toe lay on top of her big toe on each foot. I had never seen such a thing. I wondered if Mary Alice's toes would ever prevent her from doing the things she wanted to do in life. "Look, y'all!" she said, forming her perfect body into a perfect swan's dive. I decided then that any time I got frustrated with my overall situation in life, mad or jealous of knee socks or a pink canopy bed in a pink room, I'd take a deep breath and think about Mary Alice's toes. At least I didn't have Mary Alice's toes.
Asking where memory is "located" in the brain is like asking where running is located in the body. There are certainly parts of the body that are more important (the legs) or less important (the little fingers) in performing the task of running but, in the end, it is an activity that requires complex coordination among a great many body parts and muscle groups. To extend the analogy, looking for differences between memory systems is like looking for differences between running and walking. There certainly are many differences, but the main difference is that running requires more coordination among the different body parts and can be disrupted by small things (such as a corn on the toe) that may not interfere with walking at all. Are we to conclude, then, that running is located in the corn on your toe?