After studying the Hungarian language for years, I can confidently conclude that had Hungarian been my mother tongue, it would have been more precious. Simply because through this extraordinary, ancient and powerful language it is possible to precisely describe the tiniest differences and the most secretive tremors of emotions.
George Bernard Shaw
Death, with its ancestral weight of terrors, is merely the abandonment of an unserviceable shell at the time the spiritis reintegrated into the unified energy of the cosmos. The end of life, like birth, is a stagein a voyage, and deserves the compassion we accord to its beginnings. There is absolutely no virtue in prolonging the heartbeat and tremors of a body beyond its natural span...
The cosmos is a vast living body, of which we are still parts. The sun is a great heart whose tremors run through our smallest veins. The moon is a great nerve center from which we quiver forever. Who knows the power that Saturn has over us, or Venus? But it is a vital power, rippling exquisitely through us all the time.
D. H. Lawrence
She wondered whether all marriages started out this way. Whether this initial stress and adjustment, push and pull and tremors and shakes were common to all relationships. Maybe the fact that they had started off as a long-distance couple had shielded them from the pressures that normal couples in the same city went through. She wondered why all those relatives who had sat on her head asking her to get married had never mentioned this particular phase.
Shweta Ganesh Kumar
For the moment, the jazz is playing; there is no melody, just notes, a myriad tiny tremors. The notes know no rest, an inflexibleorder gives birth to them then destroys them, without ever leaving them the chance to recuperate and exist for themselves.... I would like to hole them back, but I know that, if I succeeded in stooping one, there would only remain in may hand a corrupt and languishing sound. I must accept their death; I must even want that death: I know of few more bitter or intense impressions.
Teaching is a sacred art. This is why the noblest druid is not the one who conjures fires and smoke but the one who brings the news and passes on the histories. The teacher, the bard, the singer of tales is a freer of men's minds and bodies, especially when he roams without allegiance to one chieftain or another. But he is also a danger to the masters if he insists upon telling the truth. The truth will inevitably cause tremors in those who cling to power without honoring justice.
It is in the dark that God is passing by. The bridge and our lives shake not because God has abandoned, but the exact opposite: God is passing by. God is in the tremors. Dark is the holiest ground, the glory passing by. In the blackest, God is closest, at work, forging His perfect and right will. Though it is black and we can't see and our world seems to be free-falling and we feel utterly alone, Christ is most present to us...
Young love-making--that gossamer web! Even the points it clings to--the things whence its subtle interlacings are swung--are scarcely perceptible: momentary touches of finger-tips, meetings of rays from blue and dark orbs, unfinished phrases, lightest changes of cheek and lip, faintest tremors. The web itself is made of spontaneous beliefs and indefinable joys, yearnings of one life towards another, visions of completeness, indefinite trust.
No wonder that the ghost and goblin stories had a new zest. No wonder that the blood of the more timid grew chill and curdled, that their flesh crept, and their hearts beat irregularly, and the girls peeped fearfully over their shoulders, and huddled close together like frightened sheep, and half-fancied they beheld some impish and malignant face gibbering at them from the darkling corners of the old room. By degrees my high spirits died out, and I felt the childish tremors, long latent, long forgotten, coming over me. I followed each story with painful interest; I did not ask myself if I believed the dismal tales. I listened and fear grew upon me - the blind, irrational fear of our nursery days. ("Horror: A True Tale")
John Berwick Harwood
And the second [thing about the CBS EVENING NEWS that stands out in the mind of Michael J. Fox] was something Katie did later in the interview, as the drugs kicked in and the tremors segued into the jerkiness of dyskinesias. Somewhere in the contortions of making a point, my left arm detached the microphone clip from my jacket lapel. With no fuss and hardly a break in conversation or eye contact, she calmly leaned over and refastened it. Neither of us commented on it, but it was such an empathetic gesture, so far from anything patronizing or pitying, a simple kindness that allowed me the dignity to carry on making a point more important than the superficiality of my physical circumstance... One thing was abundantly clear though, whether or not she was able to forget how much she liked me: with that single act of consideration, she made it abundantly clear how much she loved her father.
Michael J. Fox
When it gets dark, it's only because god has tucked me in a cleft of the rock and covered me, protected, with His hand? In the pitch, I feel like I'm falling, sense the bridge giving way, God long absent. In the dark, the bridge and my world shakes, cracking dreams. But maybe this is true reality: It is in the dark that God is passing by. the bridge and our lives shake not because God has abandoned, but the exact opposite: God is passing by. God is in the tremors. Dark is the holiest ground, the glory passing by. In the blackest, God is closest, at work, forging His perfect and right will. Though it is black and we can't see and our world seems to be free-falling and we feel utterly alone, Christ is most present to us, I-beam supporting in earthquake.
On the edge of a tropical ocean, in a thousand reflections of the silver light of an invisible moon, among undulations of restless waters, ceaselessly changing... Among silent breakers, the tremors of the shining surface, in the swift flux and reflux martyrizing the patches of light, in the rendings of luminous loops and arcs, and lines, in the occultations and reappearances of dancing bursts of light being decomposed, recomposed, contracted, spread out, only to be re-distributed once more before me, with me, within me, drowned, and unendurably buffeted, my calm violated a thousand times by the tongues of infinity, oscillating, sinusoidally overrun by the multitude of liquid lines. enormous with a thousand folds, I was and I was not, I was caught, I was lost, I was in a state of complete ubiquity. The thousands upon thousands of rustlings were my own thousand shatterings.
He recounted how, after the last of Charlemagne's forty-seven victorious campaigns, when he was returning from Saxony, a comet flashed across the sky and the Emperor's horse shied and threw him to the ground. The great Frankish Emperor had fallen so violently that his sword belt had been torn off him and the Spear, which he was clasping in his left hand, had been hurled some twenty feet away from him. At the same time there were earth tremors in the Royal Palace at Aachen, and the word "Princeps" had mysteriously faded from the red ochre inscription high up on a central beam in the Cathedral, which had formerly read 'Karolus Princeps.' Charlemagne himself had taken little notice of these portents, which his courtiers had taken to be a prophecy of his imminent death. In Einhard's own words: 'He refused to admit that any of these events could have any connection ith his own personal affairs.' Yet the 70-year-old Emperor drew up his last will and testament just in case these portents were correct. And they were!
The dark sky. A hundred million stars. More stars than I've ever seen before. My eyes let me see farther, but they don't show me the one thing I want to see. I would trade all the stars in the universe if I could just have him back again. Wind whistles through the trees nearby. Birdsong weaves in and out of the sound. The hybrids emerge from the communication building, heads tilted to the sky. And then we see the end. Godspeed's engine was nuclear; who knows what fueled the biological weapons. But they explode together. In space, they don't make the familiar mushroom cloud. They don't make the boom! of an exploding bomb. There is, against the dark sky, a brief flash of light. It is filled with colors, like a nebula or the aurora borealis, bursting like a popped bubble. Nothing else-no sound of an explosion, no tremors in the earth, no smell of smoke. Not here, on the surface of the planet. Nothing else to signify Elder's death. Just light. And then it's gone. And then he's gone.
One may, in a case of exigency, introduce the reader in to a nuptial chamber, not into a virginal chamber. Verse would hardly venture it, prose must not. It is the interior of a flower that is not yet unfolded, it is whiteness in the dark, it is the private cell of a closed lily, which must not be gazed upon by man so long as the sun has not gazed upon it. Woman in the bud is sacred. That innocent bud which opens, that adorable half-nudity which is afraid of itself, that white foot which takes refuge in a slipper, that throat which veils itself before a mirror as though a mirror were an eye, that chemise which makes haste to rise up and conceal the shoulder for a creaking bit of furniture or a passing vehicle, those cords tied, those clasps fastened, those laces drawn, those tremors, those shivers of cold and modesty, that exquisite affright in every movement, that almost winged uneasiness where there is no cause for alarm, the successive phases of dressing, as charming as the clouds of dawn, -it is not fitting at all that all this should be narrated, and it is too much to have even called attention to it.