Do not weep, maiden, for war is kind. Because your lover threw wild hands toward the sky And the affrighted steed ran on alone, Do not weep. War is kind. Hoarse, booming drums of the regiment, Little souls who thirst for fight, These men were born to drill and die. The unexplained glory flies above them, Great is the battle-god, great, and his kingdom -A field where a thousand corpses lie. Do not weep, babe, for war is kind.
Therefore I tell my sorrows to the stones; Who, though they cannot answer my distress, Yet in some sort they are better than the tribunes, For that they will not intercept my tale: When I do weep, they humbly at my feet Receive my tears and seem to weep with me; And, were they but attired in grave weeds, Rome could afford no tribune like to these.
there's a bluebird in my heart that wants to get out but I'm too clever, I only let him out at night sometimes when everybody's asleep. I say, I know that you're there, so don't be sad. then I put him back, but he's singing a little in there, I haven't quite let him die and we sleep together like that with our secret pact and it's nice enough to make a man weep, but I don't weep, do you?
We flatter those we scarcely know, We please the fleeting guest; And deal full many a thoughtless blow, To those who love us best. Laugh, and the world laughs with you; Weep, and you weep alone; For the sad old earth must borrow its mirth, But has trouble enough of its own. There is new strength, repose of mind, and inspiration in fresh apparel.
Ella Wheeler Wilcox
So bring me this man, trembling and shivering from head to foot; let me fall into his arms or down at his knees; he will weep and we shall weep, he will be eloquent and I shall be comforted, and my heart shall melt into his, he will take my soul, and I his God. But what is this kindly old gentleman to me? And what am I to him? Just one more member of the race of unfortunates, one more shade to go with the many he has seen, one more figure to add to his total of executions.
Ah! Mother, Mother! You still think I am a child - why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted too, indeed I am little more than a child; in the wardrobe still hang short, boy's trousers - it is such a little time ago, why is it over?
Erich Maria Remarque
When our spirit tells us it is time to weep, we should weep. It is part of the ritual, if you will, of putting sadness in perspective and gaining control of the situation. . . . Grief has a purpose. Grieving does not mean you are weak It is the first step toward regaining balance and strength. Grieving is part of the tempering process.
Joseph M. Marshall III
When we mourn those who die young - those who have been robbed of time - we weep for lost joys. We weep for opportunities and pleasure we ourselves have never known. We feel sure that somehow that young body would have known the yearning delight for which we searched in vain all our lives. We believe that the untried soul, trapped in its young prison, might have flown free and known the joy that we still seek.
When we mourn those who die young "" those who have been robbed of time "" we weep for lost joys. We weep for opportunities and pleasure we ourselves have never known. We feel sure that somehow that young body would have known the yearning delight for which we searched in vain all our lives. We believe that the untried soul, trapped in its young prison, might have flown free and known the joy that we still seek.
The alchemist picked up a book that someone in the caravan had brought. Leafing through the pages, he found a story about Narcissus. The alchemist knew the legend of Narcissus, a youth who knelt daily beside a lake to contemplate his own beauty. He was so fascinated by himself that, one morning, he fell into the lake and drowned. At the spot where he fell, a flower was born, which was called the narcissus. But this was not how the author of the book ended the story. He said that when Narcissus died, the goddesses of the forest appeared and found the lake, which had been fresh water, transformed into a lake of salty tears. 'Why do you weep?' the goddesses asked. 'I weep for Narcissus, " the lake replied. 'Ah, it is no surprise that you weep for Narcissus, ' they said, 'for though we always pursued him in the forest, you alone could contemplate his beauty close at hand.' 'But... was Narcissus beautiful?' the lake asked. 'Who better than you to know that?' the goddesses asked in wonder. 'After all, it was by your banks that he knelt each day to contemplate himself!' The lake was silent for some time. Finally, it said: 'I weep for Narcissus, but I never noticed that Narcissus was beautiful. I weep because, each time he knelt beside my banks, I could see, in the depths of his eyes, my own beauty reflected.' 'What a lovely story, ' the alchemist thought.
I had written a book of short stories which was published under the title of "Uncle Tom's Children". When the review of that book began to appear, I realized that I had made an awful naive mistake. I found that I had written a book which even bankers' daughters could read and weep over and feel good about. I swore to myself that if I ever wrote another book, no one would weep over it; that it would be so hard and deep that they would have to face it without the consolation of tears.
After dinner Natasha went to the clavichord, at Prince Andrey's request, and began singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha singing, and something new and blissful stirred in his soul. He was happy, and at the same time he was sad. He certainly had nothing to weep about, but he was ready to weep. For what? For his past love? For the little princess? For his lost illusions? For his hopes for the future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid sense of the fearful contrast between something infinitely great and illimitable existing in him, and something limited and material, which he himself was, and even she was. This contrast made his heart ache, and rejoiced him while she was singing.
Bid me to live, and I will liveThy Protestant to be;Or bid me love, and I will giveA loving heart to thee.A heart as soft, a heart as kind,A heart as sound and freeAs in the whole world thou canst find,That heart I'll give to thee.Bid that heart stay, and it will stayTo honour thy decree;Or bid it languish quite away,And't shall do so for thee.Bid me to weep, and I will weep,While I have eyes to see;And having none, yet I will keepA heart to weep for thee.Bid me despair, and I'll despair,Under that cypress tree;Or bid me die, and I will dareE'en death, to die for thee.--Thou art my life, my love, my heart,The very eyes of me;And hast command of every part,To live and die for thee.
A Dream Within A Dream Take this kiss upon the brow! And, in parting from you now, Thus much let me avow- You are not wrong, who deem That my days have been a dream; Yet if hope has flown away In a night, or in a day, In a vision, or in none, Is it therefore the less gone? All that we see or seem Is but a dream within a dream. I stand amid the roar Of a surf-tormented shore, And I hold within my hand Grains of the golden sand- How few! yet how they creep Through my fingers to the deep, While I weep- while I weep! O God! can I not grasp Them with a tighter clasp? O God! can I not save One from the pitiless wave? Is all that we see or seem But a dream within a dream?
Edgar Allan Poe
Before Jerusalem Now they've come before Jerusalem. Passions, avarice, and ambition, as well as their chivalrous pride have swiftly slipped from their souls. Now they've come before Jerusalem. In their ecstasy and their devoutness they've forgotten their quarrels with the Greeks; they've forgotten their hatred of the Turks. Now they've come before Jerusalem. And the Crusaders, so daring and invincible, so vehement in their every march and onslaught, are fearful and nervous and are unable to go further; they tremble like small children, and like small children weep, all weep, as they behold the walls of Jerusalem.
Do Not Stand at My Grave and Weep Do not stand at my grave and weep, I am not there, I do not sleep. I am in a thousand winds that blow, I am the softly falling snow. I am the gentle showers of rain, I am the fields of ripening grain. I am in the morning hush, I am in the graceful rush Of beautiful birds in circling flight, I am the star shine of the night. I am in the flowers that bloom, I am in a quiet room. I am in the birds that sing, I am in each lovely thing. Do not stand at my grave and cry, I am not there. I do not die.
Mary Elizabeth Frye
There is a danger in the word someday when what it means is "not this day."...The scriptures make the danger of delay clear. It is that we may discover that we have run out of time. The God who gives us each day as a treasure will require an accounting. We will weep, and He will weep, if we have intended to repent and to serve Him in tomorrows which never came or have dreamt of yesterdays where the opportunity to act was past. This day is a precious gift of God. The thought "Someday I will" can be a thief of the opportunities of time and the blessings of eternity.
Henry B. Eyring
Lines I die but when the grave shall press The heart so long endeared to thee When earthy cares no more distress And earthy joys are nought to me. Weep not, but think that I have past Before thee o'er the sea of gloom. Have anchored safe and rest at last Where tears and mouring can not come. 'Tis I should weep to leave thee here On that dark ocean sailing drear With storms around and fears before And no kind light to point the shore. But long or short though life may be 'Tis nothing to eternity. We part below to meet on high Where blissful ages never die.
And who are you, the proud Lord said that I must bow so low? Only a cat of a different coat, that's all the truth I know. In a coat of gold or a coat of red, a lion still has claws. And, mine are as long and sharp, my Lord as long and sharp as yours. And so he spoke, and so he spoke, that Lord of Castamere, but now the rains weep o'er his hall, with no one there to hear. Yes, now the rains weep o'er his hall, and not a soul to hear.
George R. R. Martin
But the lies which Odette ordinarily told were less innocent, and served to prevent discoveries which might have involved her in the most terrible difficulties with one or another of her friends. And so, when she lied, smitten with fear, feeling herself to be but feebly armed for her defence, unconfident of success, she was inclined to weep from sheer exhaustion, as children weep sometimes when they have not slept. She knew, also, that her lie, as a rule, was doing a serious injury to the man to whom she was telling it, and that she might find herself at his mercy if she told it badly. Therefore she felt at once humble and culpable in his presence. And when she had to tell an insignificant, social lie its hazardous associations, and the memories which it recalled, would leave her weak with a sense of exhaustion and penitent with a consciousness of wrongdoing.
Laugh, and the world laughs with you; Weep, and you weep alone; For the sad old earth must borrow its mirth, But has trouble enough of its own. Sing, and the hills will answer; Sigh, it is lost on the air; The echoes bound to a joyful sound, But shrink from voicing care. Rejoice, and men will seek you; Grieve, and they turn and go; They want full measure of all your pleasure, But they do not need your woe. Be glad, and your friends are many; Be sad, and you lose them all, - There are none to decline your nectared wine, But alone you must drink life's gall. Feast, and your halls are crowded; Fast, and the world goes by. Succeed and give, and it helps you live, But no man can help you die. There is room in the halls of pleasure For a large and lordly train, But one by one we must all file on Through the narrow aisles of pain.
Ella Wheeler Wilcox