Look at it this way-before any of this wood became parts of the shelves or the desk or the chair, all of it was in pieces-just pieces of wood. But the wood was full of potential. It could be shaped into anything that a carpenter wanted it to be shaped into, turning it into a beautiful finished product. Now, not all carpenters are equal in skill-you know that. If a piece of wood is shaped by a poor carpenter, the finished product will be lacking somehow, in some way. "But if that wood is shaped by a master carpenter, then that piece will fit into this world precisely as it's supposed to fit, whether it be a desktop or a cabinet shelf or a doorstop. And the way that I work wood is the way I try to work with people-with love and attention and caring-so that the wood and the people can reach their potential. And if someone lets you teach them, and is open to what you have to teach, then how can you go wrong?
James Hardie(R) siding is a sustainable and marvelous substitute for wood. It's available pre-colored and the finish truly looks like high-grade wood siding. I've used this product line for years, and have been delighted with the results. It's the only product I will consider substituting for wood, and in many climates it's significantly preferable because of its stability.
Adding two or three chunks of wood to the coals adds a great smoke flavor to meat. I prefer pecan wood, which adds a mellow smoke flavor, but any good wood will work. And most barbecue sections in stores and supermarkets around the country, like Walmart, sell hickory wood, which adds a heavier smoke flavor. Oak is also a good option for a mellow smoke flavor.
I made my first fire last night and I didn't even set myself aflame! It was fantastic". "If you need more, there's plenty where that came from". "Sure, I'll take your wood anytime!" Matty fought the smile that threatened to engulf his face, and he coughed, using it for a cover of his laugh. But Rob laughed outright. "Consider me at your service. Though, technically, It wasn't my wood. So maybe it's more accurate to say that you'll take George's wood anytime. Matty cracked up. "No, definitely not. I'm sure it's aged and gnarled".
Everything does come from nature. That's where you get new ideas. Just draw the landscape. I felt doing it with a bit of burnt wood was also good because I was drawing burnt wood with a piece of wood. I wanted to do black and white. After using color, I thought black and white would be good. You can have color in black and white. There is color in them, actually.
But I don't understand. Why do you want me to think that this is great architecture? He pointed to the picture of the Parthenon. That, said the Dean, is the Parthenon. - So it is. - I haven't the time to waste on silly questions. - All right, then. - Roark got up, he took a long ruler from the desk, he walked to the picture. - Shall I tell you what's rotten about it? - It's the Parthenon! - said the Dean. - Yes, God damn it, the Parthenon! The ruler struck the glass over the picture. - Look, - said Roark. - The famous flutings on the famous columns - what are they there for? To hide the joints in wood - when columns were made of wood, only these aren't, they're marble. The triglyphs, what are they? Wood. Wooden beams, the way they had to be laid when people began to build wooden shacks. Your Greeks took marble and they made copies of their wooden structures out of it, because others had done it that way. Then your masters of the Renaissance came along and made copies in plaster of copies in marble of copies in wood. Now here we are, making copies in steel and concrete of copies in plaster of copies in marble of copies in wood. Why?
You said she has no travel records leaving Italy?" "Yes sir." "So there is a great possibility that she is still here in Italy, isn't?" "Yes sir." "What is 'true love' in Italian?" Secretary Wood showed surprise in his boss' peculiar question that was so not in line with their topic. "Uh... it's 'vero amore', sir." Secretary Wood answered, looking at Cullan as if he already lost his marbles. "Okay. Find my wife as soon as possible, Secretary Wood. I want my vero amore back to me." Cullan said with vindiction.
Knocknaree wood was the real thing, and it was more intricate and more secretive than I had remembered. It had its own order, its own fierce battles and alliances. I was an intruder here, now, and I had a deep prickling sense that my presence had instantly been marked and that the wood was watching me, with an equivocal collected gaze, not yet accepting or rejecting; reserving judgement.
My caddie 'Stovepipe' tried to talk me into hitting a 3-wood. But I took out the turf rider (4-wood) instead. The moment I hit it, I felt something in my bones. Walter Hagen was playing with me and Bobby Jones was on the green. 21 people were behind the green. The sun was going down. I wasn't sure it had gone in the hole until I saw all 21 people jumping up and down.
A people without children would face a hopeless future; a country without trees is almost as helpless; forests which are so used that they cannot renew themselves will soon vanish, and with them all their benefits. A true forest is not merely a storehouse full of wood, but, as it were, a factory of wood and at the same time a reservoir of water. When you help to preserve our forests or plant new ones you are acting the part of good citizens.
Midway along the journey of our life I woke to find myself in a dark wood, for I had wandered off from the straight path. How hard it is to tell what it was like, this wood of wilderness, savage and stubborn (the thought of it brings back all my old fears), a bitter place! Death could scarce be bitterer. But if I would show the good that came of it I must talk about things other than the good.
Man, a gigantic child, must play with Babylon and Nineveh, with Isis and with Ashtaroth. By all means let him dream of the Bondage of Egypt, so long as he is free from it. By all means let him take up the Burden of Tyre, so long as he can take it lightly. But the old gods must be his dolls, not his idols. His central sanctities, his true possessions, should be Christian and simple. And just as a child would cherish most a wooden horse or a sword that is a mere cross of wood, so man, the great child, must cherish most the old plain things of poetry and piety; that horse of wood that was the epic end of Ilium, or that cross of wood that redeemed and conquered the world.
If God causes you to suffer much, it is a sign that He has great designs for you, and that He certainly intends to make you a saint. And if you wish to become a great saint, entreat Him yourself to give you much opportunity for suffering; for there is no wood better to kindle the fire of holy love than the wood of the cross, which Christ used for His own great sacrifice of boundless charity.
Ignatius of Loyola
If God causes you to suffer much it is a sign that He has great designs for you and that He certainly intends to make you a saint. And if you wish to become a great saint, entreat Him yourself to give you much opportunity for suffering; for there is no wood better to kindle the fire of holy love than the wood of the cross, which Christ used for His own great sacrifice of boundless charity.
Ignatius of Loyola
THERE IS A LOVELY LITTLE horror story about the peasant who started through the haunted wood-the wood that was, people said, inhabited by devils who took any mortal who came their way. But the peasant thought, as he walked slowly along: I am a good man and have done no wrong. If devils can harm me, then there isn't any justice. A voice behind him said, 'There isn't.
Once in the dream of a night I stood Lone in the light of a magical wood, Soul-deep in visions that poppy-like sprang; And spirits of Truth were the birds that sang, And spirits of Love were the stars that glowed, And spirits of Peace were the streams that flowed In that magical wood in the land of sleep.
What is more cheerful, now, in the fall of the year, than an open-wood-fire? Do you hear those little chirps and twitters coming out of that piece of apple-wood? Those are the ghosts of the robins and blue-birds that sang upon the bough when it was in blossom last Spring. In Summer whole flocks of them come fluttering about the fruit-trees under the window: so I have singing birds all the year round.
Thomas Bailey Aldrich
when the glory night envelop the moon that would light up the exhilaration of heart.. the sun was reluctant to reveal smile to warm the earth.. when the fire burn until the wood becomes charcoal yield and melted into disappointment.. the earth will always embrace the rest of the wood by the fire burning in her arms.. then it's me and you in equation narrative prose deep and glorious..
Tentatively I stood a great lump of wood on the chopping block and bought the axe down on it. It flew into two perfect halves. Such was my elation that I ran inside, put on our ancient cracked record of Aretha Franklin singing Respect and danced all by myself for half an hour in our living room, without inhibition, almost crying with jubilation "" not just about the wood, but because I could live competently some of the time, and because that day I liked myself.
You feel a certain way in a glass or concrete or limestone building. It has an effect on your skin - the same with plywood or veneer, or solid timber. Wood doesn't steal energy from your body the way glass and concrete steal heat. When it's hot, a wood house feels cooler than a concrete one, and when it's cold, the other way around.
At the Cruiserweight Classic finale, I said... I don't know if people had looked it up, or if they had heard it before, but it was an old Zen proverb. 'Before enlightenment, chop wood, carry water. After enlightenment, you chop wood, carry water.' It can be interpreted a lot of ways, but for the most part it's about staying in the moment.
T. J. Perkins
Okay, men," he said. "And women," said Chaser Angelina Johnson. "And women," Wood agreed. "This is it." "The big one," said Fred Weasley. "The one we've all been waiting for," said George. "We know Oliver's speech by heart," Fred told Harry, "we were on the team last year." "Shut up, you two," said Wood. "This is the best team Gryffindor's had in years. We're going to win. I know it." He glared at them all as if to say, "Or else." "Right. It's time. Good luck, all of you.
J. K. Rowling
With all my resources I have provided for the temple of my God--gold for the gold work, silver for the silver, bronze for the bronze, iron for the iron and wood for the wood, as well as onyx for the settings, turquoise, stones of various colors, and all kinds of fine stone and marble--all of these in large quantities.
1 Chronicles 29:2
But is the unicorn a falsehood? It's the sweetest of animals and a noble symbol. It stands for Christ and for chastity; it can be captured only by setting a virgin in the forest, so that the animal, catching her most chaste odor, will go and lay its head in her lap, offering itself as prey to the hunters' snares." "So it is said, Adso. But many tend to believe that it's a fable, an invention of the pagans." "What a disappointment," I said. "I would have liked to encounter one, crossing a wood. Otherwise what's the pleasure of crossing a wood?
Writing, for me, is a little like wood carving. You find the lump of tree (the big central theme that gets you started), and you start cutting the shape that you think you want it to be. But you find, if you do it right, that the wood has a grain of its own (characters develop and present new insights, concentrated thinking about the story opens new avenues). If you're sensible, you work with the grain and, if you come across a knot hole, you incorporate that into the design. This is not the same as 'making it up as you go along'; it's a very careful process of control.
As he rose to his feet he noticed that he was neither dripping nor panting for breath as anyone would expect after being under water. His clothes were perfectly dry. He was standing by the edge of a small pool-not more than ten feet from side to side in a wood. The trees grew close together and were so leafy that he could get no glimpse of the sky. All the light was green light that came through the leaves: but there must have been a very strong sun overhead, for this green daylight was bright and warm. It was the quietest wood you could possibly imagine. There were no birds, no insects, no animals, and no wind. You could almost feel the trees growing. The pool he had just got out of was not the only pool. There were dozens of others-a pool every few yards as far as his eyes could reach. You could almost feel the trees drinking the water up with their roots. This wood was very much alive.
In the 1920s, there was a dinner at which the physicist Robert W. Wood was asked to respond to a toast... 'To physics and metaphysics.' Now by metaphysics was meant something like philosophy-truths that you could get to just by thinking about them. Wood took a second, glanced about him, and answered along these lines: The physicist has an idea, he said. The more he thinks it through, the more sense it makes to him. He goes to the scientific literature, and the more he reads, the more promising the idea seems. Thus prepared, he devises an experiment to test the idea. The experiment is painstaking. Many possibilities are eliminated or taken into account; the accuracy of the measurement is refined. At the end of all this work, the experiment is completed and... the idea is shown to be worthless. The physicist then discards the idea, frees his mind (as I was saying a moment ago) from the clutter of error, and moves on to something else. The difference between physics and metaphysics, Wood concluded, is that the metaphysicist has no laboratory.
The sawdust flew. A slightly sweet fragrance floated in the immediate area. It was a sweet but subtle aroma, neither the scent of pine nor willow, but one from the past that had been forgotten, only to reappear now after all these years, fresher than ever. The workmen occasionally scooped up a handful of sawdust, which they put into their mouths and swallowed. Before that they had chewed on pieces of green bark that they had stripped from the cut wood. It had the same fragrance and it freshened their mouths, so at first that was what they had used. Now even though they were no longer chewing the bark with which they felt such a bond, the stack of corded wood was a very appealing sight. From time to time they gave the logs a friendly slap or kick. Each time they sawed off a section, which rolled to the ground from the sawhorse, they would say: 'Off with you - go over there and lie down where you belong.' What they were thinking was that big pieces of lumber like this should be used to make tables or chairs or to repair a house or make window frames; wood like this was hard to find. But now they were cutting it into kindling to be burned in stoves, a sad ending for good wood like this. They could see a comparison with their own lives, and this was a saddening thought. ("North China")
Rich mahogany wood was used to construct the bookshelves, and the floor is also hardwood of the same deep tone. Copper trim was used to accent the wood, and the only place to sit is a custom designed green leather sofa that is curvy, and from the side resembles a frog taking a bowel movement. A knockoff Tiffany lamp with a green grass lampshade sits on an end table next to the sofa.
The bleak autumn wind was still blowing, and the solemn, surging moan of it in the wood was dreary and awful to hear through the night silence. Issac felt strangely wakeful. He resolved, as he lay down in bed, to keep the candle alight until he began to grow sleepy; for there was something unendurably depressing in the bare idea of lying awake in the darkness, listening to the dismal, ceaseless moan of the wind in the wood. ("The Dream Woman")
What is it that dies? A log of wood dies to become a few planks. The planks die to become a chair. The chair dies to become a piece of firewood, and the firewood dies to become ash. You give different names to the different shapes the wood takes, but the basic substance is there always. If we could always remember this, we would never worry about the loss of anything. We never lose anything; we never gain anything. By such discrimination we put an end to unhappiness. (118-119)
Life creeps slowly upward.... When some forgotten inventor of the older world smote his rival or enemy with a branch of wood and found that it was good and thereafter made a practice of smiting rivals and enemies with branches of wood, then, and on that day, artificiality may be said to have begun. Then, and on that day, was begun a revolution destined to change the history of life. Then, and on that day, was laid the cornerstone of that most tremendous of artifices, CIVILIZATION!
Black was bestlooking. ... Ebony was the best wood, the hardest wood; it was black. Virginia ham was the best ham. It was black on the outside. Tuxedos and tail coats were black and they were a man's finest, most expensive clothes. You had to use pepper to make most meats and vegetables fit to eat. The most flavorsome pepper was black. The best caviar was black. The rarest jewels were black: black opals, black pearls.
Trick.' I say a little louder. 'Shhh, sleep baby.' He mumbles. I laugh and smack his arm. 'Wake up. I can feel your morning wood.' This gets his attention and he sits up, taking me with him. The arms wrapped around my middle graze my breasts as he shifts up and a tingle shoots straight between my legs. 'God, Caroline, I'm so... ' He stops, probably realizing that he doesn't have morning wood, 'I don't have... ' He's actually pretty cute all sleepy. He laughs. 'I know but I couldn't figure out how else to get your attention.' I shrug.
The Road Not Taken Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I- I took the one less traveled by, And that has made all the difference.
The essence of knowledge is generalization. That fire can be produced by rubbing wood in a certain way is a knowledge derived by generalization from individual experiences; the statement means that rubbing wood in this way will always produce fire. The art of discovery is therefore the art of correct generalization. ... The separation of relevant from irrelevant factors is the beginning of knowledge.
Like a comet pulled from orbit, As it passes a sun. Like a stream that meets a boulder, Halfway through the wood. Who can say if I've been changed for the better? But because I knew you, I have been changed for good It well may be, That we will never meet again, In this lifetime. So let me say before we part, So much of me, Is made of what I learned from you. You'll be with me, Like a handprint on my heart. And now whatever way our stories end, I know you have re-written mine, By being my friend... Like a ship blown from its mooring, By a wind off the sea. Like a seed dropped by a skybird, In a distant wood. Who can say if I've been changed for the better? But because I knew you, Because I knew you, I have been changed for good.
I can't understand how people can settle for having just one life. I remember we were in English class and we were talking about that poem by - that one guy. David Frost. 'Two roads diverged in a yellow wood-' You know this poem, right? 'Two roads diverged in a yellow wood, and sorry I could not travel both and be one traveler, long I stood and looked down one as far as I could, to where it bent in the undergrowth-" "I loved that poem. But I remember thinking to myself: Why? How come you can't travel both? That seemed really unfair to me.
John Colman Wood's The Names of Things is a thoughtful, patient, and ultimately rewarding book. It's about, among many other things, the connections human beings make, that in spite of everything, we will always make. To quote from the book, 'What he saw in the people was what the old anthropologists called communitas. It wasn't that the people sang and moved. It was their singing and moving together' Singing and moving together, Wood has found a way to express this profound and beautiful idea through fiction.
Wood heat is not new. It dates back to a day millions of years ago, when a group of cavemen were sitting around, watching dinosaurs rot. Suddenly, lightning struck a nearby log and set it on fire. One of the cavemen stared at the fire for a few minutes, then said: Hey! Wood heat! The other cavemen, who did not understand English, immediately beat him to death with stones. But the key discovery had been made, and from that day forward, the cavemen had all the heat they needed, although their insurance rates went way up.
Yes, My Son, man is a piece of wood, that can be used for everything, from the moment he's born until the moment he dies, he's always ready to obey, send him there and he goes, tell him to halt and he stops, tell him to turn back and he retreats, whether in peace or in war, man, generally speaking, is the best thing that could have happened to the gods, And the wood from which I'm made, since I'm a man, what use will it be put to, since I'm Your son, You will be the spoon I shall dip into humanity and bring out laden with men who shall believe in the new god I intend to become, Laden with men You will devour, There's no need for Me to devour those who devour themselves.
There must be a union between the spirit in wood and the spirit in man. The grain of the wood must relate closely to its function. The abutment of the edge of one board to an adjoining board can mean the success or failure of a piece. () Gradually a form evolves, much as nature produces the tree in the first place. The object created can live forever. The tree lives on in its new form. The object cannot follow a transitory "style", here for a moment, discarded the next. Its appeal must be universal. Cordial and receptive, it should invite a meeting with man
Light is shallow; darkness is infinitely deep. Light is always bounded, it has boundaries. Darkness has no boundaries, it is unbounded. Light comes and goes; darkness always is. When there is light you cannot see it. When light is not there you can see it. But it is always there; you cannot cause it. Light has a cause. You burn the fire, you put on wood. When the wood is finished the light will be gone. It is caused, hence it is an effect. But darkness is not caused by anything, it is not an effect. It is uncaused eternity.
Christ is of two natures, the human and the divine, and we are the same: we are of the human nature, but covered with the divine. He is the God-man, and we are the God-men. He is the ark made of wood covered with gold, and we are the boards made of wood covered with gold. In number we are different, but in nature we are exactly the same.
Your cold mornings are filled with the heartache about the fact that although we are not at ease in this world, it is all we have, that it is ours but that it is full of strife, so that all we can call our own is strife; but even that is better than nothing at all, isn't it? And as you split the frost-laced wood with numb hands, rejoice that your uncertainty is God's will and His grace toward you that that is beautiful, and a part of a greater certainty, as your own father always said in his sermons and to you at home. And as the ax bites into the wood, be comforted in the fact that the ache in your heart and the confusion in your soul means that you are still alive, still human, and still open to the beauty of the world, even though you have done nothing to deserve it. And when you resent the ache in your heart, remember: You will be dead and buried soon enough.
The image of a wood has appeared often enough in English verse. It has indeed appeared so often that it has gathered a good deal of verse into itself; so that it has become a great forest where, with long leagues of changing green between them, strange episodes of poetry have taken place. Thus in one part there are lovers of a midsummer night, or by day a duke and his followers, and in another men behind branches so that the wood seems moving, and in another a girl separated from her two lordly young brothers, and in another a poet listening to a nightingale but rather dreaming richly of the grand art than there exploring it, and there are other inhabitants, belonging even more closely to the wood, dryads, fairies, an enchanter's rout. The forest itself has different names in different tongues- Westermain, Arden, Birnam, Broceliande; and in places there are separate trees named, such as that on the outskirts against which a young Northern poet saw a spectral wanderer leaning, or, in the unexplored centre of which only rumours reach even poetry, Igdrasil of one myth, or the Trees of Knowledge and Life of another. So that indeed the whole earth seems to become this one enormous forest, and our longest and most stable civilizations are only clearings in the midst of it.
When the Dark comes rising six shall turn it back; Three from the circle, three from the track; Wood, bronze, iron; Water, fire, stone; Five will return and one go alone. Iron for the birthday; bronze carried long; Wood from the burning; stone out of song; Fire in the candle ring; water from the thaw; Six signs the circle and the grail gone before. Fire on the mountain shall find the harp of gold Played to wake the sleepers, oldest of old. Power from the Green Witch, lost beneath the sea. All shall find the Light at last, silver on the tree.
We know what wood is and what earth and stone are and that they have a color and texture, a smell and even a taste, but matter as a perceptible material substance independent of the nature of the wood, earth and stone composed of it seems incomprehensible. In order for us to regard a thing as real it must possess at least some distinctive physical qualities. We must be able to experience it as a physical thing before we can decide it is real. Matter as proposed by modern science, however, has no distinctive or definite physical qualities at all. Matter is simply some unimaginable stuff possessing no conceivable definition whatsoever. The concept of matter, then, proves to be just as elusive and abstract as the concepts of spirit, soul or the life-principle.