APAStanley Kubrick Quotes. (n.d.). Jar of Quotes. Retrieved , from JarofQuotes.com Web site: https://www.jarofquotes.com/view.php?id=there-are-few-things-more-fundamentally-encouraging-stimulating-than-seeing-someone-else-die
ChicagoStanley Kubrick Quotes. Jar of Quotes, 2019. https://www.jarofquotes.com/view.php?id=there-are-few-things-more-fundamentally-encouraging-stimulating-than-seeing-someone-else-die, accessed .
MLA"Stanley Kubrick Quotes." Jar of Quotes, 2019. . https://www.jarofquotes.com/view.php?id=there-are-few-things-more-fundamentally-encouraging-stimulating-than-seeing-someone-else-die
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From the very beginning, all of my films have divided the critics. Some have thought them wonderful, and others have found very little good to say. But subsequent critical opinion has always resulted in a very remarkable shift to the favorable. In one instance, the same critic who originally rapped the film has several years later put it on an all-time best list. But of course, the lasting and ultimately most important reputation of a film is not based on reviews, but on what, if anything, people say about it over the years, and on how much affection for it they have.
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You're free to speculate as you wish about the philosophical and allegorical meaning of the film""and such speculation is one indication that it has succeeded in gripping the audience at a deep level""but I don't want to spell out a verbal road map for 2001 that every viewer will feel obligated to pursue or else fear he's missed the point.
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In any case, once you're dealing on a nonverbal level, ambiguity is unavoidable. But it's the ambiguity of all art, of a fine piece of music or a painting - you don't need written instructions by the composer or painter accompanying such works to 'explain' them. "Explaining" them contributes nothing but a superficial 'cultural' value which has no value except for critics and teachers who have to earn a living.
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If you really want to communicate something, even if it's just an emotion or an attitude, let alone an idea, the least effective and least enjoyable way is directly. It only goes in about an inch. But if you can get people to the point where they have to think a moment what it is you're getting at, and then discover it, the thrill of discovery goes right through the heart.
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The destruction of this planet would have no significance on a cosmic scale: to an observer in the Andromeda nebula, the sign of our extinction would be no more than a match flaring for a second in the heavens: and if that match does blaze in the darkness there will be none to mourn a race that used a power that could have lit a beacon in the stars to light its funeral pyre. The choice is ours.
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I haven't come across any recent new ideas in film that strike me as being particularly important and that have to do with form. I think that a preoccupation with originality of form is more or less a fruitless thing. A truly original person with a truly original mind will not be able to function in the old form and will simply do something different. Others had much better think of the form as being some sort of classical tradition and try to work within it.
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The purpose of bayonet training is to awaken your killer instincts. The killer instinct will make you strong. If the meek ever inherit the earth the strong will take it away from them. The weak exist to be devoured by the strong. Every Marine must pack his own gear. Every Marine must be the instrument of his own salvation.
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I think the big mistake in schools is trying to teach children anything, and by using fear as the basic motivation. Fear of getting failing grades, fear of not staying with your class, etc. Interest can produce learning on a scale compared to fear as a nuclear explosion to a firecracker.
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