Acrid Quotes

Authors: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Categories: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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No parent should have to bury a child... No mother should have to bury a son. Mothers are not meant to bury sons. It is not in the natural order of things. I buried my son. In a potter's field. In a field of Blood. In empty, acrid silence. There was no funeral. There were no mourners. His friends all absent. His father dead. His sisters refusing to attend. I discovered his body alone, I dug his grave alone, I placed him in a hole, and covered him with dirt and rock alone. I was not able to finish burying him before sundown, and I'm not sure if that affected his fate... I begrudge God none of this. I do not curse him or bemoan my lot. And though my heart keeps beating only to keep breaking-I do not question why. I remember the morning my son was born as if it was yesterday. The moment the midwife placed him in my arms, I was infused with a love beyond all measure and understanding. I remember holding my son, and looking over at my own mother and saying, "Now I understand why the sun comes up at day and the stars come out at night. I understand why rain falls gently. Now I understand you, Mother"... I loved my son every day of his life, and I will love him ferociously long after I've stopped breathing. I am a simple woman. I am not bright or learn-ed. I do not read. I do not write. My opinions are not solicited. My voice is not important... On the day of my son's birth I was infused with a love beyond all measure and understanding... The world tells me that God is in Heaven and that my son is in Hell. I tell the world the one true thing I know: If my son is in Hell, then there is no Heaven-because if my son sits in Hell, there is no God.

Stephen Adly Guirgis
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Fear is one of the persistent hounds of hell that dog the footsteps of the poor, the dispossessed, the disinherited. There is nothing new or recent about fear-it is doubtless as old as the life of man on the planet. Fears are of many kinds-fear of objects, fear of people, fear of the future, fear of nature, fear of the unknown, fear of old age, fear of disease, and fear of life itself. Then there is fear which has to do with aspects of experience and detailed states of mind. Our homes, institutions, prisons, churches, are crowded with people who are hounded by day and harrowed by night because of some fear that lurks ready to spring into action as soon as one is alone, or as soon as the lights go out, or as soon as one's social defenses are temporarily removed. The ever-present fear that besets the vast poor, the economically and socially insecure, is a fear of still a different breed. It is a climate closing in; it is like the fog in San Francisco or in London. It is nowhere in particular yet everywhere. It is a mood which one carries around with himself, distilled from the acrid conflict with which his days are surrounded. It has its roots deep in the heart of the relations between the weak and the strong, between the controllers of environment and those who are controlled by it. When the basis of such fear is analyzed, it is clear that it arises out of the sense of isolation and helplessness in the face of the varied dimensions of violence to which the underprivileged are exposed. Violence, precipitate and stark, is the sire of the fear of such people. It is spawned by the perpetual threat of violence everywhere. Of course, physical violence is the most obvious cause. But here, it is important to point out, a particular kind of physical violence or its counterpart is evidenced; it is violence that is devoid of the element of contest. It is what is feared by the rabbit that cannot ultimately escape the hounds.

Howard Thurman
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Faded icon of the gilded halo, Once illuminating, inspiring; Admirers, enemies, lovers, family, A distant memory trodden under foot. Evanescent existence; flickering fame, A quintessence of reflections Incidentally etched on ancient relics. Can we conjure your presence? We barely remember Joseph Warren as the person who dispatched Paul Revere on his famous ride, and as the hero of the Battle of Bunker Hill, where he was killed in action. It wasn't always that way. For almost a century Warren was one of the most important and remembered founders of the fledgling American nation. John Trumbull's painting 'Death of General Warren at the Battle of Bunker's Hill, ' a renowned icon of American history, dates from that period. In it scarlet uniformed British soldiers, heavily armed and personally led by their officers, have just overwhelmed American entrenchments atop Breed's Hill, within sight across the Mystic River of Boston. In the background loom the eponymous Bunker Hill and the village of Charlestown, its houses and churches aflame, a smoky cloud framing the battlefield. The Americans, a motley amalgam of raw militia, countrymen and workers, try unsuccessfully to fend off the onslaught. New England's Pine Tree flag still stands within the American dirt fort in the unseasonably hot and breezeless early summer afternoon. The red coated attackers, brandishing the colors of the United Kingdom, will take it down in a moment. It is June 17, 1775: The defenders of an embryonic American Liberty are about to be defeated in a British Pyrrhic victory. In the forefront, Colonel William Prescott commands the Americans while rotund General Israel Putnam vainly shouts orders in the background. British Generals Burgoyne and Clinton command the British attackers as Major John Pitcairn, leader of the marines falters, mortally wounded, yet still supported by a soldier. British and Americans have fallen indiscriminately on the field among the detritus of battle. In the foreground, a finely dressed figure lies prostrate, his sword dropped to the earth. Prescott wards off a bayonet thrust by an onrushing British infantryman. It is a thrust the enemy's own superior officer, Colonel Small, curiously appears to want deflected. But the targeted figure already lies supine, looking skyward in a saintly blank stare. He is suspended momentarily in a halo of tranquility amongst the mayhem. This dying man can no longer smell the acrid, dense black powder smoke that hangs low in the windless oppressive heat, obscuring the afternoon sun. He pays no heed to the shouts of men nor the eerie lull in the previously deafening gunfire. The animation, his admonishments of others to action, the thrill and fear of battle, all suddenly calm. A single bullet annihilates in an instant inspiring words, the force of personality, the martial spirit in action, the reality and complexity of a human being. Dr. Joseph Warren, the central figure, moves from life to legend. Trumbull's iconic painting raises unanswered questions about its subject. How did a physician come to assume such a responsible role in this engagement? How did he meet his fate within sight of his home town? Why was he famous throughout the young United States as a model for involved citizenship? Was there any truth to the cynicism of his political enemies? Most compelling of all-why has this once beloved leader been so long and unjustifiably forgotten? This biography of Joseph Warren answers these and other questions. It utilizes modern analytical methods, uncovers new material, and sheds new light on 'established' facts... Please join me in getting to know Joseph Warren, accompanying him on his lifetime's journey to Bunker Hill, and considering the fate of his reputation and memory long after his heroic demise.

Sam Forman
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