Not a flowerBut shows some touch, in freckle, streak or stain,Of his unrivall'd pencil. He inspiresTheir balmy odors, and imparts their hues,And bathes their eyes with nectar, and includesIn grains as countless as the seaside sands,The forms with which he sprinkles all the earthHappy who walks with him!
Water is the formless potential out of which creation emerged. It is the ocean of unconsciousness enveloping the islands of consciousness. Water bathes us at birth and again at death, and in between it washes away sin. It is by turns the elixir of life or the renewing rain or the devastating flood.
Many books belong to sunshine, and should be read out of doors. Clover, violets, and hedge roses breathe from their leaves; they are most lovable in cool lanes, along field paths, or upon stiles overhung by hawthorn, while the blackbird pipes, and the nightingale bathes its brown feathers in the twilight copse.
Robert Aris Willmott
When we name things correctly, we comprehend them correctly, without adding information or judgements that aren't there. Does someone bathe quickly? Don't say be bathes poorly, but quickly. Name the situation as it is, don't filter it through your judgments. Give your assent only to that which is actually true.
Like the rainbow, peace rests upon the earth, but its arch is lost in heaven. Heaven bathes it in hues of light--it springs up amid tears and clouds--it is a reflection of the eternal sun--it is an assurance of calm--it is the sign of a great covenant between God and man--it is an emanation from the distant orb of immortal light.
Charles Caleb Colton
Innate sensuousness rarely has any desire for accuracy, no desire for precise information. It basks in sunshine, bathes in color, dwells in a sense of the impressive and the gorgeous, and rests there. Accuracy is not necessary except in the case of aggressive, acquisitive natures, when it manifests itself in a desire to seize. True controlling sensuousness cannot be manifested in the most active dispositions, nor again in the most accurate.
Little world, full of scars and gashes, ripened with another's pain, Your flowers feed on carrion-so do your birds; Men feed on each other because you taught them life was cheap, Flowing from your endless womb without pain or understanding. No midwife caresses your flesh or bathes clean your progeny, Life spurts from you, little world, and you regard it with disdain. Only bruised men sense your cruelty, men whose life has lost its meaning.
We are, on earth, two distinct races. Those who have need of others, whom others amuse, engage soothe, whom solitude harasses, pains, stupefies, like the movement of a terrible glacier or the traversing of the desert; and those, on the contrary, whom others weary, tire, bore, silently torture, whom isolation calms and bathes in the repose of independency, and plunges into the humors of their own thoughts. In fine, there is here a normal, physical phenomenon. Some are constituted to live a life outside of themselves, others, to live a life within themselves. As for me, my exterior associations are abruptly and painfully short-lived, and, as they reach their limits, I experience in my whole body and in my whole intelligence an intolerable uneasiness.
Guy de Maupassant
Rosa Mystica 'The rose is a mystery'-where is it found? Is it anything true? Does it grow upon the ground? It was made of earth's mould, but it went from men's eyes, And its place is a secret and shut in the skies. In the gardens of God, in the daylight divine, Find me a place by thee, mother of mine. But where was it formerly? Which is the spot That was blest in it once, though now it is not? It is Galilee's growth: it grew at God's will And broke into bloom upon Nazareth hill. In the gardens of God, in the daylight divine, I shall look on thy loveliness, mother of mine. What was its season then? How long ago? When was the summer that saw the bud blow? Two thousands of years are near upon past Since its birth and its bloom and its breathing its last. In the gardens of God, in the daylight divine, I shall keep time with thee, mother of mine. Tell me the name now, tell me its name. The heart guesses easily: is it the same? Mary the Virgin, well the heart knows, She is the mystery, she is that rose. In the gardens of God, in the daylight divine, I shall come home to thee, mother of mine. Is Mary the rose then? Mary, the tree? But the blossom, the blossom there-who can it be? Who can her rose be? It could but be One Christ Jesus our Lord, her God and her son. In the gardens of God, in the daylight divine, Show me thy son, mother, mother of mine. What was the colour of that blossom bright?- White to begin with, immaculate white. But what a wild flush on the flakes of it stood When the rose ran in crimsonings down the cross-wood! In the gardens of God, in the daylight divine I shall worship His wounds with thee, mother of mine. How many leaves had it?-Five they were then, Five, like the senses and members of men; Five is their number by nature, but now They multiply, multiply-who can tell how? In the gardens of God, in the daylight divine Make me a leaf in thee, mother of mine. Does it smell sweet, too, in that holy place? Sweet unto God and the sweetness is grace: The breath of it bathes great heaven above In grace that is charity, grace that is love. To thy breast, to thy rest, to thy glory divine Draw me by charity, mother of mine.
Gerard Manley Hopkins