that, to repeat what I heard for years and years and suspect you've been hearing over and over, yourself, something's meaning is nothing more or less than its function. Et cetera et cetera et cetera. Has she done the thing with the broom with you? No? What does she use now? No. What she did with me-I must have been eight, or twelve, who remembers-was to sit me down in the kitchen and take a straw broom and start furiously sweeping the floor, and she asked me which part of the broom was more elemental, more fundamental, in my opinion, the bristles or the handle. The bristles or the handle. And I hemmed and hawed, and she swept more and more violently, and I got nervous, and finally when I said I supposed the bristles, because you could after a fashion sweep without the handle, by just holding on to the bristles, but couldn't sweep with just the handle, she tackled me, and knocked me out of my chair, and yelled into my ear something like, 'Aha, that's because you want to sweep with the broom, isn't it? It's because of what you want the broom for, isn't it?' Et cetera. And that if what we wanted a broom for was to break windows, then the handle was clearly the fundamental essence of the broom, and she illustrated with the kitchen window, and a crowd of the domestics gathered; but that if we wanted the broom to sweep with, see for example the broken glass, sweep sweep, the bristles were the thing's essence. No? What now, then? With pencils? No matter. Meaning as fundamentalness. Fundamentalness as use. Meaning as use. Meaning as fundamentalness.
David Foster Wallace
Pryce, a veteran of Brazil and Baron Munchausen and a longtime Gilliam friend, bristles at the word chaos when applied to the Brothers Grimm set.] Terry knows what he wants, ... He's very demanding, but in a positive and generous way. And if you're up to it, it's very exciting. If you're not, you fall by the wayside.
As we walk back, it feels like the city is engulfing us. Adrenalin still pours through our veins. Sparks flow through to our fingers. We've still been running in the mornings, but the city's different then. It's filled with hope and with bristles of winter sunshine. In the evening, it's like it dies, waiting to be born again the next morning.
These cities grew in approximately the same places as our cities do now, however different the shape of the continents was. There was even a New York that in some way resembled the New York familiar to all of you, but was much newer, or, rather, more awash with new products, new toothbrushes, a New York with its own Manhattan that stretched out dense with skyscrapers gleaming like the nylon bristles of a brand-new toothbrush.
All Nature bristles with the marks of interrogation-among the grass and the petals of flowers, amidst the feathers of birds and the hairs of mammals, on mountain and moorland, in sea and sky-everywhere. It is one of the joys of life to discover those marks of interrogation, these unsolved and half-solved problems and try to answer their questions.
J. Arthur Thomson
Ever since I assumed my present office my main purpose has been to work for the pacification of Europe, for the removal of those suspicions and those animosities which have so long poisoned the air. The path which leads to appeasement is long and bristles with obstacles. The question of Czechoslovakia is the latest and perhaps the most dangerous. Now that we have got past it, I feel that it may be possible to make further progress along the road to sanity.
Language of the Gun shows why Bernard Harcourt has earned a reputation as one of our most provocative and informative analysts of the administration of criminal justice. Thoroughly interdisciplinary, he brings to bear on his subject a remarkably wide range of sources. Most striking are his probing interviews with at-risk youths which provide a fascinating and rare glimpse into how they think about guns and gun carrying. This book bristles with insight and information.
I took his razor from the shower floor, bits of his black hair still caked between the blades. I took his toothbrush from the sink counter and sucked on the bristles, trying to find the taste of him, but there was only the flavor of watery mint toothpaste... I pulled the sheets off the bed with the idea that I could gather up the imprint of him and save it. I thought, I can unfurl the sheets on our old bed at home. I can lie in the creases formed by his body. I can sleep with him again.
Someone has to do it. It's all very well calling for eye of newt, but do you mean Common, Spotted or Great Crested? Which eye, anyway? Will tapioca do just as well? If we substitute egg white will the spell a) work b) fail or c) melt the bottom out of the cauldron? Goodie Whemper's curiosity about such things was huge and insatiable. Nearly insatiable. It was probably satiated in her last flight to test whether a broomstick could survive having its bristles pulled out one by one in mid-air. According to the small black raven she had trained as a flight recorder, the answer was almost certainly no.
An up-close portrait of middle-class Nigeria exploring the boundaries of morals and public decorum. Pitched between humor and despair, with stripped-down, evocative prose, A Bit of Difference bristles with penknife-sharp dialogue, but its truths are more subtle, hiding in the unspoken. Ultimately, A Bit of Difference explores "" with a hint of mischief""the problem of how to look like you have no problems when you have abundant problems""the universal problem of the socially-motivated classes.
The heat is searing and superb. The paddocks surrounding the town are bleached blond. The distant ring-barked gums, mile after mile, wriggle in the heat-waves, and seem to melt like the bristles of a melting hairbrush. The hills turn powder-blue and gauzy. Mirages resembling pools of mica and shallows of crystal water appear at the far ends of streets and roads. Punctually at eleven every burning morning, the cicadas begin to drill the air, to drill themselves also, ceaselessly and relentlessly, to death in one short day after seven long years underground.
In a cage of wire-ribs The size of a man's head, the macaw bristles in a staring Combustion, suffers the stoking devils of his eyes. In the old lady's parlour, where an aspidistra succumbs To the musk of faded velvet, he hangs in clear flames, Like a torturer's iron instrument preparing With dense slow shudderings of greens, yellows, blues, Crimsoning into the barbs: Or like the smouldering head that hung In Killdevil's brass kitchen, in irons, who had been Volcano swearing to vomit the world away in black ash, And would, one day; or a fugitive aristocrat From some thunderous mythological hierarchy, caught By a little boy with a crust and a bent pin, Or snare of horsehair set for a song-thrush, And put in a cage to sing. The old lady who feeds him seeds Has a grand-daughter. The girl calls him 'Poor Polly', pokes fun. 'Jolly Mop.' But lies under every full moon, The spun glass of her body bared and so gleam-still Her brimming eyes do not tremble or spill The dream where the warrior comes, lightning and iron, Smashing and burning and rending towards her loin: Deep into her pillow her silence pleads. All day he stares at his furnace With eyes red-raw, but when she comes they close. 'Polly. Pretty Poll', she cajoles, and rocks him gently. She caresses, whispers kisses. The blue lids stay shut. She strikes the cage in a tantrum and swirls out: Instantly beak, wings, talons crash The bars in conflagration and frenzy, And his shriek shakes the house.