Gleamed Quotes

Authors: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Categories: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
It was almost a mystical experience. I do not know how else to put it. My mind outran time as he neared, and it was as though I had an eternity to ponder the approach of this man who was my brother. His garments were filthy, his face blackened, the stump of his right arm raised, gesturing anywhere. The great beast that he rode was striped, black and red, with a wild red mane and tail. But it really was a horse, and its eyes rolled and there was foam at its mouth and its breathing was painful to hear. I saw then that he wore his blade slung across his back, for its haft protruded high above his right shoulder. Still slowing, eyes fixed upon me, he departed the road, bearing slightly toward my left, jerked the reins once and released them, keeping control of the horse with his knees. His left hand went up in a salute-like movement that passed above his head and seized the hilt of his weapon. It came free without a sound, describing a beautiful arc above him and coming to rest in a lethal position out from his left shoulder and slanting back, like a single wing of dull steel with a minuscule line of edge that gleamed like a filament of mirror. The picture he presented was burned into my mind with a kind of magnificence, a certain splendor that was strangely moving. The blade was a long, scythe like affair that I had seen him use before. Only then we had stood as allies against a mutual foe I had begun to believe unbeatable. Benedict had proved otherwise that night. Now that I saw it raised against me I was overwhelmed with a sense of my own mortality, which I had never experienced before in this fashion. It was as though a layer had been stripped from the world and I had a sudden, full understanding of death itself.

Roger Zelazny
It was said that the Old Folk controlled the power of fire, among other things, but that was in the Long and Long Ago. Before that, the fathers of the Old Folk caught a spark with flint and steel and their own desire to live. It was also said that the world was a great wheel, and everything came round to what it once had been, and so Steven Boughmount knelt in the snow with rocks in his hands, trying to catch a flame. He was having little luck. Just over the low hills, beyond this scrub of forest, the village was warm and sleeping behind its wall. That's where I should be, Steven thought as he scraped the edge of one rock against the other. Not in bed, not yet, but stretched out in my chair with my feet up, a pipe smoking just right in my hand and Heather curled up beside me. The boys are all asleep, but maybe we'll stay up for a while. Maybe we'll move to the bedroom, maybe not. That's where I should be, not up to my ass in snow trying to light a fire. 'C'mon, bastard, ' he said, and drug the sharp edge of the rock in his right hand against the flat of the one in his left. A white spark flew, and then died before it could reach the stripped branches and dried moss he had laid out on the frozen ground. Snow crunched somewhere off to the left of him. Steven heard soft, bare footsteps. They were coming, all right. And they were in a hurry, running toward a village protected by two drunks on either side of a leaning gate. That was why Steven sat in the snow. When the Guards slept, the Hunters went to work. And what sounded like a whole clan of goblins was passing him by because he couldn't get a damn fire lit. Steven drew his sword. It was called Fangodoom, given to him by his mother just before she died. Fangodoom was a dwarf blade, of steel mined and forged deep within the Lyme Mountains centuries ago. Goblins near, the blade all but gleamed though there wasn't any moon. Again he wondered if this would be the last time, and again he knew that if it was, it was. His hand turned into a fist on the hilt of his weapon, and he prayed. 'Lord, make me Your hammer.

Michael Kanuckel
What are the dead, anyway, but waves and energy? Light shining from a dead star? That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition - tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star... Which reminds me, by the way, of a dream I had a couple of weeks ago. I found myself in a strange deserted city - an old city, like London - underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly - past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble. I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below. I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple... click click click... the Pyramids... the Parthenon. History passing beneath my very eyes, changing every moment. 'I thought I'd find you here, ' said a voice at my elbow. It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple. I was glad to see him, though not exactly surprised. 'You know, ' I said to him, 'everybody is saying that you're dead.' He stared down at the machine. The Colosseum... click click click... the Pantheon. 'I'm not dead, ' he said. 'I'm only having a bit of trouble with my passport.' 'What?' He cleared his throat. 'My movements are restricted, ' he said. 'I no longer have the ability to travel as freely as I would like.' Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him. 'That information is classified, I'm afraid.' 1 looked around curiously. It seemed that I was the only visitor. 'Is it open to the public?' I said. 'Not generally, no.' I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point. 'Are you happy here?' I said at last. He considered this for a moment. 'Not particularly, ' he said. 'But you're not very happy where you are, either.' St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch. 'I hope you'll excuse me, ' he said, 'but I'm late for an appointment.' He turned from me and walked away. I watched his back receding down the long, gleaming hall.

Donna Tartt
The story was called 'Annika and the Bears.' The beginning of the story is really the end, and Annika is staring wide-eyed into new velvet-black darkness. The eyes she stares with were brown once, sparkling and the exact color of root beer, but are now an empty ice-blue, almost white. Annika is waiting for her body to grow warm so that she can fall asleep and, as she waits, she remembers life outside this darkness, remembers the world she loved and how it changed. Once, her home was called the Land of Spring and Fall because that's what it was, a place in which the seasons didn't turn in a circle, but moved like a seesaw, Fall becoming Spring becoming Fall becoming Spring. And there had been a moment every year when the seesaw hit a perfect balance. This was Annika's favorite time because blossoms burst from branches alongside red and gold leaves, crocuses opened between rows of corn, and baby animals were born under autumn skies. In the Land of Spring and Fall, it was never too cold or too hot to play outside; brooks never froze or dried up; leaves never fell from the trees; and people and animals never grew old or died. But when a witch appeared in the land, a witch who was furiously angry, but for no reason anyone could understand, and the witch cast a spell that plunged the land into a never-ending winter. In Winterland, terrible things began to happen. People and animals got sick, with wrenching coughs and burning fevers. Desperate for warmth, the people began to kill their friends the animals in order to wrap themselves in fur coats. Food became scarce, and everyone began to fight over what little there was. And strangest of all, one by one, every living, breathing creature in the land began to turn as white as chalk, as colorless as snow with no sun shining on it. One day, Annika sat at her window, looking sadly at the blank world, when she saw, trudging across the snow, her beloved friend John the bear and his family of bears. Some of the bears were white, some were a dull gray, but only John was still a rich chestnut brown. The bears walked with their immense heads hanging down and some of them cried, dropping tears onto the snow. Before they hit the ground, the tears turned to ice. Annika ran outside, calling John's name. He stopped and looked at her with his kind eyes and told her that they were going away, to a cave deep inside one of the high hills that surrounded Winterland. 'To sleep, ' he said. 'To wait.' Annika threw her arms around John, buried her face in his beautiful fur, and then stood and watched as the procession of bears patiently resumed their long journey. That night, Annika woke up with a start. She sat up in bed and saw that the hair falling over her shoulders was as white as milk, and she ran to the mirror. As she stared at her reflection, the pink began draining from her cheeks. 'Oh no, ' she whispered. 'It's happening. I'm turning into someone else. A winter girl.' In a flash, she had on her shoes and her thickest wool coat and was out the door. The trail of crystal tears the bears had left gleamed in what little moonlight could force its way through the clouds and, slogging through snow, cold eating into her bones, Annika followed the trail. When she got to the cave and moved away the rock that blocked the entrance, all the bears were asleep, except John. He rested his paw on the patch of soft dirt next to him. 'For you, dear heart, ' he said sleepily. Then he moved the rock into place and lay back down. Annika curled up between John and another bear, listening to their slow breathing, readying herself for sleep. The bears' bodies warmed her own from the outside in. The last thing to get warm was her heart, and then Annika fell asleep. The story ends this way: 'Imagine the deepest sleep you've ever slept. Multiply its deepness by the number of stars in the sky and the number of fish in the sea. Then you will know the sleep of Annika and the bears.

Marisa de los Santos
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