Life and stories are alike in one way: They are full of hollows. The king and queen have no children: They have a child hollow. The girl has a wicked stepmother: She has a mother hollow. In a story, a baby comes along to fill the child hollow. But in life, the hollows continue empty.
Eyyia?" said her husband, and Eliane bet Danel heard the mangling of her name as music. "You sound like a marsh frog, " she said, moving to stand before his chair. By the flickering light she saw him smile. "Where have you been, " she asked. "My dear. I've needed you so much." "Eyyia, " he tried again, and stood up. His eyes were black hollows. They would always be hollows. He opened his arms and she moved into the space they made in the world, and laying her head against his chest she permitted herself the almost unimaginable luxury of grief.
Guy Gavriel Kay
She looked up at him and her face was pale and austere in the uplight and her eyes lost in their darkly shadowed hollows save only for the glint of them and he could see her throat move in the light and he saw in her face and in her figure something he'd not seen before and the name of that thing was sorrow.
Elodin proved a difficult man to find. He had an office in Hollows, but never seemed to use it. When I visited Ledgers and Lists, I discovered he only taught one class: Unlikely Maths. However, this was less than helpful in tracking him down, as according to the ledger, the time of the class was 'now' and the location was 'everywhere.
Thrice blessed are they whose early years are spent in some countryside. The flowering and withering of the seasons, and every exquisite sound and sight - every lane, and pasture, and green corners and gnarled hollows everywhere, make them affluent with a treasure which neither change nor chance can steal away.
Lizette Woodworth Reese
Every step of the road was just as she'd dreamt it all the time she'd been away. Every step took her further away from the smoke and the noise and the loneliness and fear of the city she'd left behind. Every step drew her deeper into the hollows of the landscape, the green hills and shining rivers and mist-tangled treetops.
Knowledge enormous makes a God of me. Names, deeds, gray legends, dire events, rebellions, Majesties, sovran voices, agonies, Creations and destroyings, all at once Pour into the wide hollows of my brain, And deify me, as if some blithe wine Or bright elixir peerless I had drunk, And so become immortal.
I'm going to come back to West Virginia when this is over. There's something ancient and deeply-rooted in my soul. I like to think that I have left my ghost up one of those hollows, and I'll never really be able to leave for good until I find it. And I don't want to look for it, because I might find it and have to leave." - from a letter to his mother Helen Pancake that Breece wrote in Charlottesville, where he was studying writing.
Breece D'J Pancake
But what was there to say? Only that there were tears. Only that Quietness and Emptiness fitted together like stacked spoons. Only that there was a snuffling in the hollows at the base of a lovely throat. Only that a hard honey-colored shoulder had a semicircle of teethmarks on it. Only that they held each other close, long after it was over. Only that what they shared that night was not happiness, but hideous grief. Only that once again they broke the Love Laws. That lay down who should be loved. And how. And how much.
The weather appeared to have somewhat cleared up; the rain no longer fell, a fresh wind swept the streets, and the moon, now and then surrounded by dark clouds, now and then shining in full brilliancy, shed its rays, smooth and cold as blades of steel, upon the thousand pools of water lying in the hollows of the paving-stones. ("The Child Stealer")
These three children own the summer. They know the wood as surely as they know the micro landscapes of their own grazed knees; put them down blindfolded in any dell or clearing and they could find their way out without putting a foot wrong. This is their territory, and they rule it wild and lordly as young animals; they scramble through its trees and hide-and-seek in its hollows all the endless day long, and all night in their dreams.
The stillness of the calm is awful. His voice begins to grow strange and portentous. He feels it in him like something swallowed too big for the esophagus. It keeps up a sort of involuntary interior humming in him, like a live beetle. His cranium is a dome full of reverberations. The hollows of his very bones are as whispering galleries. He is afraid to speak loud, lest he be stunned; like the man in the bass drum.
The 'Desert' sweeps up to the walls of Baghdad, but it is a misnomer to call the vast level of rich, stoneless, alluvial soil a desert. It is a dead flat of uninhabited earth; orange colocynth balls, a little wormwood, and some alkaline plants which camels eat, being its chief products. After the inundations, reedy grass grows in the hollows.
It is a thought as sweet as heaven to know that in the minds of each of us the may by the fence still blooms in an eternal springtime; that the snowdrop has in our hearts a triple birth, and blooms in three separate minds, faultlessly... So that if all the flowers and grasses and hollows and hills of the old house were razed and mutilated - as they are now, I suppose - we keep them intact in three minds, each depending on the other to supply it with the delicate minutiae of remembrance.
It was a murky confusion "" here and there blotted with a color like the color of the smoke from damp fuel "" of flying clouds tossed up into most remarkable heaps, suggesting greater heights in the clouds than there were depths below them to the bottom of the deepest hollows in the earth, through which the wild moon seemed to plunge headlong, as if, in a dread disturbance of the laws of nature, she had lost her way and were frightened.
Throughout our lives friends enclose us like pairs of parentheses. They shift our boundaries; crater our terrain. They fume through the cracks of our tentative houses and parts of them always remain. Friendship asks the truth and wants the truth, hollows and fills, ages with us, and we through it. It cradles us like family. It is ecology and mystery and language - all three. Our grown-up friendships - especially the really meaningful ones- model for our children what we want them to have throughout their lives.
Landscapes of great wonder and beauty lie under our feet and all around us. They are discovered in tunnels in the ground, the heart of flowers, the hollows of trees, fresh-water ponds, seaweed jungles between tides, and even drops of water. Life in these hidden worlds is more startling in reality than anything we can imagine. How could this earth of ours, which is only a speck in the heavens, have so much variety of life, so many curious and exciting creatures?
Patti Callahan Henry's THE STORIES WE TELL is a lyrical exploration of love and longing, secrets and suspicion, family and friendship, all told with the author's trademark insights into the hollows and curves of the heart and mind of a working woman who must balance the demands of motherhood, wifedom, sisterhood, and yes, the deepest cravings for artistic expression. I always love the stories PCH tells!
Mary Kay Andrews
Although love could grow in times of peace, it tempered in battle. Daddy told me once - when I'd said something about how perfect his relationship with Mom was - that I should have seen the first five years of their marriage, that they'd fought like hellions, crashed into each other like two giant stones. That eventually they'd eroded each other into the perfect fit, become a single wall, nestled into each other's curves and hollows, her strengths chinking his weaknesses, her weaknesses reinforced by his strengths.
Karen Marie Moning
What a thing it is to sit absolutely alone, in the forest, at night, cherished by this wonderful, unintelligible, perfectly innocent speech, the most comforting speech in the world, the talk that rain makes by itself all over the ridges, and the talk of the watercourses everywhere in the hollows! Nobody started it, nobody is going to stop it. It will talk as long as it wants this rain. As long as it talks I am going to listen.
It was October again ... a glorious October, all red and gold, with mellow mornings when the valleys were filled with delicate mists as if the spirit of autumn had poured them in for the sun to drain - amethyst, pearl, silver, rose, and smoke-blue. The dews were so heavy that the fields glistened like cloth of silver and there were such heaps of rustling leaves in the hollows of many-stemmed woods to run crisply through.
Lucy Maud Montgomery
Evidence of this [transformation of animals into fossils] is that parts of aquatic animals and perhaps of naval gear are found in rock in hollows on mountains, which water no doubt deposited there enveloped in sticky mud, and which were prevented by coldness and dryness of the stone from petrifying completely. Very striking evidence of this kind is found in the stones of Paris, in which one very often meets round shells the shape of the moon.
All my early memories are of forms and shapes and textures. Moving through and over the West Riding landscape with my father in his car, the hills were sculptures; the roads defined the form. Above all, there was the sensation of moving physically over the contours of fullnessess and concavities, through hollows and over peaks - feeling, touching, seeing, through mind and hand and eye. This sensation has never left me. I, the sculptor, am the landscape. I am the form and the hollow, the thrust and the contour.
Our favourite amusement during that winter was tobogganing. In places the shore of the lake rises abruptly from the water's edge. Down these steep slopes we used to coast. We would get on our toboggan, a boy would give us a shove, and off we went! Plunging through drifts, leaping hollows, swooping down upon the lake, we would shoot across its gleaming surface to the opposite bank. What joy! What exhilarating madness! For one wild, glad moment we snapped the chain that binds us to earth, and joining hands with the winds we felt ourselves divine!
My very photogenic mother died in a freak accident (picnic, lightning) when I was three, and, save for a pocket of warmth in the darkest past, nothing of her subsists within the hollows and dells of memory, over which, if you can still stand my style (I am writing under observation), the sun of my infancy had set: surely, you all know those redolent remnants of day suspended, with the midges, about some hedge in bloom or suddenly entered and traversed by the rambler, at the bottom of a hill, in the summer dusk; a furry warmth, golden midges.
Dear Angel Juan, You used to guard my sleep like a panther biting back my pain with the edge of your teeth. You carried me into the dark dream jungle, loping past the hungry vines, crossing the shiny fish-scale river. We left my tears behind in a chiming silver pool. We left my sorrow in the muddy hollows. When I woke up you were next to me, damp and matted, your eyes hazy, trying to remember the way I clung to you, how far down we went. Was the journey too far, Angel Juan? Did we go too far?
Francesca Lia Block
Mother of Rome, delight of Gods and men, Dear Venus that beneath the gliding stars Makest to teem the many-voyaged main And fruitful lands- for all of living things Through thee alone are evermore conceived, Through thee are risen to visit the great sun- Before thee, Goddess, and thy coming on, Flee stormy wind and massy cloud away, For thee the daedal Earth bears scented flowers, For thee waters of the unvexed deep Smile, and the hollows of the serene sky Glow with diffused radiance for thee!
Like a forest rose the huge peaks above the slumbering village, measuring the night and heavens. They beckoned him. And something born of the snowy desolation, born of the midnight and silent grandeur, born of the great listening hollows of the night, something that lay 'twixt terror and wonder, dropped from the vast wintry spaces down into his heart- and called him. Very softly, unrecorded in any word or thought his brain could compass, it laid its spell upon him. Fingers of snow brushed the surface of his heart. The power and quiet majesty of the winter's night appalled him... -The Glamour of the Snow
To count the stones losing count is the sense of our life: the algebra of our displacements. To follow paths losing sense is the circumvolution, the evolution: the logic of our moments. But. No. There is no symmetry in our acts. Never the chance of steps that surprise us to salt. Our time machine. Forward. Never backward the meat machine. No turning back. No turning back. There is no remedy: death is an incurable asymmetry. Huge is the ticking of the Clock but but our time has the clutch, the vortex the saltwater of a wave that covers us. It reshapes and hollows out the face, like sand robs us of our flesh.
In January in Northern Russia, everything vanishes beneath a deep blanket of whiteness. Rivers, fields, trees, roads, and houses disappear, and the landscape becomes a white sea of mounds and hollows. On days when the sky is gray, it is hard to see where earth merges with air. On brilliant days when the sky is a rich blue, the sunlight is blinding, as if millions of diamonds were scattered on the snow, refracting light. In Catherine's time, the log roads of summer were covered with a smooth coating of snow and ice that enabled the sledges to glide smoothly at startling speeds; on some days, her procession covered a hundred miles.
Robert K. Massie
100 THOUSAND FOR MY CAR KEYS, MILLION DOLLAR HOUSE KEYS SHE ONLY WANNA TALK TO ME CAUSE HER BOYFRIEND NOT ME I'M SMOKING ON BROCCOLI CAUSE IT'S HEALTHY FOR ME PLUS I'M GETTING ALOT OF MONEY, I AIN'T NEVER HUNGRY GUNS MASK BLACK OPPS SCREAM, A NIGGA TRY TO ROB ME IF A NIGGA TRY TO ROB, HE GONNA BE SALTY GUNS SPRAYING LIKE OIL SHEEN HOLLOWS GET A NIGGA OFF ME MAKE ME FEEL LIKE PAC ME ALL EYES ON ME HO'S MOUTH DROP WHEN I RIDE PASS CAUSE MY TRUCK COST A LAM SEE THIS ICE ON MY WRIST AND NEVER WHEN THE LIGHTS GO OFF LIKE DAMN BALLIN' SO DAMN SO HARD I TRIED TO SLAM DUNK AND I BROKE THE RIM COUGHIN' SO DAMN HARD PUT 3 GRAMS IN A BLUNT THEN I BROKE IT DOWN MILLION DOLLAR HOUSE KEYS, GET THE FUCK OFF ME DAMN ALMIGHTY CAUSE I KNOW YOU FEEL SALTY NOW I ONLY SPEAK GWOPANESE, PLAY THAT BITCH LIKE THE LOTTERY YOU COULD ACT LIKE YOU AIN'T SALTY, THAT SHIT DON'T BOTHER ME
Elissa became aware that she had both hands held out in front of her, as if to push the sight away, as if to make it not real, not true, not THERE. She'd known they were doing something awful to Lin, to the others, but she'd never imagined something like this. Never imagined there were shutting them away in the dark, trapped and drowning, every moment waiting for the pain that would tear through them when the ship went into hyperspeed. A memory pierced her. "You said the others -other Spares- were taken away. It was this. It was for this." Lin's face turned to her, as pale as that of the dead Spare. In the dim room, her eyes were black hollows. Her jaw was slack with shock. "NO, " said Cadan. "No. It cant be. This cant be what they-" He broke off. "Oh, G-d in heaven, hyperdrives last five to seven years." For a moment Elissa didn't pick up on what he meant. Then it hit her, a huge fist clenching her hers stomach. "SEVEN YEARS? That's how long he's been there?" "No. Not this one. The PHOENIX is only two hears old. This one - somethings been malfunctioning all along. He must-" Cadan choked again. "Ah, G-d what have I been doing to him?" "Two years." Elissa found her head turning back toward where the Spare floated, limp and helpless. Out there, in all the other spaceships, other Spares were floating in the same way, kept alive by tubes, kept - Oh G-d, were they conscious the whole time? As she looked, unable to turn away, other details revealed themselves, details she didn't want, things she didn't want to know could happen anywhere, EVER.
Eccolo!' he exclaimed. At the same moment the ground gave way, and with a cry she fell out of the wood. Light and beauty enveloped her. She had fallen on to a little open terrace, which was covered with violets from end to end. 'Courage!' cried her companion, now standing some six feet above. 'Courage and love.' She did not answer. From her feet the ground sloped sharply into view, and violets ran down in rivulets and streams and cataracts, irrigating the hillside with blue, eddying round the tree stems, collecting into pools in the hollows, covering the grass with spots of azure foam. But never again were they in such profusion; this terrace was the well-head, the primal source whence beauty gushed out to water the earth. Standing at its brink, like a swimmer who prepares, was the good man. But he was not the good man that she had expected, and he was alone. George had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her...
Wal-Mart can't seem to grasp an essential fact: in 2006, the company has exactly the reputation it has earned. No, we don't give the company adequate credit for low prices. But the broken covenant Sam Walton had with how to treat store employees, the relentless pressure that hollows out companies and dilutes the quality of their products, the bullying of suppliers and communities, the corrosive secrecy, the way Wal-Mart has changed our own perception of price and quality, of value and durability-none of these is imaginary, or trivial, or easily changed with a fresh set of bullet points, an impassioned speech, and a website heavy with "Wal-Mart facts". If Wal-Mart does in fact double the gas mileage of its truck fleet, and thereby double the gas mileage of every long-haul truck in America, that will be huge. It will change gas consumption in the United States in a single stroke. But it hasn't happened yet. And even if it does, it will not make Wal-Mart a good company or a good corporate partner or a good corporate citizen.
The full moon, well risen in a cloudless eastern sky, covered the high solitude with its light. We are not conscious of daylight as that which displaces darkness. Daylight, even when the sun is clear of clouds, seems to us simply the natural condition of the earth and air. When we think of the downs, we think of the downs in daylight, as with think of a rabbit with its fur on. Stubbs may have envisaged the skeleton inside the horse, but most of us do not: and we do not usually envisage the downs without daylight, even though the light is not a part of the down itself as the hide is part of the horse itself. We take daylight for granted. But moonlight is another matter. It is inconstant. The full moon wanes and returns again. Clouds may obscure it to an extent to which they cannot obscure daylight. Water is necessary to us, but a waterfall is not. Where it is to be found it is something extra, a beautiful ornament. We need daylight and to that extent it us utilitarian, but moonlight we do not need. When it comes, it serves no necessity. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap to innumerable flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night. In moonlight, two acres of coarse bent grass, undulant and ankle deep, tumbled and rough as a horse's mane, appear like a bay of waves, all shadowy troughs and hollows. The growth is so thick and matted that event the wind does not move it, but it is the moonlight that seems to confer stillness upon it. We do not take moonlight for granted. It is like snow, or like the dew on a July morning. It does not reveal but changes what it covers. And its low intensity-so much lower than that of daylight-makes us conscious that it is something added to the down, to give it, for only a little time, a singular and marvelous quality that we should admire while we can, for soon it will be gone again.
He handed me something done up in paper. 'Your mask, ' he said. 'Don't put it on until we get past the city-limits.' It was a frightening-looking thing when I did so. It was not a mask but a hood for the entire head, canvas and cardboard, chalk-white to simulate a skull, with deep black hollows for the eyes and grinning teeth for the mouth. The private highway, as we neared the house, was lined on both sides with parked cars. I counted fifteen of them as we bashed by; and there must have been as many more ahead, in the other direction. We drew up and he and I got out. I glanced in cautiously over my shoulder at the driver as we went by, to see if I could see his face, but he too had donned one of the death-masks. 'Never do that, ' the Messenger warned me in a low voice. 'Never try to penetrate any other member's disguise.' The house was as silent and lifeless as the last time - on the outside. Within it was a horrid, crawling charnel-house alive with skull-headed figures, their bodies encased in business-suits, tuxedos, and evening dresses. The lights were all dyed a ghastly green or ghostly blue, by means of colored tissue-paper sheathed around them. A group of masked musicians kept playing the Funeral March over and over, with brief pauses in between. A coffin stood in the center of the main living-room. I was drenched with sweat under my own mask and sick almost to death, even this early in the game. At last the Book-keeper, unmasked, appeared in their midst. Behind him came the Messenger. The dead-head guests all applauded enthusiastically and gathered around them in a ring. Those in other rooms came in. The musicians stopped the Death Match. The Book-keeper bowed, smiled graciously. 'Good evening, fellow corpses, ' was his chill greeting. 'We are gathered together to witness the induction of our newest member.' There was an electric tension. 'Brother Bud!' His voice rang out like a clarion in the silence. 'Step forward.' ("Graves For Living")
First I need to do something.' He pulled me closer towards him until our lips were almost touching. 'What might that be?' I managed to stutter, closing my eyes, anticipating the warmth of his lips against mine. But the kiss didn't come. I opened my eyes. Alex had jumped to his feet. 'Swim, ' he said, grinning at me. 'Come on.' 'Swim?' I pouted, unable to hide my disappointment that he wanted to swim rather than make out with me. Alex pulled his T-shirt off in one swift move. My eyes fell straightaway to his chest - which was tanned, smooth and ripped with muscle, and which, when you studied it as I had done, in detail, you discovered wasn't a six-pack but actually a twelve-pack. My eyes flitted to the shadowed hollows where his hips disappeared into his shorts, causing a flutter in parts of my body that up until three weeks ago had been flutter-dormant. Alex's hands dropped to his shorts and he started undoing his belt. I reassessed the swimming option. I could definitely do swimming. He shrugged off his shorts, but before I could catch an eyeful of anything, he was off, jogging towards the water. I paused for a nanosecond, weighing up my embarrassment at stripping naked over my desire to follow him. With a deep breath, I tore off my dress then kicked off my underwear and started running towards the sea, praying Nate wasn't doing a fly-by. The water was warm and flat as a bath. I could see Alex in the distance, his skin gleaming in the now inky moonlight. When I got close to him, his hand snaked under the water, wrapped round my waist and pulled me towards him. I didn't resist because I'd forgotten in that instant how to swim. And then he kissed me and I prayed silently and fervently that he took my shudder to be the effect of the water. I tried sticking myself onto him like a barnacle, but eventually Alex managed to pull himself free, holding my wrists in his hand so I couldn't reattach. His resolve was as solid as a nuclear bunker's walls. Alex had said there were always chinks. But I couldn't seem to find the one in his armour. He swam two long strokes away from me. I trod water and stayed where I was, feeling confused, glad that the night was dark enough to hide my expression. 'I'm just trying to protect your honour, ' he said, guessing it anyway. I groaned and rolled my eyes. When was he going to understand that I was happy for him to protect every other part of me, just not my honour?