To suggest that the merciful, longsuffering, gracious and loving God of the Bible would invent a dreadful doctrine like Calvinism, which would have us believe it is an act of 'grace' to select only certain people for heaven and, by exclusion, others for hell, comes perilously close to blasphemy.
So it was a crossroads summer, when the universe seemed to stand perilously still like an egg wobbling on a precipice, a regular rite of passage summer that saw us traverse the hazardous divide between the illusions of boyhood and the far more pernicious deceptions of maturity, et cetera.
This is how I feel, I can't name it straight out but it seems important, do you feel it too?-- this sort of direct question is not for the squeamish. For one thing, it's perilously close to 'Do you like me? Please like me,' which you know quite well that 99% of all the interhuman manipulation and bullshit gamesmanship that goes on goes on precisely because the idea of saying this sort of thing straight out is regarded as somehow obscene.
David Foster Wallace
Outside, with Labor Day having come and gone, summer is fighting a dying battle against the fall air. The leaves are hanging perilously on the trees, knowing full well they're going to make the plunge, clinging on as if they stand a chance not to. The garbage smell that has wafted around us for the better part of August is dissipating, ushered out with the humidity, and in its place a briskness is filtering in, like something you'd smell from a bottle of Tide.
Allison Winn Scotch
I find myself most drawn to: art that has arisen from a deeply personal conversation between the artist and the work at hand. It is art that walks perilously close to the Edge, that crosses the river of blood into Faerie, that flies so high it is scorched by the sun, and then returns to tell the tale to us. It is art that needed to be written, or painted, or sung, or woven, or otherwise shaped. It is art gifted by the Mystery to the maker... and then, in turn, gifted to us.
Though I am sometimes reluctant to admit it, there really is something 'timeless' in the Tyndale/King James synthesis. For generations, it provided a common stock of references and allusions, rivalled only by Shakespeare in this respect. It resounded in the minds and memories of literate people, as well as of those who acquired it only by listening. From the stricken beach of Dunkirk in 1940, faced with a devil's choice between annihilation and surrender, a British officer sent a cable back home. It contained the three words 'but if not... ' All of those who received it were at once aware of what it signified. In the Book of Daniel, the Babylonian tyrant Nebuchadnezzar tells the three Jewish heretics Shadrach, Meshach, and Abednego that, if they refuse to bow to his sacred idol, they will be flung into a 'burning fiery furnace.' They made him an answer: 'If it be so, our god whom we serve is able to deliver us from the burning fiery furnace, and he will deliver us out of thy hand, o King. But if not, be it known unto thee, O king, that we will not serve thy gods, nor worship the golden image which thou hast set up.' A culture that does not possess this common store of image and allegory will be a perilously thin one. To seek restlessly to update it or make it 'relevant' is to miss the point, like yearning for a hip-hop Shakespeare. 'Man is born unto trouble as the sparks fly upward,' says the Book of Job. Want to try to improve that for Twitter?