Upholds Quotes

Authors: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Categories: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
my-soul-clings-to-you-your-right-hand-upholds-me-psalm-638
though-he-stumble-he-will-not-fall-for-lord-upholds-him-with-his-hand-psalm-3724
it-has-been-said-that-nation-reveals-its-character-by-values-it-upholds-kay-granger
the-lord-upholds-all-those-who-fall-lifts-up-all-who-are-bowed-down-psalm-14514
for-power-wicked-will-be-broken-but-lord-upholds-righteous-psalm-3717
rigid-the-skeleton-of-habit-alone-upholds-the-human-frame
and-allah-upholds-truth-with-his-words-even-though-sinners-detest-it-yunus-82
i-know-that-lord-secures-justice-for-poor-upholds-cause-needy-psalm-14012
he-upholds-cause-oppressed-gives-food-to-hungry-the-lord-sets-prisoners-free-psalm-1467
yes-i-live-in-god-shall-eternally-it-is-his-hand-upholds-me-now-death-will-be-but-uplifting-me-into-his-bosom-william-mountford
a-judge-should-be-evaluated-by-whether-he-faithfully-upholds-his-oath-to-god-not-to-people-to-state-to-constitution-clarence-thomas
society-is-strongest-when-it-upholds-basic-civil-rights-all-its-citizens-including-right-to-marry-person-you-love-mark-leno
effort-ceases-time-flaps-on-mast-there-we-stop-there-we-stand-rigid-skeleton-habit-alone-upholds-human-frame-virginia-woolf
recommend-virtue-to-your-children-that-alone-not-wealth-can-give-happiness-it-upholds-in-adversity-thought-it-my-art-prevents-me-from-putting-end-to-my-life-ludwig-van-beethoven
pope-vigorously-upholds-real-power-redemption-to-liberate-human-heart-from-domination-lust-calling-men-women-to-new-ethos-christopher-west
rep-foxx-is-to-be-commended-for-supporting-public-policy-that-values-human-life-protects-our-religious-liberties-upholds-institutions-marriage-family-tony-perkins
what-matters-in-character-is-not-whether-one-holds-this-that-opinion-what-matters-is-how-proudly-one-upholds-it-madame-de-stael
now-take-all-these-qualities-together-order-balance-evolution-intelligence-what-you-have-is-description-love-its-not-popular-ideal-it-is-wizards-love-force-that-upholds-life-nurt
trust-is-fundamental-key-that-upholds-honor-great-leadership-without-it-leadership-becomes-status-quo-great-disservice-to-change-your-followers-desire-wayne-chirisa
the-fairy-tale-belongs-to-poor-i-know-no-fairy-tale-which-upholds-tyrant-takes-part-strong-against-weak-a-fascist-fairy-tale-is-absurdity-erik-christian-haugaard
Then what is true love?' she asked audaciously. Derian leaned forward, his focus powerfully fixed on her. His voice turned delicate and compelling as he spoke. 'Love is so much more than a feeling. True love, Eena, is something that develops over time. It's not that initial infatuation nor the shivers and butterflies that take your breath away when you're first attracted to someone. Those things are nice, but they are barely the beginning of what could become true love. The emotions you speak of are temporary and unreliable, elicited when two people come together. The power I speak of grows ever stronger over time until it is steadfast, even in separation. Then, reunited, it solidifies unshakably.' She shook her head. 'I don't quite follow.' The captain inched closer, fixing her with the sincerest of gazes. His hands cupped as if he were holding his very heart within them. 'True love is a developed and intense appreciation for someone. It's that perfect awareness that you are finally whole when she's with you, and that hollow incompleteness you suffer when she's gone. True love takes time, Eena. It's an earned comfort that tells you she'll be right there beside you no matter what you do, not necessarily happy with your every action, but faithful to you just the same. Love is knowing someone so deeply, understanding her so completely, that you can finish her thoughts without hesitation, confident in reading her face, her body, even her slightest gesture means something to you. Love is years of devotion, sacrifice, commitment, loyalty, trust, faith, and friendship all wrapped up in one. True love does more than cause your heart to flutter, Eena. It upholds your heart when the infatuation no longer makes it flutter.' 'Wow.

Richelle E. Goodrich
then-what-is-true-love-she-asked-audaciously-derian-leaned-forward-his-focus-powerfully-fixed-on-her-his-voice-turned-delicate-compelling-as-he-spoke-love-is-much-more-than-feeli
It is already the fashion to diminish Eliot by calling him derivative, the mouthpiece of Pound, and so forth; and yet if one wanted to understand the apocalypse of early modernism in its true complexity it would be Eliot, I fancy, who would demand one's closest attention. He was ready to rewrite the history of all that interested him in order to have past and present conform; he was a poet of apocalypse, of the last days and the renovation, the destruction of the earthly city as a chastisement of human presumption, but also of empire. Tradition, a word we especially associate with this modernist, is for him the continuity of imperial deposits; hence the importance in his thought of Virgil and Dante. He saw his age as a long transition through which the elect must live, redeeming the time. He had his demonic host, too; the word 'Jew' remained in lower case through all the editions of the poems until the last of his lifetime, the seventy-fifth birthday edition of 1963. He had a persistent nostalgia for closed, immobile hierarchical societies. If tradition is, as he said in After Strange Gods-though the work was suppressed-'the habitual actions, habits and customs' which represent the kinship 'of the same people living in the same place' it is clear that Jews do not have it, but also that practically nobody now does. It is a fiction, a fiction cousin to a myth which had its effect in more practical politics. In extenuation it might be said that these writers felt, as Sartre felt later, that in a choice between Terror and Slavery one chooses Terror, 'not for its own sake, but because, in this era of flux, it upholds the exigencies proper to the aesthetics of Art.' The fictions of modernist literature were revolutionary, new, though affirming a relation of complementarity with the past. These fictions were, I think it is clear, related to others, which helped to shape the disastrous history of our time. Fictions, notably the fiction of apocalypse, turn easily into myths; people will live by that which was designed only to know by. Lawrence would be the writer to discuss here, if there were time; apocalypse works in Woman in Love, and perhaps even in Lady Chatterley's Lover, but not n Apocalypse, which is failed myth. It is hard to restore the fictive status of what has become mythical; that, I take it, is what Mr. Saul Bellow is talking about in his assaults on wastelandism, the cant of alienation. In speaking of the great men of early modernism we have to make very subtle distinctions between the work itself, in which the fictions are properly employed, and obiter dicta in which they are not, being either myths or dangerous pragmatic assertions. When the fictions are thus transformed there is not only danger but a leak, as it were, of reality; and what we feel about. all these men at times is perhaps that they retreated inso some paradigm, into a timeless and unreal vacuum from which all reality had been pumped. Joyce, who was a realist, was admired by Eliot because he modernized myth, and attacked by Lewis because he concerned himself with mess, the disorders of common perception. But Ulysses , alone of these great works studies and develops the tension between paradigm and reality, asserts the resistance of fact to fiction, human freedom and unpredictability against plot. Joyce chooses a Day; it is a crisis ironically treated. The day is full of randomness. There are coincidences, meetings that have point, and coincidences which do not. We might ask whether one of the merits of the book is not its lack of mythologizing; compare Joyce on coincidence with the Jungians and their solemn concordmyth, the Principle of Synchronicity. From Joyce you cannot even extract a myth of Negative Concord; he shows us fiction fitting where it touches. And Joyce, who probably knew more about it than any of the others, was not at tracted by the intellectual opportunities or the formal elegance of fascism.

Frank Kermode
it-is-already-fashion-to-diminish-eliot-by-calling-him-derivative-mouthpiece-pound-forth-yet-if-one-wanted-to-understand-apocalypse-early-modernism-in-its-true-complexity-it-woul
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